Pollitt’s imagination is stirred by conflict and juxtaposition, by the contrast (but also the connection) between logic and feeling, between the real and the transcendent, between our outer and inner selves: Jane Austen slides her manuscript under her blotter, bewildered young mothers chat politely on the playground, the simple lines of a Chinese bowl in a thrift store remind the poet of the only apparent simplicities of her childhood. The title poem hilariously and ruefully depicts the friction between passion and repression (“Perhaps / my body would have liked to make some of our dates, / to come home at four in the morning and answer my scowl / with ‘None of your business!’ ”). In a sequence of nine poems, Pollitt turns to the Bible for inspiration, transforming some of the oldest tales of Western civilization into subversive modern parables: What if Adam and Eve couldn’t wait to leave Eden? What if God needs us more than we need him?With these moving, vivid, and utterly distinctive poems, Katha Pollitt reminds us that poetry can be both profound and accessible, and reconfirms her standing in the first rank of modern American poets.

    Or a prediction comes true and I couldn't do anything to stop it, so it seems like a kind of useless magic."

    a grave, attentive holding of a light” by the contest judge, the distinguished poet W. S. Merwin. The poems are set above and below the Cave Country of south central Kentucky, where McCombs lives and which is home to thousands of caves. The book is framed by two sonnet sequences, the first about a slave guide and explorer at Mammoth Cave in the mid-1800s and the second about McCombs’s experiences as a guide and park ranger there in the 1990s. Other poems deal with Mammoth Cave’s four- thousand-year human history and the thrills of crawling into tight, rarely visited passageways to see what lies beyond. Often the poems search for oblique angles into personal experience, and the caves and the landscape they create form a personal geology.

    Each chapter holds the symbol of a petal containing a multitude of thoughts crowned with passion, love, light, hope and kindness.

    When he is angry, clouds darken. When he cries, rivers burst their banks. And when he touches a basketball, deities want courtside seats. Half Nigerian mortal, half Grecian God: Demi is the Half-God of Rainfall.His mother, Modupe, looks on with a mixture of pride and worry. From close encounters, she knows that Gods are just like men: the same fragile egos, the same subsequent fury, the same sense of entitlement to the bodies of mortals. The Gods will one day tire of sports fans, their fickle allegiances and their prayers to Demi.And when that moment comes, it won’t matter how special he is. Only the women in Demi’s life, the mothers, the Goddesses, will stand between him and a lightning bolt.

    It is his first published book. The included poems span a wide range of subjects and themes, covering such topics as love, abuse, suicide, poverty, and many many others.

    But David attracts a sea-dweller that he never expected - Aycayia, an innocent young woman cursed by jealous wives to live as a mermaid.When American tourists capture Aycayia, David rescues her and vows to win her trust. Slowly, painfully, she transforms into a woman again. Yet as their love grows, they discover that the world around them is changing - and they cannot escape the curse for ever...

    Written as a catharsis in the months following the loss of her father in late 2016, Jessica has taken pen to page to say things he and others will never read, either because they can't, or just won't. Containing entirely new works, this is a can't miss release.

    A way of desensitizing the reader from his own defenses each time this long, Black Movie repeats.”– Marcus Wicker, author of Silencer

    Inevitably, as they set off on the journey back to Nottingham the lawmen's disgust at the captive's crime colours their opinion of him and Little John has to be restrained from brutally assaulting the man. The harsh winter conditions slow their progress though, and eventually the prisoner's protestations and desperate violent actions have the lawmen questioning what's really been happening in Stapleford...Can Robin and John complete the mission they've been given, or will their own innate sense of justice lead them down an unexpected path?Fans of the bestselling Forest Lord series will love this exciting new stand-alone tale, set just before Blood of the Wolf, that explores the themes of morality and justice in medieval England.

    Thus CHACHA CHAUDHARY was born in 1971.Tall and robust SABU, who is an inhabitant of planet Jupiter, gave Chaudhary an ideal company. A combination of wisdom and strength was formed to tackle any difficult task. It is said that " Chacha Chaudhary's brain works faster than a computer". Though both fight the criminals and tricksters, each episode ends with a touch of humour. The duo perform in lighter vein. The CHAUDHARY family consists of his wife Bini, a fat sharp tongue woman, Sabu, Rocket - the dog and Dag- Dag, an old truck who is half human- half machine. Chacha Chaudhary is the most popular Indian comics. More than 10 million readers enjoy this series regularly in newspapers and comic books in ten languages. A T.V. serial based on the comics has crossed 500 episodes and still continue to be telecast on premier channel "Sahara ONE".

     Once upon a time (right about now) there was a planet (how about this one?) whose inhabitants consumed thirty-six billion gallons of beer each year (it's a fact, you can Google it). Among those affected, each in his or her own way, by all the bubbles, burps, and foam, was a smart, wide-eyed, adventurous kindergartner named Gracie; her distracted mommy; her insensitive dad; her non-conformist uncle; and a magical, butt-kicking intruder from a world within our world. Populated by the aforementioned characters—and as charming as it may be subversive—B Is for Beer involves readers, young and old, in a surprising, far-reaching investigation into the limits of reality, the transformative powers of children, and, of course, the ultimate meaning of a tall, cold brewski.

    Asian-American. Mei-mei Berssenbrugge is one of the very few poets writing in the United States today whose voice and writing style are immediately recognizable. In her new collection, NEST, the medium of her poetry continues to be the sentence. To the formalities of syntax and grammar she adds the structures of domestic architecture, isolation, health, desire, play, and family life. Her writing offers a unique poetics of metaphysics and manners. As always the poetry is sensuous and stunning, and Richard Tuttle has once again designed an arresting cover.

    It’s the ethical thing for a journalist to do, especially in a war-torn region like the Middle East. And Caddie wants to believe that nothing is as important as covering “the story.”There’s room for passion in her life—but that’s only physical. And Caddie keeps even those fleeting attachments under wraps, secretive, because she knows that when a journalist even appears to lose her detachment, she is already lost.So what is Caddie to feel when her lover dies beside her—shot in an ambush on the way to the next promising political interview, across the Israeli border into Lebanon?An authentic look at the emotional and ethical chaos within a war correspondent who becomes a bit too involved, Masha Hamilton’s The Distance Between Us is a straight-ahead story of human passion—desire, conviction, and the guilt of a survivor—struggling for order within the frayed justice of the Middle East conflict.A seasoned journalist herself, Masha Hamilton brings to this revealing novel the sharp eye and deep empathy that marked her debut, Staircase of a Thousand Steps (BlueHen, 2001). Beautifully turned, and peopled with an astounding cast of characters who are as true as they are perceptive, The Distance Between Us is finally the portrait of one woman’s search for the narrow pass between vengeance and emotional survival, when her only true attachment has been torn away from her.“If we knew where we were going to fall,” the novel’s most enigmatic character tells her, “we could spread straw.”

    This anthology of poems and essays is a forceful argument for the continuing cultural relevance of poetry.