In the capital hospital, a gifted young surgeon is plagued by demons that are beginning to threaten his livelihood. Elsewhere in the hospital lies a dying man who was young during the country’s turbulent postcolonial years and has stories to tell that are far from heroic. As past and present intersect in the buzzing city, these men are drawn unwittingly closer by a British psychologist with good intentions, and into the path of one woman at the center of their stories. A work of breathtaking writing and rare wisdom, The Memory of Love seamlessly weaves together two generations of African life to create a story of loss, absolution, and the indelible effects of the past—and, in the end, the very nature of love.

    St John Fox, celebrated novelist, hasn’t seen her in six years. He’s unprepared for her afternoon visit, not least because she doesn’t exist. He’s infatuated with her. But he also made her up.“You’re a villain,” she tells him. ‘A serial killer . . . can you grasp that?”Will Mr Fox meet his muse’s challenge, to stop murdering his heroines and explore something of love? What will his wife Daphne think of this sudden change in her husband? Can there be a happy ending – this time?

    The protagonist of Ron Currie, Jr.’s new novel has a problem­—or rather, several of them. He’s a writer whose latest book was destroyed in a fire. He’s mourning the death of his father, and has been in love with the same woman since grade school, a woman whose beauty and allure is matched only by her talent for eluding him. Worst of all, he’s not even his own man, but rather an amalgam of fact and fiction from Ron Currie’s own life. When Currie the character exiles himself to a small Caribbean island to write a new book about the woman he loves, he eventually decides to fake his death, which turns out to be the best career move he’s ever made. But fame and fortune come with a price, and Currie learns that in a time of twenty-four-hour news cycles, reality TV, and celebrity Twitter feeds, the one thing the world will not forgive is having been told a deeply satisfying lie. What kind of distinction could, or should, be drawn between Currie the author and Currie the character?  Or between the book you hold in your hands and the novel embedded in it? Whatever the answers, Currie, an inventive writer always eager to test the boundaries of storytelling in provocative ways, has essential things to impart along the way about heartbreak, reality, grief, deceit, human frailty, and blinding love.

    Glaciers follows Isabel through a day in her life in which work with damaged books in the basement of a library, unrequited love for the former soldier who fixes her computer, and dreams of the perfect vintage dress move over a backdrop of deteriorating urban architecture and the imminent loss of the glaciers she knew as a young girl in Alaska.Glaciers unfolds internally, the action shaped by Isabel’s sense of history, memory, and place, recalling the work of writers such as Jean Rhys, Marguerite Duras, and Virginia Woolf. For Isabel, the fleeting moments of one day can reveal an entire life. While she contemplates loss and the intricate fissures it creates in our lives, she accumulates the stories—the remnants—of those around her and she begins to tell her own story.

    Her husband, Martin, still unforgiving for having been abandoned by his father years ago, confesses that he never knew the old man had died. So Omar asks Isabel for the impossible: persuade Omar’s family—especially his wife, Elda—to let him redeem himself.Isabel and Martin settle into married life in a Texas border town, and Omar returns each year on the celebratory Day of the Dead. Every year Isabel listens, but to the aggrieved Martin and Elda, Omar’s spirit remains invisible. Through his visits, Isabel gains insight into not just the truth about his disappearance and her husband’s childhood but also the ways grief can eat away at love. When Martin’s teenage nephew crosses the Mexican border and takes refuge in Isabel and Martin’s home, questions about past and future homes, borders, and belonging arise that may finally lead to forgiveness—and alter all their lives forever.

    Still, I never tried to hide or suppress my mind as some girls do, and thank God, because that would have been the beginning of the end.From childhood, Katherine knows she is different, and that her parents are not who they seem to be. But in becoming a mathematician, she must face the most human of problems—who is she? What is the cost of love, and what is the cost of ambition? On her quest to conquer the Riemann Hypothesis, the greatest unsolved mathematical problem of her time, she turns to a theorem with a mysterious history that holds both the lock and key to her identity, and to secrets long buried during World War II in Germany. Forced to confront some of the most consequential events of the twentieth century and rethink everything she knows of herself, she strives to take her place in the world of higher mathematics and finds kinship in the stories of the women who came before her—their love of the language of numbers connecting them across generations.In The Tenth Muse, Catherine Chung offers a gorgeous, sweeping tale about legacy, identity, and the beautiful ways the mind can make us free.

    As for how, when, to where, and even why—she doesn’t know yet. So begins a journey for the twenty-four-year-old narrator of Days of Distraction. As a staff writer at a prestigious tech publication, she reports on the achievements of smug Silicon Valley billionaires and start-up bros while her own request for a raise gets bumped from manager to manager. And when her longtime boyfriend, J, decides to move to a quiet upstate New York town for grad school, she sees an excuse to cut and run.Moving is supposed to be a grand gesture of her commitment to J and a way to reshape her sense of self. But in the process, she finds herself facing misgivings about her role in an interracial relationship. Captivated by the stories of her ancestors and other Asian Americans in history, she must confront a question at the core of her identity: What does it mean to exist in a society that does not notice or understand you?Equal parts tender and humorous, and told in spare but powerful prose, Days of Distraction is an offbeat coming-of-adulthood tale, a touching family story, and a razor-sharp appraisal of our times.

     Evi—a classically-trained ballerina—was nine months pregnant when her husband Eamon was killed in the line of duty on a steamy morning in July. Now, it is winter, and Eamon's adopted brother Dalton has moved in to help her raise six-month-old Noah. Whiskey & Ribbons is told in three intertwining, melodic voices: Evi in present day, as she’s snowed in with Dalton during a freak blizzard; Eamon before his murder, as he prepares for impending fatherhood and grapples with the danger of his profession; and Dalton, as he struggles to make sense of his life next to Eamon’s, and as he decides to track down the biological father he’s never known. In the vein of Jojo Moyes’ After You, Whiskey & Ribbons explores the life that continues beyond loss, with a complicated brotherly dynamic reminiscent of Elizabeth Strout’s The Burgess Boys. It’s a meditation on grief, hope, motherhood, brotherhood and surrogate fatherhood. Above all, it’s a novel about what it means—and whether it’s possible—to heal.

    In the days following the end of the Second World War, the world seems to offer itself up, and the two women are on the cusp of their 'real lives': Helena is off to Hollywood and a new marriage, while Nick is heading for a reunion with her own young husband, Hughes, about to return from the war. Soon the gilt begins to crack. Helena's husband is not the man he seemed to be, and Hughes has returned from the war distant, his inner light curtained over. On the brink of the 1960s, back at Tiger House, Nick and Helena—with their children, Daisy and Ed—try to recapture that sense of possibility. But when Daisy and Ed discover the victim of a brutal murder, the intrusion of violence causes everything to unravel. The members of the family spin out of their prescribed orbits, secrets come to light, and nothing about their lives will ever be the same.Brilliantly told from five points of view, with a magical elegance and suspenseful dark longing, Tigers in Red Weather is an unforgettable debut novel from a writer of extraordinary insight and accomplishment.

    The struggles, rivalries, intricate family politics, and the interplay of personalities and relationships within the complex private world of a polygamous union come to life in The Secret Lives of Baba Segi’s Wives—Big Love and The 19th Wife set against a contemporary African background.

    After the death of her beloved twin brother, Felix, and the break up with her long-time lover, Nathan, Greta Wells embarks on a radical psychiatric treatment to alleviate her suffocating depression. But the treatment has unexpected effects, and Greta finds herself transported to the lives she might have had if she'd been born in a different era.During the course of her treatment, Greta cycles between her own time and her alternate lives in 1918, as a bohemian adulteress, and 1941, as a devoted mother and wife. Separated by time and social mores, Greta's three lives are achingly similar, fraught with familiar tensions and difficult choices. Each reality has its own losses, its own rewards, and each extracts a different price. And the modern Greta learns that her alternate selves are unpredictable, driven by their own desires and needs.As her final treatment looms, questions arise. What will happen once each Greta learns how to stay in one of the other worlds? Who will choose to remain in which life?Magically atmospheric, achingly romantic, The Impossible Lives of Greta Wells beautifully imagines "what if" and wondrously wrestles with the impossibility of what could be.

    Halpern’s novel is an unforgettable tale of family...the kind you come from and the kind you create.People are drawn to libraries for all kinds of reasons. Most come for the books themselves, of course; some come to borrow companionship. For head librarian Kit, the public library in Riverton, New Hampshire, offers what she craves most: peace. Here, no one expects Kit to talk about the calamitous events that catapulted her out of what she thought was a settled, suburban life. She can simply submerge herself in her beloved books and try to forget her problems.But that changes when fifteen-year-old, home-schooled Sunny gets arrested for shoplifting a dictionary. The judge throws the book at Sunny—literally—assigning her to do community service at the library for the summer. Bright, curious, and eager to connect with someone other than her off-the-grid hippie parents, Sunny coaxes Kit out of her self-imposed isolation. They’re joined by Rusty, a Wall Street high-flyer suddenly crashed to earth.   In this little library that has become the heart of this small town, Kit, Sunny, and Rusty are drawn to each other, and to a cast of other offbeat regulars. As they come to terms with how their lives have unraveled, they also discover how they might knit them together again and finally reclaim their stories.

    The proud owner of a thriving Parisian architecture firm, co-founded with her brilliant new husband, Sophie had much to look forward to—including a visit to the island home of her favorite singer, Jacques Brel. For Barry Bleecker, the same trip was meant to mark a new beginning. Turning away from his dreary existence in Manhattan finance, Barry had set his sights on fine art, seeking creative inspiration on the other side of the world—just like his idol, Paul Gauguin. But when their small plane is downed in the middle of the South Pacific, the sole survivors of the wreck are left with one common goal: to survive. Stranded hundreds of miles from civilization, on an island the size of a large city block, the two castaways must reconcile their differences and learn to draw on one another's strengths if they are to have any hope of making it home.Told in mesmerizing prose, with charm and rhythm entirely its own, Dane Huckelbridge's Castle of Water is more than just a reimagining of the classic castaway story. It is a stirring reflection on love’s restorative potential, as well as a poignant reminder that home—be it a flat in Paris, a New York apartment, or a desolate atoll a world away—is where the heart is.

    She knows there is something wrong with her but she doesn't know what it is. Her husband Patrick thinks she is fine. He says everyone has something, the thing is just to keep going.Martha told Patrick before they got married that she didn't want to have children. He said he didn't mind either way because he has loved her since he was fourteen and making her happy is all that matters, although he does not seem able to do it.By the time Martha finds out what is wrong, it doesn't really matter anymore. It is too late to get the only thing she has ever wanted. Or maybe it will turn out that you can stop loving someone and start again from nothing - if you can find something else to want.

    Seven artists. Seven girls and women reading. A young orphan poses nervously for a Renaissance maestro in medieval Siena, and an artist's servant girl in 17th-century Amsterdam snatches a moment away from her work to lose herself in tales of knights and battles. A young woman reading in a Shoreditch bar catches the eye of a young man who takes her picture, and a Victorian medium holds a book that she barely acknowledges while she waits for the exposure. Each chapter of this richly textured debut takes us into a perfectly imagined tale of how each portrait came to be, and as the connections accumulate, the narrative leads us into the present and beyond - an inspired celebration of women reading and the artists who have caught them in the act.