I'm here to lay the record straight, to let you know them folks saying I done a terrible thing are liars. I aim to prove it, too. I hated Parnell Caraway as much as the next person, but I didn't kill him. Dovey Coe says what's on her mind, so it's no secret that she can't stand Parnell Caraway. Parnell may be the son of the richest man in town, but he's mean and snobby, and Dovey can't stand the fact that he's courting her sister, Caroline, or the way he treats her brother, Amos, as if he were stupid just because he can't hear. So when Parnell turns up dead, and Dovey's in the room where his body is discovered, she soon finds herself on trial for murder. Can the outspoken Dovey sit still and trust a city slicker lawyer who's still wet behind the ears to get her out of the biggest mess of her life?

    When ten-year-old Winnie Foster stumbles on their secret, the Tucks take her home and explain why living forever at one age is less a blessing that it might seem. Complications arise when Winnie is followed by a stranger who wants to market the spring water for a fortune.

    Every day that she spends huddled in the slave trader’s wagon travelling south or working on the brutal new plantation, she thinks about the land where it is possible to be free, a land she and her friend Liza may reach someday. So when workers from the Underground Railroad offer to help the two girls escape, they are ready. But the slave catchers and their dogs will soon be after them…

    Coyote Runs, an Apache boy, takes part in his first raid -- the one that will usher him into manhood. He is to be a man for but a short time....More than a hundred years later, while camping near Dog Canyon, fifteen-year-old Brennan Cole becomes obsessed with a skull that he finds, pierced by a bullet. He learns that it was the skull of an Apache boy executed by soldiers in 1864. A mystical link joins Brennan and Coyote Runs, and Brennan knows that neither boy will find any peace until Coyote Runs' skull is returned to an ancient sacred place. In a grueling run through the canyon to return the skull, Brennan faces the challenge of his life.

    But though the lake is long gone and the resort faded away, the houses still hold a secret life: two people who have never left Gone-Away...and who can tell the story of what happened there.

    He can barely say a word without stuttering, not even his own name. So when he takes over his best friend's paper route for the month of July, he knows he'll be forced to communicate with the different customers, including a housewife who drinks too much and a retired merchant marine who seems to know just about everything. The paper route poses challenges, but it's a run-in with the neighborhood junkman, a bully and thief, that stirs up real trouble--and puts the boy's life, as well as that of his family's devoted housekeeper, in danger.

    But then he takes an old scroll and a seemingly harmless figurine from the church basement, accepts a magic ring from a mysterious stranger--and is plunged into a terrifying adventure that may cost him his life.

    Every day she endures taunts for the birthmark on her face—though her beloved Pauline, the only person who has ever cared for her, tells her it is a precious diamond. When Pauline is sent to work for another carnival, Bee is lost.Then a scruffy dog shows up, as unwanted as she, and Bee realizes that she must find a home for them both. She runs off to a house with gingerbread trim that reminds her of frosting. There two mysterious women, Mrs. Swift and Mrs. Potter, take her in. They clothe her, though their clothes are strangely out of date. They feed her, though there is nothing in their house to eat. They help her go to school, though they won't enter the building themselves. And, strangely, only Bee seems able to see them.Whoever these women are, they matter. They matter to Bee. And they are helping Bee realize that she, too, matters to the world--if only she will let herself be a part of it.This tender novel beautifully captures the pain of isolation, the healing power of community, and the strength of the human spirit.

    The first humorous book in the Dear America series follows an Italian girl's immigrant family as they move from New York City to a utopian community in the frontier West.While traveling in 1883 with her Italian American family (including a meddlesome little sister) and other immigrant pioneers to a utopian community in Idaho, fourteen-year-old Teresa keeps a diary of her experiences along the way.

    Left alone after the deaths of her father and brother, who take opposite sides in the War of Independence, Sarah Bishop flees from the British who seek to arrest her and struggles to shape a new life for herself in the wilderness.

    Basil E. Frankweiler meets Chasing Vermeer in this clever middle-grade debut.When Theodora Tenpenny spills a bottle of rubbing alcohol on her late grandfather’s painting, she discovers what seems to be an old Renaissance masterpiece underneath. That’s great news for Theo, who’s struggling to hang onto her family’s two-hundred-year-old townhouse and support her unstable mother on her grandfather’s legacy of $463. There’s just one problem: Theo’s grandfather was a security guard at the Metropolitan Museum of Art, and she worries the painting may be stolen.With the help of some unusual new friends, Theo’s search for answers takes her all around Manhattan, and introduces her to a side of the city—and her grandfather—that she never knew. To solve the mystery, she’ll have to abandon her hard-won self-reliance and build a community, one serendipitous friendship at a time.

    Left in the care of the cruel Miss Slighcarp, the girls can hardly believe what is happening to their once happy home. The servants are dismissed, the furniture is sold, and Bonnie and Sylvia are sent to a prison-like orphan school. It seems as if the endless hours of drudgery will never cease.With the help of Simon the gooseboy and his flock, they escape. But how will they ever get Willoughby Chase free from the clutches of the evil Miss Slighcarp?

    Without warning, Nyle's modest world fills with protective masks, evacuations, contaminated food, disruptions, and mistrust.Nyle adjusts to the changes. As long as the fallout continues blowing to the East, Nyle, Gran, and the farm can go on. But into this uncertain haven stumble Ezra Trent and his mother, "refugees" from the heart of the accident, who take temporary shelter in the back bedroom of Nyle's house.The back bedroom is the dying room: It took her mother when Nyle was six; it stole away her grandfather just two years ago. Now Ezra is back there and Nyle doesn't want to open her heart to him. Too many times she's let people in, only to have them desert her.Karen Hesse's voice and vision are grounded in truth; she takes on a nearly unharnessable subject, contains it, and makes it resonate with honesty. Part love story, part coming of age, this is a tour de force by a gifted writer.

    In China in 1911, all the women of good families follow this ancient tradition. But Ailin loves to run away from her governess and play games with her male cousins. Knowing she will never run again once her feet are bound, Ailin rebels and refuses to follow this torturous tradition. As a result, however, the family of her intended husband breaks their marriage agreement. And as she enters adolescence, Ailin finds that her family is no longer willing to support her. Chinese society leaves few options for a single woman of good family, but with a bold conviction and an indomitable spirit, Ailin is determined to forge her own destiny. Her story is a tribute to all those women whose courage created new options for the generations who came after them.

    It’s a hot Indiana summer in 1952, and public places from pools to camps are closing to slow the spread of polio. Despite all the headlines, Georgie never thought she’d come as close to the fearful disease as she does when she spies a silver glint in her neighbor’s yard. There she discovers a monstrous, hissing machine, and inside is Phyllis, a girl encased in an iron lung. "I have eighty-seven cubic centimeters of air, but you have the world," Phyllis tells her. Phyllis’s ability to breathe may be limited, but her strength to manipulate is boundless. As Georgie struggles to comprehend this once-gorgeous teenager’s life in a "coffin with legs," Phyllis slowly weaves a web of lies that snare all those around her, including Georgie’s quickly smitten brother. Can Georgie untangle the truth before Phyllis’s deception achieves its inevitable end?