With détente, however, the U.S. Government arranges an exchange to save Grant. But the Russians will only release him if the United States finds and delivers the priceless imperial treasure that vanished during the Russian Revolution – the twelve Imperial Easter Eggs crafted by Faberge for the family of Czar Nicholas, each lavishly decorated with enamels and jewels, each worth a fortune. Although their recovery seems unlikely, the CIA assigns agency veteran Henryk Kessel to find them. He and his assistant, the beautiful Leslie Monroe, try to piece together the vanished past, combing the archives and museums of the world for a clue. In a hunt that takes them from the elegant drawing rooms of Georgetown to the busy bars of Stockholm, they pursue their mission. But it soon becomes evident that others, including the KGB, are on the same trail. As suspicion grows that not all the Romanovs are dead, Leslie quickly becomes target as well as pursuer, while Ward’s life hangs in the balance. The Romanov Ransom is haunting in its intensity. Complete with danger and romance, it brings novelist Thompson into the front ranks of espionage literature. Praise for Anne Armstrong Thompson ‘Anne Armstrong Thompson goes from strength to strength. The ingredients of her new book — espionage, a treasure hunt, the still unsolved mystery of the Romanovs, and a pair of fire-and-ice lovers — make marvelous reading.’ - Dorothy Eden ‘…silk-stocking suspense story’ – Kirkus Reviews Anne Armstrong Thompson was born in Lexington, Kentucky and received a B.S. degree in Economics from the University of Kentucky and an M.A. degree in Diplomacy from the Fletcher School of Law and Diplomacy. She has worked in Washington and lived in Georgetown. Upon her marriage to architect Milton Thompson, Jr., she returned to Kentucky, where she served as Medicaid Director in the Department of Health. Mrs. Thompson has travelled extensively and now lives, with her husband and two sons, in Kentucky.

    The world was 'somewhere inside his skull. And it hurt.' These poems and dramatic sketches, however, delight even when they hurt" -- ROSMARIE WALDROP"BORIS BY THE SEA was born when Aesop was reading Chekhov, and Chekhov was reading Nietzsche, and Nietzsche was watching The Brother From Another Planet. Actually Matvei Yankelevich wrote this book, but 'wrote' is incomplete... he seems more to inhabit this stateless, beautiful being who uses language to move his body or erase the sea: 'Boris looked over himself and realized there were many parts of him that he could not see. And only a small part of these parts was on the surface.' BORIS BY THE SEA could be a children's fable if it weren't so freakin' real, unreal, hyper-real: 'But people need each other to open each other up and see what is inside.' This is Boris--and he, like Pinnochio--has a clever master." -- ROBERT FITTERMANMatvei Yankelevich's first full-length book, BORIS BY THE SEA, is a work of existential theater that destroys the distance between puppeteer and puppet, between ego and id, between what is real and what is absurd. Consisting of prose, poems, and plays, the book creates its own world and then confronts the loneliness of having to exist within one's own creation. Like Daniil Kharms, Yankelevich has written a children's book for only the bravest of adults.