His medium of expression, the wordless “novel in woodcuts,” was his alone in the United States, and he quickly brought it from bold iconic infancy to a still unrivalled richness of drama, characterization, imagery, and technique.In this, the first of two volumes collecting all his woodcut novels, The Library of America brings together Ward’s earliest books, published when the artist was still in his twenties. Gods’ Man (1929), the audaciously ambitious work that made Ward’s reputation, is a modern morality play, an allegory of the deadly bargain a striving young artist often makes with life. Madman’s Drum (1930), a multigenerational saga worthy of Faulkner, traces the legacy of violence haunting a family whose stock in trade is human souls. Wild Pilgrimage (1932), perhaps the most accomplished of these early books, is a study in the brutalization of an American factory worker whose heart can still respond to beauty but whose mind is twisted in rage against the system and its shackles.The images reproduced in this volume are taken from prints pulled from the original woodblocks or first-generation electrotypes. Ward’s novels are presented, for the first time since the 1930s, in the format that the artist intended, one image per right-hand page, and are followed by five essays in which he discusses the technical challenges of his craft. Art Spiegelman contributes an introductory essay, “Reading Pictures,” that defines Ward’s towering achievement in that most demanding of graphic-story forms, the wordless novel in woodcuts.

    The human drama, the psychological insight -- Eisner captures the soul of the city and its troubled inhabitants with pen and ink. The comics medium was altered forever with the publication of this seminal work.

    Kurt Severing, a journalist, and Marthe Muller, an art student, are the central figures in a broad cast of characters intertwined with the historical events unfolding around them. City of Stones covers eight months in Berlin, from September 1928 to May Day, 1929, meticulously documenting the hopes and struggles of its inhabitants as their future is darkened by a glowing shadow.

    By addressing the horror of the Holocaust through cartoons, the author captures the everyday reality of fear and is able to explore the guilt, relief and extraordinary sensation of survival - and how the children of survivors are in their own way affected by the trials of their parents. A contemporary classic of immeasurable significance.

    Spontaneous sketches and a travelogue diary document his adventures and quiet moments, creating a raw and intimate portrait of countries, culture and the wandering artist.

    Sharing the same goofy, over-the-top comic mayhem that was Chaplin's trademark, and preceding the expressive, cartoony art style of MAD magazine legend Harvey Kurtzman, all of He Done Her Wrong's hilarious slapstick, tragic heartbreak, heroism and villainy, character development, high emotions and raucous thrills somehow manages to take place, astonishingly, without a single word of text, or conversation, or even a footnote.The story follows the convoluted misadventures of a naive frontiersman with superhuman strength exploited by a larcenous robber baron who eventually double crosses our hero and steals his girl. The pursuit leads to New York City where a sordid cast of cantankerous salesmen, officious government bureaucrats, bumbling hospital attendants, a lusty widow with a defensive Chihuahua and one angry barber wreak more havoc in our characters' lives than a hundred Little Rascals in a Marx Brothers film.Born in the Bronx in 1895, Gross would go on to spend his teenage years working as an office assistant at the Hearst publication The New York Evening Journal. He befriended the paper's renowned comic strip bullpen that included such early 20th century comics legends as Tad Dorgan, Cliff Sterrett, Harry Hershfield and Tom McNamara, who allowed Gross to cut his teeth drawing background and dialogue lettering jobs on their strips. He eventually won space on the paper's sports page for his first large daily strip titled Kinney B. Alive, making its debut in 1916. The strip only lasted for one week, but subsequent efforts such as Frenchie, White Feitlebaums in the South Seas, Count Screwloose of Toulouse and the best-selling books Hiawatta Wit No Udda Pomes and Nize Baby asserted more staying power. Gross' stylized cartooning won the public devotion of such noteworthy fans as President Calvin Coolidge and Supreme Court Justice Oliver Wendell Holmes. According to The Comics Journal, Gross's skillful work displays a "Fast-action style Furiously tangled line work A freewheeling onslaught of immensely droll squiggles apparently done at top speed Inspired slapdash like nothing else in the cartoon art of his time [Gross] was a master of graphic invention and a one-man comic riot."He Done Her Wrong is a classic comics work, legendary among aficionados, and arguably the 20th century's first graphic novel. Fantagraphics Books is proud to put this back into print in a facsimile edition, unabridged, with newly designed covers.

    When he meets the girl of his dreams, things begin to go awry: what seems too good to be true apparently is. And what seems truest in Boring's life is that, given the right set of circumstances (in this case, an orgiastic cascade of vengeance, humiliation and murder) the primal nature of humandkind will come inexorably to the fore.

    Faber now brings his work to the English-speaking world for the first time.Through Chabouté's elegant graphic style, we watch people pass, stop, meet, return, wait and play out the strange and funny choreography of life. Fans of The Fox and the Star, The Man Who Planted Trees and Richard Linklater's Boyhood will find this intimate graphic novel about a simple park bench - and the people who walk by or linger - poignant, life-affirming and brilliantly original.

    By which we mean: orderly, neat, contained and, moreover, beardless.Or at least it is until one famous day, when Dave, bald but for a single hair, finds himself assailed by a terrifying, unstoppable... monster*!Where did it come from? How should the islanders deal with it? And what, most importantly, are they going to do with Dave?The first book from a new leading light of UK comics, The Gigantic Beard That Was Evil is an off-beat fable worthy of Roald Dahl. It is about life, death and the meaning of beards.(*We mean a gigantic beard, basically.)

    Legendary cartoonist Yoshihiro Tatsumi is the grandfather of alternative manga for the adult reader. Predating the advent of the literary graphic novel movement in the United States by thirty years, Tatsumi created a library of literary comics that draws parallels with modern prose fiction and today's alternative comics. Designed and edited by one of today's most popular cartoonists, Adrian Tomine, The Push Man and Other Stories is the debut volume in a groundbreaking new series that collects Tatsumi's short stories about Japanese urban life. Tatsumi's stories are simultaneously haunting, disturbing, and darkly humorous, commenting on the interplay between an overwhelming, bustling, crowded modern society and the troubled emotional and sexual life of the individual.

    Here is Richard McGuire's unique graphic novel based on the legendary 1989 comic strip of the same name.Richard McGuire's groundbreaking comic strip Here was published under Art Spiegelman's editorship at RAW in 1989.Built in six pages of interlocking panels, dated by year, it collapsed time and space to tell the story of the corner of a room - and its inhabitants - between the years 500,957,406,073 BC and 2313 AD.The strip remains one of the most influential and widely discussed contributions to the medium, and it has now been developed, expanded and reimagined by the artist into this full-length, full-colour graphic novel - a must for any fan of the genre.

    Like Safe Area Gorazde, Palestine has been favorably compared to Art Spiegelman's Pulitzer Prize-winning Maus for its ability to brilliantly navigate such socially and politically sensitive subject matter within the confines of the comic book medium.Sacco has often been called the first comic book journalist, and he is certainly the best. This edition of Palestine also features an introduction from renowned author, critic, and historian Edward Said (Peace and Its Discontents and The Question of Palestine), one of the world's most respected authorities on the Middle Eastern conflict.

    This superbly evocative graphic novella by the award-winning Norwegian cartoonist Jason (his first appearance in the English language) starts off as a melancholy childhood memoir and then, with a shocking twist midway through, becomes the summary of lives lived, wasted, and lost. Like Art Spiegelman did with Maus, Jason utilizes anthropomorphic stylizations to reach deeper, more general truths, and to create elegantly minimalist panels whose emotional depth-charge comes as an even greater shock. His sparse dialogue, dark wit, and supremely bold use of "jump-cuts" from one scene to the next (sometimes spanning a number of years) make Hey, Wait... one of the most surprising and engaging debuts of the year.

    Collecting over a decade s worth of artifacts, excavations, comic strips, animation stills, storybook covers, and much more, this broken jigsaw puzzle of a book tells the story of Pim & Francie, a pair of childlike, male and female imps whose irresponsible antics get them into horrific, fantastic trouble. Their loosely defined relationship only contributes to the existential fear that lingers underneath the various perils they are subjected to. Columbia s brilliant, fairytale-like backdrops hint at further layers of reality lurking under every gingerbread house or behind every sunny afternoon. Never have such colorful, imaginative vistas instilled such an atmosphere of dread, and with such a wicked sense of humor. This is a comprehensive collection of Columbia s Pim & Francie work, including paintings, comics, character designs, and much more, all woven into something greater than the sum of its parts, with Pim & Francie careening from danger to danger, threaded together through text and notes by the artist. This is the first book collection by Columbia, a well-regarded talent amongst longtime fans of the alternative comic book scene, and one who will thrill an entirely new audience with the singular, inspired, fully-realized fantasies within Pim & Francie.

    Join princess Aurora and her friends as they journey to civilization's heart of darkness in a bleak allegory about surviving the human experience.  The sweet faces and bright leaves of Kerascoët’s delicate watercolors serve to highlight the evil that dwells beneath Vehlmann's story as pettiness, greed, and jealousy take over. Beautiful Darkness is a harrowing look behind the routine politeness and meaningless kindness of civilized society.