And one of those decisions has split her life in two. Literally.In one life, she’s taken hostage by someone who appears to be a stranger but knows too much. As she’s trapped in a concrete cell, her kidnapper forces her to face what she’s done or be killed. In an alternate life, she eludes her captor but is hunted by someone who is dismantling her happiness, exposing one secret at a time.Lila’s decorated career as a criminal defense attorney, her marriage, and her life are on the line. She must make a list of those she’s wronged—both in and out of the courtroom—to determine who is out to get her before it’s too late. But even if she can pinpoint her assailant, will she survive? And if she does, which parts of her life are worth saving, and which parts must die? Because one thing’s for certain—life as Lila Bennett knew it is over.

    A manhunt ensues—though the authorities aren’t sure if it’s a man they should be looking for.Some suspect an escapee from the White Tower, a foreboding biotech facility owned by the Godfrey family—their personal fortune and the local economy having moved on from Pittsburgh steel—where, if rumors are true, biological experiments of the most unethical kind take place. Others turn to Peter Rumancek, a Gypsy trailer-trash kid who has told impressionable high school classmates that he’s a werewolf. Or perhaps it’s Roman, the son of the late JR Godfrey, who rules the adolescent social scene with the casual arrogance of a cold-blooded aristocrat, his superior status unquestioned despite his decidedly freakish sister, Shelley, whose monstrous medical conditions belie a sweet intelligence, and his otherworldly control freak of a mother, Olivia. At once a riveting mystery and a fascinating revelation of the grotesque and the darkness in us all, Hemlock Grove has the architecture and energy to become a classic in its own right—and Brian McGreevy the talent and ambition to enthrall us for years to come.

    I didn't ask to be some kind of hero.But when your whole life gets swept up by a tornado—taking you with it—you have no choice but to go along, you know?Sure, I've read the books. I've seen the movies. I know the song about the rainbow and the happy little bluebirds. But I never expected Oz to look like this. To be a place where Good Witches can't be trusted, Wicked Witches may just be the good guys, and winged monkeys can be executed for acts of rebellion. There's still a yellow brick road—but even that's crumbling.What happened? Dorothy.They say she found a way to come back to Oz. They say she seized power and the power went to her head. And now no one is safe.My name is Amy Gumm—and I'm the other girl from Kansas.I've been recruited by the Revolutionary Order of the Wicked.I've been trained to fight.And I have a mission.

    Until she woke up in a coffin.Ushers die young. Ushers are cursed. Ushers can never leave their house, a house that haunts and is haunted, a house that almost seems to have a mind of its own. Madeline’s life—revealed through short bursts of memory—has hinged around her desperate plan to escape, to save herself and her brother. Her only chance lies in destroying the house.In the end, can Madeline keep her own sanity and bring the house down? The Fall is a literary psychological thriller, reimagining Edgar Allan Poe’s classic The Fall of the House of Usher.

    His name was Alton Turner Blackwood, and in the space of a few months he brutally murdered four families. His savage spree ended only when he himself was killed by the last survivor of the last family, a fourteen-year-old boy. Half a continent away and two decades later, someone is murdering families again, recreating in detail Blackwood’s crimes. Homicide detective John Calvino is certain that his own family—his wife and three children—will be targets in the fourth crime, just as his parents and sisters were victims on that distant night when he was fourteen and killed their slayer. As a detective, John is a man of reason who deals in cold facts. But an extraordinary experience convinces him that sometimes death is not a one-way journey, that sometimes the dead return. Here is ghost story like no other you have read. In the Calvinos, Dean Koontz brings to life a family that might be your own, in a war for their survival against an adversary more malevolent than any he has yet created, with their own home the battleground. Of all his acclaimed novels, none exceeds What the Night Knows in power, in chilling suspense, and in sheer mesmerizing storytelling.

    It’s 1926, and New York is filled with speakeasies, Ziegfeld girls, and rakish pickpockets. The only catch is that she has to live with her uncle Will and his unhealthy obsession with the occult. Evie worries her uncle will discover her darkest secret: a supernatural power that has only brought her trouble so far. But when the police find a murdered girl branded with a cryptic symbol and Will is called to the scene, Evie realizes her gift could help catch a serial killer. As Evie jumps headlong into a dance with a murderer, other stories unfold in the city that never sleeps. A young man named Memphis is caught between two worlds. A chorus girl named Theta is running from her past. A student named Jericho is hiding a shocking secret. And unknown to all, something dark and evil has awakened…

    But my state of being has nothing to do with the curiosity toward my own species, if we can be called such. We do not go gentle, as your poet encourages, into that good night. A dead girl walks the streets.She hunts murderers. Child killers, much like the man who threw her body down a well three hundred years ago.And when a strange boy bearing stranger tattoos moves into the neighborhood so, she discovers, does something else. And soon both will be drawn into the world of eerie doll rituals and dark Shinto exorcisms that will take them from American suburbia to the remote valleys and shrines of Aomori, Japan.Because the boy has a terrifying secret - one that would just kill to get out. The Girl from the Well is A YA Horror novel pitched as "Dexter" meets "The Grudge", based on a well-loved Japanese ghost story.

    I live in the Pendleton as surely as I live everywhere. I am the Pendleton’s history and its destiny. The building is my place of conception, my monument, my killing ground. . . .The Pendleton stands on the summit of Shadow Hill at the highest point of an old heartland city, a Gilded Age palace built in the late 1800s as a tycoon’s dream home. Almost from the beginning, its grandeur has been scarred by episodes of madness, suicide, mass murder, and whispers of things far worse. But since its rechristening in the 1970s as a luxury apartment building, the Pendleton has been at peace. For its fortunate residents—among them a successful songwriter and her young son, a disgraced ex-senator, a widowed attorney, and a driven money manager—the Pendleton’s magnificent quarters are a sanctuary, its dark past all but forgotten.But now inexplicable shadows caper across walls, security cameras relay impossible images, phantom voices mutter in strange tongues, not-quite-human figures lurk in the basement, elevators plunge into unknown depths. With each passing hour, a terrifying certainty grows: Whatever drove the Pendleton’s past occupants to their unspeakable fates is at work again. Soon, all those within its boundaries will be engulfed by a dark tide from which few have escaped.Dean Koontz transcends all expectations as he takes readers on a gripping journey to a place where nightmare visions become real—and where a group of singular individuals hold the key to humanity’s destiny. Welcome to 77 Shadow Street.

    Now, Julia has disappeared—and no one knows if she’s in trouble.Sylvie is trying to carry on Julia’s impressive legacy at the prestigious National Ballet Theatre Academy, but Julia, ever the star of the show, can’t stay hidden forever. And when she sends Sylvie a copy of their old storybook with a mysterious list inside, Sylvie begins to see signs of her sister everywhere she goes. She may be losing her grip on reality, but Sylvie has to find out if the strange, almost magical things she’s been seeing have anything to do with Julia’s whereabouts.With the help of her best friend’s enigmatic brother and his beat-up car, Sylvie sets out to the beat of a Fleetwood Mac playlist, determined to return to New York with her sister in tow. But what Sylvie doesn’t expect to learn is that trouble comes in lots of forms—and that the damsel in distress is often the only one who can save herself.

    She knows he’s innocent.Devon Burges is in the throes of a high-risk birth when she learns of her dear friend’s murder. The police quickly name another friend as the chief suspect, but Devon doesn’t buy it—and despite her difficult recovery, she decides to investigate.Haunted by postpartum problems that manifest as a cruel voice in her head, Devon is barely getting by. Yet her instincts are still sharp, and she’s bent on proving her friend’s innocence.But as Devon digs into the evidence, the voice in her head grows more insistent, the danger more intense. Each layer is darker, more disturbing, and she’s not sure she—or her baby—can survive what lies at the truth.

     Note to readers: In the UK, this book is published under the title The Love Letter.Keeping secrets is a dangerous game. When Sir James Harrison, one the greatest actors of his generation, passes away at the age of ninety-five, he leaves behind not just a heartbroken family but also a secret so shocking, it could rock the English establishment to its core. Joanna Haslam, an up-and-coming reporter, is assigned to cover the legendary actor’s funeral, attended by glitzy celebrities of every background. But Joanna stumbles on something dark beneath the glamour: the mention of a letter James Harrison has left behind—the contents of which many have been desperate to keep concealed for over seventy years. As she peels back the veil of lies that has shrouded the secret, she realizes that she’s close to uncovering something deadly serious—and the royal family may be implicated. Before long, someone is on her tracks, attempting to prevent her from discovering the truth. And they’ll stop at nothing to reach the letter before she does.

    Jekyll and Mr. Hyde from the monster's perspective, Hyde makes a hero of a villain. As a bonus, Stevenson's original novel is included at the back. Mr. Hyde is hiding, trapped in Dr. Jekyll's surgical cabinet, counting the hours until capture. As four days pass, he has the chance, finally, to tell the story of his brief, marvelous life.We join Hyde, awakened after years of dormancy, in the mind he hesitantly shares with Jekyll. We spin with dizzy confusion as the potions take effect. We tromp through the dark streets of Victorian London. We watch Jekyll's high-class life at a remove, blurred by a membrane of consciousness. We feel the horror of lost time, the helplessness of knowing we are responsible for the actions of a body not entirely our own.Girls have gone missing. Someone has been killed. The evidence points to Mr. Hyde. Someone is framing him, terrorizing him with cryptic notes and whisper campaigns. Who can it be? Even if these crimes weren't of his choosing, can they have been by his hand?Though this classic has been often reinvented, no one ever imagined Hyde's perspective, or that he could be heroic. Daniel Levine changes that. A mesmerizing gothic, Hyde tells the fascinating story of an underexamined villain.

    By the end of the summer, Chloe’s father had been arrested as a serial killer and promptly put in prison. Chloe and the rest of her family were left to grapple with the truth and try to move forward while dealing with the aftermath.Now 20 years later, Chloe is a psychologist in private practice in Baton Rouge and getting ready for her wedding. She finally has a fragile grasp on the happiness she’s worked so hard to get. Sometimes, though, she feels as out of control of her own life as the troubled teens who are her patients. And then a local teenage girl goes missing, and then another, and that terrifying summer comes crashing back. Is she paranoid, and seeing parallels that aren't really there, or for the second time in her life, is she about to unmask a killer?In a debut novel that has already been optioned for a limited series by actress Emma Stone and sold to a dozen countries around the world, Stacy Willingham has created an unforgettable character in a spellbinding thriller that will appeal equally to fans of Gillian Flynn and Karin Slaughter.

    They are both seventeen and in their last year of school, but while Anna lives in a nice old town house and comes from a well-to-do family, Abel, the school drug dealer, lives in a big, prisonlike tower block at the edge of town. Anna is afraid of him until she realizes that he is caring for his six-year-old sister on his own. Fascinated, Anna follows the two and listens as Abel tells little Micha the story of a tiny queen assailed by dark forces. It’s a beautiful fairy tale that Anna comes to see has a basis in reality. Abel is in real danger of losing Micha to their abusive father and to his own inability to make ends meet. Anna gradually falls in love with Abel, but when his “enemies” begin to turn up dead, she fears she has fallen for a murderer. Has she?Award-winning author Antonia Michaelis moves in a bold new direction with her latest novel: a dark, haunting, contemporary story that is part mystery, part romance, and part melodrama.

    But that doesn’t matter. Cassie’s in trouble, so Wylie decides to do what she has done so many times before: save her best friend from herself.This time it’s different, though. Instead of telling Wylie where she is, Cassie sends cryptic clues. And instead of having Wylie come by herself, Jasper shows up saying Cassie sent him to help. Trusting the guy who sent Cassie off the rails doesn’t feel right, but Wylie has no choice: she has to ignore her gut instinct and go with him.But figuring out where Cassie is goes from difficult to dangerous, fast. As Wylie and Jasper head farther and farther north into the dense woods of Maine, Wylie struggles to control her growing sense that something is really wrong. What isn’t Cassie telling them? And could finding her be only the beginning?