race relations, federal bureaucracies, Christian churches, and social scientists. This book continues to be required reading for all Americans, whatever their special interest.

    In the predawn hours of April 30, 1871, a combined party of Americans, Mexicans, and Tohono Oaodham Indians gathered just outside an Apache camp in the Arizona borderlands. At the first light of day they struck, murdering nearly 150 Apaches, mostly women and children, in their sleep. In its day, the atrocity, which came to be known as the Camp Grant Massacre, generated unparalleled national attentionafederal investigations, heated debate in the press, and a tense criminal trial. This was the era of the United Statesa apeace policya toward Indians, and the Apaches had been living on a would-be reservation, under the supposed protection of the U.S. Army. President Ulysses Grant decried the act as apurely murder, a but American settlers countered that the distant U.S. government had failed to protect them from Apache attacks, and they were forced to take justice into their own hands. In the past century, the massacre has largely faded from memory. Now, drawing on oral histories, newspaper reports, and the participantsa own accounts, prizewinning author Karl Jacoby brings this horrific incident and tumultuous era to life. What brought this party together on that fateful April morning, and what led them to commit such a stunning act of violence? Shadows at Dawn traces the escalating conflicts, as well as the alliances, that transpired among the Americans, Mexicans, Apache, and Tohono Oaodham living in the borderlands over the course of several hundred years, beginning with the seventeenth-centuryarrival of the first Spanish missionaries. The American presence brought further transformations, especially after the Gadsden Purchase transferred a large swath of Mexican territory to the United States, leaving many Mexicans feeling like foreigners in their own land. By recounting the events from the perspective of each of the four parties involved, Jacoby challenges the dominance of the American version of the western story and also reveals the way each group has remembered, or forgotten, the massacre. Prodigiously researched and powerfully written, Shadows at Dawn examines a forgotten atrocity and in doing so paints a sweeping panorama of the southwestern border landsaa world far more complex, culturally diverse, and morally ambiguous than the traditional portrayals of the Old West.

    She was raised by the tribe and eventually became the wife of a warrior. Twenty-four years after her capture, she was reclaimed by the U.S. cavalry and Texas Rangers and restored to her white family, to die in misery and obscurity. Cynthia Ann's story has been told and re-told over generations to become a foundational American tale. The myth gave rise to operas and one-act plays, and in the 1950s to a novel by Alan LeMay, which would be adapted into one of Hollywood's most legendary films, The Searchers, "The Biggest, Roughest, Toughest... and Most Beautiful Picture Ever Made!" directed by John Ford and starring John Wayne. Glenn Frankel, beginning in Hollywood and then returning to the origins of the story, creates a rich and nuanced anatomy of a timeless film and a quintessentially American myth. The dominant story that has emerged departs dramatically from documented history: it is of the inevitable triumph of white civilization, underpinned by anxiety about the sullying of white women by "savages." What makes John Ford's film so powerful, and so important, Frankel argues, is that it both upholds that myth and undermines it, baring the ambiguities surrounding race, sexuality, and violence in the settling of the West and the making of America.