and a small boy very worried.Lydia Weekes is distraught at the break-up of her marriage. When her young son, Charlie, makes friends with the local doctor, Jean Markham, her life is turned upside down.Charlie tells his secrets to no one but the bees, but even he can't keep his mother's friendship to himself. The locals don't like things done differently. As Lydia and the doctor become closer, the rumours start to fly and threaten to shatter Charlie's world.

    Hoyt, Peter begins to pen the letter that makes up the pages of Good Times/Bad Times.From Peter’s elaborate involvement on campus and meeting the closest friend he’s ever had to the unwelcome sexual advances he received from Mr. Hoyt, this letter tells of the ups and downs of Peter’s time at school.As the good times give way to bad and a series of compelling incidents steadily heighten the tension of his time as a student at Gilford Academy, readers fall under the spell of the magnificent storyteller Peter exposes himself to be. Good Times/Bad Times pulses with warmth and laughter of the young and still honest, complete with strong and memorable characters.

    Stone Butch Blues traces a propulsive journey, powerfully evoking history and politics while portraying an extraordinary protagonist full of longing, vulnerability, and working-class grit. This once-underground classic takes the reader on a roller-coaster ride of gender transformation and exploration and ultimately speaks to the heart of anyone who has ever suffered or gloried in being different.

    I think movies are the way I do that,” says Sophie Stark, a visionary and unapologetic filmmaker. She uses stories from the lives of those around her—her obsession, her girlfriend, and her husband—to create movies that bring her critical recognition and acclaim. But as her career explodes, Sophie’s unwavering dedication to her art leads to the shattering betrayal of the people she loves most.Told in a chorus of voices belonging to those who knew her best, The Life and Death of Sophie Stark is an intimate portrait of an elusive woman whose monumental talent and relentless pursuit of truth reveal the cost of producing great art, both for the artist and for the people around her.

    Things he knows beyond doubt: his parents are divorcing, his older brother Kyle is exhibiting alarming behavior, and his best friend is turning into a spiritual fanatic. Then there are the shifting uncertainties, including his feelings toward his father and his desire to both blend in and stand out in his rural Maine hometown. Most pressing of all, there's his attraction to Max Modine, a boy he wants to know much better than he does.Despite Ethan's initial reluctance, he gets pulled into a heated and sometimes violent conflict about whether to introduce Intelligent Design into science classrooms. Family and friends are turning against each other, school is a battleground, and Ethan will have to take a stand. Because some facts are irrefutable and some bonds unbreakable, even when they can't be seen. And once Ethan finds the courage to become who he was meant to be, the outcome could be absolutely extraordinary...

    That time is the period between the two World Wars, and Barnes' novel unfolds in the decadent shadows of Europe's great cities, Paris, Berlin, and Vienna—a world in which the boundaries of class, religion, and sexuality are bold but surprisingly porous. The outsized characters who inhabit this world are some of the most memorable in all of fiction—there is Guido Volkbein, the Wandering Jew and son of a self-proclaimed baron; Robin Vote, the American expatriate who marries him and then engages in a series of affairs, first with Nora Flood and then with Jenny Petherbridge, driving all of her lovers to distraction with her passion for wandering alone in the night; and there is Dr. Matthew-Mighty-Grain-of-Salt-Dante-O'Connor, a transvestite and ostensible gynecologist, whose digressive speeches brim with fury, keen insights, and surprising allusions. Barnes' depiction of these characters and their relationships (Nora says, "A man is another person—a woman is yourself, caught as you turn in panic; on her mouth you kiss your own") has made the novel a landmark of feminist and lesbian literature. Most striking of all is Barnes' unparalleled stylistic innovation, which led T. S. Eliot to proclaim the book "so good a novel that only sensibilities trained on poetry can wholly appreciate it." Now with a new preface by Jeanette Winterson, Nightwood still crackles with the same electric charge it had on its first publication in 1936.

    Living in New York in 1991 is Gilbert Selwyn, a young man possessed of boundless charm and an allergy to employment, who has devised a plan to wring a nice pile of loot from his mother's newest (and obscenely wealthy) husband.The scheme, simply put, is to get married for the gifts. But Gilbert, who's gay, needs a fiancée... Enter Moira Finch, a demonically conniving young woman whose own mother, having recently married the Duke of Dorsetshire, will contribute richly to the couple's receipts. Enter, too, Philip Cavanagh, Gilbert's longtime friend, former lover, and highly strung Best Man. And enter, finally, the Cellinis, Gilbert's huge internecine stepfamily, whose fortune has not been amassed as innocently as Gilbert first thought, and who conform rather more closely to Italian-American stereotypes than Gilbert would like to believe. As Gilbert, Moira, and Philip struggle to keep their plot under wraps, the scams get bigger and more perilous, deceit multiplies, and a wonderfully calamitous trail leads us towards what could be the wedding of the season.

    Lionel Frank is a man as desperate to conceal his homosexuality from his ad agency colleagues as he is to indulge it at night. But poor Lionel is playing the straight man in a world where every success takes him one step closer to disaster.

    In the heart of the eighteenth century, here are haunted soldiers . . . lusty princesses . . . ghostly apparitions . . . dark family secrets. And here Lord John will face enemies who come in the guise of friends, memories in the shape of a fiery-haired Scot named James Fraser, and allies who have the power to destroy him with a single blow. . . .In Lord John and the Hellfire Club, Lord John glimpses a stranger in the doorway of a gentlemen's club—and is stirred by a desperate entreaty to meet in private. The rendezvous forestalled by a sudden murder, Lord John will wade into a maze of political treachery and a dangerous, debauched underground society. . . . In Lord John and the Succubus, English soldiers fighting in Prussia are rattled by the nocturnal visitations of a deadly woman who sucks life and soul from a man. Called to investigate the night-hag, Lord John finds a murdered soldier and a treacherous Gypsy, and comes to the stark realization that among the spirits that haunt men, none frighten more than the specters conjured by the heart. . . . In Lord John and the Haunted Soldier, Lord John is thrust into the deadly case of an exploding battlefield cannon. Wounded in the same battle, Lord John is called to tesify and soon confronts his own ghost—and the shattering prospect that a traitor is among the ranks of His Majesty's armed forces.Capturing the lonely, tormented, and courageous career of a man who fights for his crown, his honor, and his own secrets, Diana Gabaldon delivers breathtaking human drama. And in tales seething with desire, madness, and political intrigue, Gabaldon once again proves that she can bring history to life in a way few novelists ever have.

    An unforgettable story of coming of age in America, it is also an essential milestone in the movement of American fiction, from a novelist who has become one of the most important and enduring voices of this generation.

    Burned by her traumatic past, Angel is new to the drag world, new to ball culture, and has a yearning inside of her to help create family for those without. When she falls in love with Hector, a beautiful young man who dreams of becoming a professional dancer, the two decide to form the House of Xtravaganza, the first-ever all-Latino house in the Harlem ball circuit. But when Hector dies of AIDS-related complications, Angel must bear the responsibility of tending to their house alone.As the mother of the house, Angel recruits Venus, a whip-fast trans girl who dreams of finding a rich man to take care of her; Juanito, a quiet boy who loves fabrics and design; and Daniel, a butch queen who accidentally saves Venus’s life. The Xtravaganzas must learn to navigate sex work, addiction, and persistent abuse, leaning on each other as bulwarks against a world that resists them. All are ambitious, resilient, and determined to control their own fates, even as they hurtle toward devastating consequences. Told in a voice that brims with wit, rage, tenderness, and fierce yearning, The House of Impossible Beauties is a tragic story of love, family, and the dynamism of the human spirit.

    Through the window of Ben's intimacies and observations, we remember what it was to be 14, freaked out by life, and never more eager to see what would happen next.

    He studies queer theory, has a dyke best friend, makes zines, and is a flâneur with a rich dating life. But Paul’s also got a secret: he’s a shapeshifter. Oscillating wildly from Riot Grrrl to leather cub, Women’s Studies major to trade, Paul transforms his body at will in a series of adventures that take him from Iowa City to Boystown to Provincetown and finally to San Francisco—a journey through the deep queer archives of struggle and pleasure.

    Michael⁠⁠--with a ponytail down his back and a septum piercing⁠--lives with his aunt in the cramped stucco cottage next door. When Bunny catches Michael smoking in her yard, he discovers that her life is not as perfect as it seems. At six foot three, Bunny towers over their classmates. Even as she dreams of standing out and competing in the Olympics, she is desperate to fit in, to seem normal, and to get a boyfriend, all while hiding her father's escalating alcoholism. Michael has secrets of his own. At home and at school Michael pretends to be straight, but at night he tries to understand himself by meeting men online for anonymous encounters that both thrill and scare him. When Michael falls in love for the first time, a vicious strain of gossip circulates and a terrible, brutal act becomes the defining feature of both his and Bunny's futures⁠⁠--and of their friendship. With storytelling as intoxicating as it is intelligent, Rufi Thorpe has created a tragic and unflinching portrait of identity, a fascinating examination of our struggles to exist in our bodies, and an excruciatingly beautiful story of two humans aching for connection.

    In FUNNY BOY we follow the life of the family through Arjie's eyes, as he comes to terms both with his own homosexuality and with the racism of the society in which he lives. In the north of Sri Lanka there is a war going on between the army and the Tamil Tigers, and gradually it begins to encroach on the family's comfortable life. Sporadic acts of violence flare into full scale riots and lead, ultimately, to tragedy. Written in clear, simple prose, Syam Selvadurai's first novel is masterly in its mingling of the personal and political.