A semi-memoir covering a decade of the acclaimed cartoonists formative years (1935-1945), and including many reproductions of famous drawings and photos from the authors personal collection.

    But now destiny was about to manifest itself. I felt like it was looking right at me and nobody else." So writes Bob Dylan in Chronicles: Volume One, his remarkable book exploring critical junctures in his life and career. Through Dylan's eyes and open mind, we see Greenwich Village, circa 1961, when he first arrives in Manhattan. Dylan's New York is a magical city of possibilities -- smoky, nightlong parties; literary awakenings; transient loves and unbreakable friendships. Elegiac observations are punctuated by jabs of memories, penetrating and tough. With the book's side trips to New Orleans, Woodstock, Minnesota and points west, Chronicles: Volume One is an intimate and intensely personal recollection of extraordinary times.By turns revealing, poetical, passionate and witty, Chronicles: Volume One is a mesmerizing window on Bob Dylan's thoughts and influences. Dylan's voice is distinctively American: generous of spirit, engaged, fanciful and rhythmic. Utilizing his unparalleled gifts of storytelling and the exquisite expressiveness that are the hallmarks of his music, Bob Dylan turns Chronicles: Volume One into a poignant reflection on life, and the people and places that helped shape the man and the art.

    Tireless in her quest and assisted by generous, far-flung strangers, Morgan discovered not only a treasury of world literature but also the keys to unlock it. Whether considering the difficulties faced by writers in developing nations, movingly illustrated by Burundian Marie-Thérese Toyi's Weep Not, Refugee; tracing the use of local myths in the fantastically successful Samoan YA series Telesa; delving into questions of censorship and propaganda while sourcing a title from North Korea; or simply getting hold of The Corsair, the first Qatari novel to be translated into English, Morgan illuminates with wit, warmth, and insight how stories are written the world over and how place-geographical, historical, virtual-shapes the books we read and write.

    Though she kept her private life a mystery, for some years Agatha had secretly written her autobiography, and when it was published after her death, millions of her fans agreed - this was her best story!From early childhood at the end of the 19th century, through two marriages and two World Wars, and her experiences both as a writer and on archaeological expeditions with her second husband, Max Mallowan, this book reveals the true genius of her legendary success with real passion and openness.

    During ancient times a long line of kings reined over this fairytale land, and one of those kings was a man named Brian Boru. Ruling the Emerald Isle from 1002 to 1014, Brian’s tenure is indeed so immersed in mythology that it is sometimes hard to glean the fact from the fiction. But Brian Boru himself was not the product of a fanciful tale—he did indeed exist in the flesh. His body is buried at St. Patrick’s Cathedral in Armagh where countless admirers of his life still come to visit.In 2014, as a testament to his enduring character, at the 1000th anniversary of the Battle of Clontarf and Brian Boru’s ultimate demise, thousands made their way to the site of the former fray to pay homage. This book seeks to flesh out every detail of his character and his experiences as they transpired.Discover a plethora of topics such asIreland in the Viking AgeEarly Life in KincoraRise to PowerThe High King of IrelandThe Battle of ClontarfDeath and BurialAnd much more!

    It is "the most genuinely feminist account of Plath's life yet: one in which Plath herself is held to be responsible for her own life, her own death" (Washington Post Book World). (A Mariner Reissue)

    Memory invents unbidden.’The 1950s were not grey. In Jonathan Meades’s detailed, petit-point memoir they are luridly polychromatic. They were peopled by embittered grotesques, bogus majors, vicious spinsters, reckless bohos, pompous boors, suicides. Death went dogging everywhere. Salisbury, where he was brought up, had two industries: God and the Cold War, both of which provided a cast of adults for the child to scrutinise – desiccated God-botherers on the one hand, gung-ho chemical warriors on the other. The title is grossly inaccurate. This book is, rather, a portrait of a disappeared provincial England, a time and place unpeeled with gruesome relish.

    In The DiMaggios, acclaimed sportswriter Tom Clavin reveals the untold Great American Story of three brothers, Joltin’ Joe, Dom, and Vince DiMaggio, and the Great American Game—baseball—that would consume their lives.A vivid portrait of a family and the ways in which their shifting fortunes and status shaped their relationships, The DiMaggios is a exploration of an era and a culture.This comprehensive biography that recalls the work of Jane Leavy offers a trove of insight into one of the game’s greatest players and his family, sure to be treasured by Yankees fans, Red Sox Fans, and baseball aficionados around the world.

    This title talks about Ian Curtis.

    During his lifetime he was a bourgeois-baiting visionary, and the list of his known crimes is longer than the list of his published poems. But his posthumous career is even more astonishing: saint to symbolists and surrealists; poster child for anarchy and drug use; gay pioneer; a major influence on artists from Picasso to Bob Dylan.

    Now, William Shawcross—given unrestricted access to the Queen Mother’s personal papers, letters, and diaries—gives us a portrait of unprecedented vividness and detail. Here is the girl who helped convalescing soldiers during the First World War . . . the young Duchess of York helping her reluctant husband assume the throne when his brother abdicated . . . the Queen refusing to take refuge from the bombing of London, risking her own life to instill courage and hope in others who were living through the Blitz . . . the dowager Queen—the last Edwardian, the charming survivor of a long-lost era—representing her nation at home and abroad . . . the matriarch of the Royal Family and “the nation’s best-loved grandmother.”A revelatory royal biography that is, as well, a singular history of Britain in the twentieth century.

    Missing for more than four decades has been a third perspective on the events that brought their marriage to its ill-fated end, the story of another—the other—woman: Hughes' mistress Assia Wevill. Like Plath before her, Assia shared her life with Hughes for seven years, until she took her own life and that of their daughter at the age of forty-two, in a manner that nearly replicated Plath's suicide six years earlier. Drawing on previously unavailable documents and private papers, including Assia's diaries and her intimate correspondence with Hughes, this book shows the vital influence Assia exerted on the poet and his work, and the uneasy life they shared under the long shadow of Plath. A Lover of Unreason is the first-ever full-length biography of Assia Wevill. It casts a keen light, and explores the emergence of a singular twentieth-century woman. Three-times divorcée, career woman, mistress, and single mother, Assia Wevill openly defied the conventions of a censorious pre-feminist Britain and mesmerized men and women alike with her quick-mind and exotic beauty.

    Together these two volumes form the most comprehensive books available on Dylan's words. Clinton Heylin is the world's leading Dylan biographer and expert, and he has arranged the songs in a continually surprising chronology of when they were actually written rather than when they appeared on albums. Using newly discovered manuscripts, anecdotal evidence, and a seemingly limitless knowledge of every Bob Dylan live performance, Heylin reveals hundreds of facts about the songs. Here we learn about Dylan's contributions to the Traveling Wilburys, the women who inspired "Blood on the Tracks "and "Desire," " "the sources Dylan "plagiarized" for "Love and Theft "and "Modern Times," " "why he left "Blind Willie McTell" off of "Infidels "and "Series of Dreams" off of "Oh Mercy," " "what broke the long dry spell he had in the 1990s, and much more. This is an essential purchase for every true Bob Dylan fan.

    Or the "Phantom of Fine Hall," a figure many students had seen shuffling around the corridors of the math and physics building wearing purple sneakers and writing numerology treatises on the blackboards. The Phantom was John Nash, one of the most brilliant mathematicians of his generation, who had spiraled into schizophrenia in the 1950s. His most important work had been in game theory, which by the 1980s was underpinning a large part of economics. When the Nobel Prize committee began debating a prize for game theory, Nash's name inevitably came up—only to be dismissed, since the prize clearly could not go to a madman. But in 1994 Nash, in remission from schizophrenia, shared the Nobel Prize in economics for work done some 45 years previously.Economist and journalist Sylvia Nasar has written a biography of Nash that looks at all sides of his life. She gives an intelligent, understandable exposition of his mathematical ideas and a picture of schizophrenia that is evocative but decidedly unromantic. Her story of the machinations behind Nash's Nobel is fascinating and one of very few such accounts available in print (the CIA could learn a thing or two from the Nobel committees).

    G. WellsUpon the death of H. G. Wells, in 1946, George Orwell remarked, If he had stopped writing in 1920 his reputation would stand quite as high as it does: if we knew him only by the books he wrote after that date, we should have rather a low opinion of him. For though Wells is remembered as the author of such influential books of science fiction as The Time Machine, The Invisible Man, and The War of the Worlds, and as a man whose visions of the future remain unsurpassed, his success as a writer of fiction stopped short in his forties. He remained famous, with an established reputation across England, America, and France, but, remarkably, never again equaled his early writing achievements.Here for the first time, Claire Tomalin brings to life the early years of H. G. Wells, and traces his formation as a writer of extraordinary originality and ambition. Born in 1866, the son of a gardener and a housekeeper, Wells faced poverty and ill health from a young age. At 12, he was taken out of school, torment for a child with intellectual aspirations. Determined, Wells won scholarships and worked towards science degrees. Though he failed his final exams, he was soon writing text books, involving himself in politics, and contributing to newspapers. Still suffering from serious illness, as well as multiple physical breakdowns, Wells understood early on the impulse to escape - through books, art, and his imagination - and he began to make his name by writing short stories. But it wasn't until the publication of his first novel, The Time Machine, in 1895, that Wells attained the great success he had so longed for. His book, which transformed the way readers saw the world, was hailed as an extraordinary accomplishment.Until the period leading up to the first world war, Wells wrote books at an almost unprecedented speed - about science, mysteries, and prophecies; aliens, planets, and space travel; mermaids, the bottom of the sea, and distant islands. He chronicled social change, and forecasted the future of technology and politics; formed friendships with Winston Churchill, Henry James, and Bernard Shaw, and shaped the minds of the young and old. His most famous works have never been out of print, and his influence is still felt today. In this unforgettable portrait of this complicated man, Tomalin makes clear his early period was crucial in making him into the great writer he became, and that by concentrating on the young Wells, we get the best of his life, and of his work.