In 18th-century England, Mary's shrewd instincts will get her only so far, and she despairs of the plans made for her to carve out a trade as a seamstress or a maid. Unwilling to bend to such a destiny, Mary strikes out on a painful, fateful journey all her own. Inspired by the obscure historical figure Mary Saunders, Slammerkin is a provocative, graphic tale and a rich feast of an historical novel. Author Emma Donoghue probes the gap between a young girl's quest for freedom and a better life and the shackles that society imposes on her. "Never give up your liberty."

    Warwickshire in the 1580s. Agnes is a woman as feared as she is sought after for her unusual gifts. She settles with her husband in Henley street, Stratford, and has three children: a daughter, Susanna, and then twins, Hamnet and Judith. The boy, Hamnet, dies in 1596, aged eleven. Four years or so later, the husband writes a play called Hamlet. Award-winning author Maggie O'Farrell's new novel breathes full-blooded life into the story of a loss usually consigned to literary footnotes, and provides an unforgettable vindication of Agnes, a woman intriguingly absent from history.A New York Times Notable Book (2020), Best Book of 2020: Guardian, Financial Times, Literary Hub, and NPR.

    Attrib. and other stories celebrates the tricksiness of language just as it confronts its limits. Correspondingly, the stories are littered with the physical ephemera of language: dictionaries, dog-eared pages, bookmarks and old coffee stains on older books. This is writing that centres on the weird, tender intricacies of the everyday where characters vie to 'own' their words, tell tall tales and attempt to define their worlds. With affectionate, irreverent and playful prose, the inability to communicate exactly what we mean dominates this bold debut collection from one of Britain’s most original new writers.

    Barbecue-Smith, who writes 1,500 publishable words an hour by "getting in touch" with his "subconscious," to Henry Wimbush, who is obsessed with writing the definitive "History of Crome." Denis's stay proves to be a disaster amid his weak attempts to attract the girl of his dreams and the ridicule he endures regarding his plan to write a novel about love and art. Lambasting the post-Victorian standards of morality, Crome Yellow is a witty masterpiece that, in F. Scott Fitzgerald's words, "is too ironic to be called satire and too scornful to be called irony."

    Soon she finds herself drawn unwillingly into the tumultuous London art world, populated by exiled Russian oligarchs, avaricious Sheikas, desperate auctioneers and unscrupulous dealers, all scheming to get their hands on her painting - a lost eighteenth-century masterpiece called ‘The Improbability of Love’. Delving into the painting’s past, Annie will uncover not just an illustrious list of former owners, but some of the darkest secrets of European history – and in doing so she might just learn to open up to the possibility of falling in love again.

    In the style of Studs Terkel (Working, Hard Times, The Good War) and Dave Isay (Listening Is an Act of Love), Londoners offers up  the stories, the gripes, the memories, and the dreams of those in the great and vibrant British metropolis who “love it, hate it, live it, left it, and long for it,” from a West End rickshaw driver to a Soldier of the Guard at Buckingham Palace to a recovering heroin addict seeing Big Ben for the very first time. Published just in time for the 2012 London Olympic Games, Londoners is a glorious literary celebration of one of the world’s truly great cities.

    Lovingly, poignantly, satirically and with much humor, Pym conducts us through their small lives and the facade they erect to defend themselves against the outside world. There is nevertheless an obstinate optimism in her characters, allowing them in their different ways to win through to a kind of hope. Barbara Pym’s sensitive wit and artistry are at their most sparkling in Quartet in Autumn.

    Detail by detail their diaries record a world in which thought leads to action and action brings William G. and Neaera H. to their own open sea.

    He has a single room, a job on a decaying London barge, and an on-off affair with a doctor's daughter called Victoria, who claims to have seen her first corpse at age thirteen.It's not ideal, but it's a life. Or it would be if Shaw hadn't got himself involved in a conspiracy theory that, on dark nights by the river, seems less and less theoretical...Meanwhile, Victoria is up in the Midlands, renovating her dead mother's house, trying to make new friends. But what, exactly, happened to her mother? Why has the local waitress disappeared into a shallow pool in a field behind the house? And why is the town so obsessed with that old Victorian morality tale, The Water Babies?As Shaw and Victoria struggle to maintain their relationship, the sunken lands are rising up again, unnoticed in the shadows around them.

    But is their breeding sufficient to allow them to rise above their changed circumstance or deep down are they really just like everyone else?

    . .On a hot July day in 1967, Odelle Bastien climbs the stone steps of the Skelton gallery in London, knowing that her life is about to change forever. Having struggled to find her place in the city since she arrived from Trinidad five years ago, she has been offered a job as a typist under the tutelage of the glamorous and enigmatic Marjorie Quick. But though Quick takes Odelle into her confidence, and unlocks a potential she didn't know she had, she remains a mystery - no more so than when a lost masterpiece with a secret history is delivered to the gallery.The truth about the painting lies in 1936 and a large house in rural Spain, where Olive Schloss, the daughter of a renowned art dealer, is harbouring ambitions of her own. Into this fragile paradise come artist and revolutionary Isaac Robles and his half-sister Teresa, who immediately insinuate themselves into the Schloss family, with explosive and devastating consequences . . .

    A lonely child, he found solace in Old Joe's simple wisdom and folk charms. The magic was lost, however, when Joe disappeared without warning one fall. Years later, Jay's life is stalled with regret and ennui. His bestselling novel, Jackapple Joe, was published ten years earlier and he has written nothing since. Impulsively, he decides to leave his urban life in London and, sight unseen, purchases a farmhouse in the remote French village of Lansquenet. There, in that strange and yet strangely familiar place, Jay hopes to re-create the magic of those golden childhood summers. And while the spirit of Joe is calling to him, it is actually a similarly haunted, reclusive woman who will ultimately help Jay find himself again.

    Growing up in a typically Victorian household, the Pargiter children must learn to find their footing in an alternative world, where the rules of etiquette have shifted from the drawing-room to the air-raid shelter. A work of fluid and dazzling lucidity, The Years eschews a simple line of development in favour of a varied and constantly changing style, emphasises the radical discontinuity of personal experiences and historical events. Virginia Woolf's penultimate novel celebrates the resilience of the individual self and, in her dazzlingly fluid and distinctive voice, she confidently paints a broad canvas across time, generation and class.

    Mrs. Creasy is missing and the Avenue is alive with whispers. The neighbors blame her sudden disappearance on the heat wave, but ten-year-olds Grace and Tilly aren’t convinced. As the summer shimmers endlessly on, the girls decide to take matters into their own hands. Inspired by the local vicar, they go looking for God—they believe that if they find Him they might also find Mrs. Creasy and bring her home.Spunky, spirited Grace and quiet, thoughtful Tilly go door to door in search of clues. The cul-de-sac starts to give up its secrets, and the amateur detectives uncover much more than ever imagined. As they try to make sense of what they’ve seen and heard, a complicated history of deception begins to emerge. Everyone on the Avenue has something to hide, a reason for not fitting in.In the suffocating heat of the summer, the ability to guard these differences becomes impossible. Along with the parched lawns and the melting pavement, the lives of all the neighbors begin to unravel. What the girls don’t realize is that the lies told to conceal what happened one fateful day about a decade ago are the same ones Mrs. Creasy was beginning to peel back just before she disappeared.

    He lives in a small English village with his wife, Maureen, who seems irritated by almost everything he does, even down to how he butters his toast. Little differentiates one day from the next. Then one morning the mail arrives, and within the stack of quotidian minutiae is a letter addressed to Harold in a shaky scrawl from a woman he hasn't seen or heard from in twenty years. Queenie Hennessy is in hospice and is writing to say goodbye. Harold pens a quick reply and, leaving Maureen to her chores, heads to the corner mailbox. But then, as happens in the very best works of fiction, Harold has a chance encounter, one that convinces him that he absolutely must deliver his message to Queenie in person. And thus begins the unlikely pilgrimage. Harold Fry is determined to walk six hundred miles from Kingsbridge to the hospice in Berwick-upon-Tweed because, he believes, as long as he walks, Queenie Hennessey will live. Still in his yachting shoes and light coat, Harold embarks on his urgent quest across the countryside. Along the way he meets one character after another, each of whom unlocks his long-dormant spirit and sense of promise. Memories of his first dance with Maureen, his wedding day, his joy in fatherhood, come rushing back to him - allowing him to also reconcile the losses and the regrets. As for Maureen, she finds herself missing Harold for the first time in years. And then there is the unfinished business with Queenie Hennessy.