His skin is darker, his hair curlier. He tells his mother he wishes he could be more like everyone else. And she helps him to see how beautiful he really, truly is.For years before they both achieved acclaim in their respective professions, good friends Taye Diggs and Shane W. Evans wanted to collaborate on Chocolate Me!, a book based on experiences of feeling different and trying to fit in as kids. Now, both men are fathers and see more than ever the need for a picture book that encourages all people, especially kids, to love themselves.

    Finally, when the two find themselves hiding from each other in a Snide bush, the terrified narrator realizes, "I was just as strange to him as he was strange to me."  This little Seussian gem, plucked from the back of The Sneetches and Other Stories, shines on it own as it delivers a timeless message about fear and tolerance.

    He crawls like a catfish, blows bubbles like a swamp monster, but he doesn’t swim in the town pool with me. He’s not allowed. Joe and John Henry are a lot alike. They both like shooting marbles, they both want to be firemen, and they both love to swim. But there’s one important way they're different: Joe is white and John Henry is black, and in the South in 1964, that means John Henry isn’t allowed to do everything his best friend is. Then a law is passed that forbids segregation and opens the town pool to everyone. Joe and John Henry are so excited they race each other there...only to discover that it takes more than a new law to change people’s hearts.

    Young readers will be drawn into the luminous illustrations inviting them to engage with the world in a new way and see how everyone is connected, and that everyone matters.

    That was the year that the Supreme Court issued its decision in Loving v. Virginia.This is the story of one brave family: Mildred Loving, Richard Perry Loving, and their three children. It is the story of how Mildred and Richard fell in love, and got married in Washington, D.C. But when they moved back to their hometown in Virginia, they were arrested (in dramatic fashion) for violating that state's laws against interracial marriage. The Lovings refused to allow their children to get the message that their parents' love was wrong and so they fought the unfair law, taking their case all the way to the Supreme Court - and won!

    His dad is a fork. And he's a bit of both. He's Spork! Spork sticks out in the regimented world of the cutlery drawer. The spoons think he's too pointy, while the forks find him too round. He never gets chosen to be at the table at mealtimes until one day a very messy ... thing arrives in the kitchen who has never heard of cutlery customs. Will Spork finally find his place at the table? This "multi-cutlery" tale is a humorous and lively commentary on individuality and tolerance. Its high-spirited illustrations capture the experience and emotions of anyone who has ever wondered about their place in the world.

    In bouncy rhyming text, a hungry child tells about helping her mother make bee-bim bop: shopping, preparing ingredients, setting the table, and finally sitting down with her family to enjoy a favorite meal. The energy and enthusiasm of the young narrator are conveyed in the whimsical illustrations, which bring details from the artist’s childhood in Korea to his depiction of a modern Korean American family. Even young readers who aren’t familiar with the dish will recognize the pride that comes from helping Mama, the fun of mixing ingredients together in a bowl, and the pleasure of sharing delicious food. Includes author’s own recipe.

    He's a ranch dog. Breakfast is his life, especially when bacon is involved. Charlie has dangly ears, floppy skin, and big fat paws. And he loves living in the country. That's because he works like a dog...fixing fences, gardening, and helping his family out on the range. A ranch dog’s work is never done!This endearing picture book for dog lovers everywhere shows readers that even though you may love bacon and naps most of all, working on the ranch is all about hard work and determination. A New York Times bestseller!

    Otis is a special tractor. He loves his farmer and he loves to work. And he loves the little calf in the next stall, whom he purrs to sleep with his soft motor. In fact, the two become great friends: they play in the fields, leap hay bales, and play ring-around-the-rosy by Mud Pond.But when Otis is replaced with the big yellow tractor, he is cast away behind the barn, unused, unnoticed . . . until the little calf gets stuck in Mud Pond. Then there is only one tractor—and it’s not big or yellow—who can come to the rescue. It is little old Otis who saves his friend. It is Otis who saves the day.In a wonderful new palette, and in the tradition of classics like Mike Mulligan and His Steam Shovel and The Story of Ferdinand, Loren Long has crafted an unforgettable new story—and character—celebrating the power of friendship and perseverance.

    . . the school.

    Beginning in the fall with the new year and ending in summer, follow a full Cherokee year of celebrations and experiences. Appended with a glossary and the complete Cherokee syllabary, originally created by Sequoyah.

    There is a place inside of mea space deep down inside of me where all my feelings hide. Summertime is filled with joy—skateboarding and playing basketball—until his community is deeply wounded by a police shooting. As fall turns to winter and then spring, fear grows into anger, then pride and peace.In her debut, illustrator Noa Denmon articulates the depth and nuances of a child’s experiences following a police shooting—through grief and protests, healing and community—with washes of color.

    Lee's "beautiful" fruit store, and the "beautiful" smooth stone Old Mr. Sims always carries. The girl soon understands that beautiful means "that when you have it, your heart is happy." Young readers will enjoy appreciating the beauty of friendship and the power of hope in this encouraging story.

    He warmly conveys his own love for his two countries and described the strong and constant desire to be in both places at once: When in one country, he invariably misses the other. His grandfather, he tells us, would understand.

    Little ballerinas have big dreams. Dreams of pirouettes and grande jetes, dreams of attending the best ballet schools and of dancing starring roles on stage. But in Harlem in the 1950s, dreams don’t always come true—they take a lot of work and a lot of hope. And sometimes hope is hard to come by.   But the first African-American prima ballerina, Janet Collins, did make her dreams come true. And those dreams inspired ballerinas everywhere, showing them that the color of their skin couldn’t stop them from becoming a star.   In a lyrical tale as beautiful as a dance en pointe, Kristy Dempsey and Floyd Cooper tell the story of one little ballerina who was inspired by Janet Collins to make her own dreams come true.