Expelled Soviet political protester and activist recounts his dozen years imprisoned in jails, labor camps and psychiatric hospitals, his fight for change and freedom, and profiling modern daily Russian existence

    How did this unimaginable transformation take place? How was a ravaged and backward country, swept up in a desperately unpopular war, rocked by not one but two revolutions?This is the story of the extraordinary months between those upheavals, in February and October, of the forces and individuals who made 1917 so epochal a year, of their intrigues, negotiations, conflicts and catastrophes. From familiar names like Lenin and Trotsky to their opponents Kornilov and Kerensky; from the byzantine squabbles of urban activists to the remotest villages of a sprawling empire; from the revolutionary railroad Sublime to the ciphers and static of coup by telegram; from grand sweep to forgotten detail.Historians have debated the revolution for a hundred years, its portents and possibilities: the mass of literature can be daunting. But here is a book for those new to the events, told not only in their historical import but in all their passion and drama and strangeness. Because as well as a political event of profound and ongoing consequence, Miéville reveals the Russian Revolution as a breathtaking story.From the Hardcover edition.

    A harrowing description of the forerunners of the concentration camps and the Gulag.

    It begins in 2010 and moves backward and forward in time, from the present day to twentieth-century Poland, France, Germany, England, and America, ending in the courtroom of the Palace of Justice at the International Military Tribunal in Nuremberg in 1945. The book opens with the author being invited to give a lecture on genocide and crimes against humanity at Lviv University, welcomed as the first international law academic to give a lecture there on such subjects in fifty years. Sands accepted the invitation with the intent of learning about the extraordinary city with its rich cultural and intellectual life, home to his maternal grandfather, a Galician Jew who had been born there a century before and who’d moved to Vienna at the outbreak of the First World War, married, had a child (the author’s mother), and who then had moved to Paris after the German annexation of Austria in 1938. It was a life that had been shrouded in secrecy, with many questions not to be asked and fewer answers offered if they were. As the author uncovered, clue by clue, the deliberately obscured story of his grandfather’s mysterious life and of his flight first to Vienna and then to Paris, and of his mother’s journey as a child surviving Nazi occupation, Sands searched further into the history of the city of Lemberg and realized that his own field of humanitarian law had been forged by two men—Rafael Lemkin and Hersch Lauterpacht—each of whom had studied law at Lviv University in the city of his grandfather’s birth, each of whom had come to be considered the finest international legal mind of the twentieth century, each considered to be the father of the modern human rights movement, and each, at parallel times, forging diametrically opposite, revolutionary concepts of humanitarian law that had changed the world. In this extraordinary and resonant book, Sands looks at who these two very private men were, and at how and why, coming from similar Jewish backgrounds and the same city, studying at the same university, each developed the theory he did, showing how each man dedicated this period of his life to having his legal concept—“genocide” and “crimes against humanity”—as a centerpiece for the prosecution of Nazi war criminals. And the author writes of a third man, Hans Frank, Hitler’s personal lawyer, a Nazi from the earliest days who had destroyed so many lives, friend of Richard Strauss, collector of paintings by Leonardo da Vinci. Frank oversaw the ghetto in Lemberg in Poland in August 1942, in which the entire large Jewish population of the area had been confined on penalty of death. Frank, who was instrumental in the construction of concentration camps nearby and, weeks after becoming governor general of Nazi-occupied Poland, ordered the transfer of 133,000 men, women, and children to the death camps. Sands brilliantly writes of how all three men came together, in October 1945 in Nuremberg—Rafael Lemkin; Hersch Lauterpacht; and in the dock at the Palace of Justice, with the twenty other defendants of the Nazi high command, prisoner number 7, Hans Frank, who had overseen the extermination of more than a million Jews of Galicia and Lemberg, among them, the families of the author’s grandfather as well as those of Lemkin and Lauterpacht. A book that changes the way we look at the world, at our understanding of history and how civilization has tried to cope with mass murder. Powerful; moving; tender; a revelation.

    He has written the history of a utopian illusion and the tragic consequences it had for the people of the Soviet Union and the world." -- David Remnick, The New York Review of Books "In Martin Malia, the Soviet Union had one of its most acute observers. With this book, it may well have found the cornerstone of its history." -- Francois Furet, author of Interpreting the French Revolution "The Soviet Tragedy offers the most thorough scholarly analysis of the Communist phenomenon that we are likely to get for a long while to come...Malia states that his narrative is intended 'to substantiate the basic argument,' and this is certainly an argumentative book, which drives its thesis home with hammer blows. On this breathtaking journey, Malia is a witty and often brilliantly penetrating guide. He has much wisdom to impart." -- The Times Literary Supplement "This is history at the high level, well deployed factually, but particularly worthwhile in the philosophical and political context -- at once a view and an overview." -- The Washington Post

    In The Girl from the Metropol Hotel, her prizewinning memoir, she recounts her childhood of extreme deprivation—of wandering the streets like a young Edith Piaf, singing for alms, and living by her wits like Oliver Twist, a diminutive figure far removed from the heights she would attain as an internationally celebrated writer. As she unravels the threads of her itinerant upbringing—of feigned orphandom, of sleeping in freight cars and beneath the dining tables of communal apartments, of the fugitive pleasures of scraps of food—we see, both in her remarkable lack of self-pity and in the two dozen photographs throughout the text, her feral instinct and the crucible in which her gift for giving voice to a nation of survivors was forged.

    It continued in Moscow, where Browder made his fortune heading the largest investment fund in Russia after the Soviet Union's collapse. But when he exposed the corrupt oligarchs who were robbing the companies in which he was investing, Vladimir Putin turned on him and, in 2005, had him expelled from Russia. In 2007, a group of law enforcement officers raided Browder's offices in Moscow and stole $230 million of taxes that his fund's companies had paid to the Russian government. Browder's attorney Sergei Magnitsky investigated the incident and uncovered a sprawling criminal enterprise. A month after Sergei testified against the officials involved, he was arrested and thrown into pre-trial detention, where he was tortured for a year. On November 16, 2009, he was led to an isolation chamber, handcuffed to a bedrail, and beaten to death by eight guards in full riot gear. Browder glimpsed the heart of darkness, and it transformed his life: he embarked on an unrelenting quest for justice in Sergei's name, exposing the towering cover-up that leads right up to Putin. A financial caper, a crime thriller, and a political crusade, Red Notice is the story of one man taking on overpowering odds to change the world.

    Focusing on the urban population, Fitzpatrick depicts a world of privation, overcrowding, endless lines, and broken homes, in which the regime's promises of future socialist abundance rang hollowly. We read of a government bureaucracy that often turned life into a nightmare, and of how ordinary citizens tried to circumvent it. We also read of the secret police, whose constant surveillance was endemic at this time, and the waves of terror, like the Great Purges of 1937, which periodically cast society into turmoil.

    Anya von Bremzen has vobla-rock-hard, salt-cured dried Caspian roach fish. Lovers of vobla risk breaking a tooth or puncturing a gum on the once-popular snack, but for Anya it's transporting. Like kotleti (Soviet burgers) or the festive Salat Olivier, it summons up the complex, bittersweet flavors of life in that vanished Atlantis called the USSR. There, born in 1963 in a Kafkaesque communal apartment where eighteen families shared one kitchen, Anya grew up singing odes to Lenin, black-marketeering Juicy Fruit gum at her school, and, like most Soviet citizens, longing for a taste of the mythical West. It was a life by turns absurd, drab, naively joyous, melancholy-and, finally, intolerable to her anti-Soviet mother. When she was ten, the two of them fled the political repression of Brezhnev-era Russia, arriving in Philadelphia with no winter coats and no right of return.These days Anya lives in two parallel food universes: one in which she writes about four-star restaurants, the other in which a simple banana-a once a year treat back in the USSR-still holds an almost talismanic sway over her psyche. To make sense of that past, she and her mother decided to eat and cook their way through seven decades of the Soviet experience. Through the meals she and her mother re-create, Anya tells the story of three generations-her grandparents', her mother's, and her own. Her family's stories are embedded in a larger historical epic: of Lenin's bloody grain requisitioning, World War II hunger and survival, Stalin's table manners, Khrushchev's kitchen debates, Gorbachev's anti-alcohol policies, and the ultimate collapse of the USSR. And all of it is bound together by Anya's sardonic wit, passionate nostalgia, and piercing observations.This is that rare book that stirs our souls and our senses.

    Forty years after his Hitler: A Study in Tyranny set a standard for scholarship of the Nazi era, Lord Alan Bullock gives readers a breathtakingly accomplished dual biography that places Adolf Hitler's origins, personality, career, and legacy alongside those of Joseph Stalin--his implacable antagonist and moral mirror image.

    From the beginning of the nineteenth century to the Russian Revolution, the tsarist regime exiled more than one million prisoners and their families beyond the Ural Mountains to Siberia.Daniel Beer's new book, The House of the Dead, brings to life both the brutal realities of an inhuman system and the tragic and inspiring fates of those who endured it. This is the vividly told history of common criminals and political radicals, the victims of serfdom and village politics, the wives and children who followed husbands and fathers, and of fugitives and bounty-hunters.Siberia served two masters: colonisation and punishment. In theory, exiles would discover the virtues of self-reliance, abstinence and hard work and, in so doing, they would develop Siberia's natural riches and bind it more firmly to Russia. In reality, the autocracy banished an army not of hardy colonists but of half-starving, desperate vagabonds. The tsars also looked on Siberia as creating the ultimate political quarantine from the contagions of revolution. Generations of rebels - republicans, nationalists and socialists - were condemned to oblivion thousands of kilometres from European Russia. Over the nineteenth century, however, these political exiles transformed Siberia's mines, prisons and remote settlements into an enormous laboratory of revolution.This masterly work of original research taps a mass of almost unknown primary evidence held in Russian and Siberian archives to tell the epic story both of Russia's struggle to govern its monstrous penal colony and Siberia's ultimate, decisive impact on the political forces of the modern world.

    Written in 1936 and published the following year, this brilliant and profound evaluation of Stalinism from the Marxist standpoint prophesied the collapse of the Soviet Union and subsequent related events.The effects of the October Revolution led to the establishment of a nationalized planned economy, demonstrating the practicality of socialism for the first time. By the 1930s, however, the Soviet workers' democracy had crumbled into a state of bureaucratic decay that ultimately gave rise to an infamous totalitarian regime. Trotsky employs facts, figures, and statistics to show how Stalinist policies rejected the enormous productive potential of the nationalized planned economy in favor of a wasteful and corrupt bureaucratic system.Six decades after the publication of this classic, the shattering of Stalinist regimes in Russia and Eastern Europe has confused and demoralized countless political activists. The Revolution Betrayed offers readers of every political persuasion an insider's view of what went wrong.

    Between 1900 and 1920, Russia underwent a complete and irreversible transformation: by the end of these two decades, a new regime was in place, the economy had collapsed, and over 20 million Russians had died during the revolution and what followed. Still, Bolshevik power remained intact due to a remarkable combination of military prowess, violent terror tactics, and the failures of their opposition. And as McMeekin shows, Russia's revolutionaries were aided at nearly every step by countries like Germany and Sweden who sought to benefit—politically and economically—from the chaotic changes overtaking the country.The first comprehensive history of these momentous events in a decade, The Russian Revolution combines cutting-edge scholarship and a fast-paced narrative to shed new light on a great turning point of the twentieth century.

    It is a work of history on a grand scale, at once sweeping and detailed, closely reasoned and passionately argued, that succeeds in painting an unforgettable picture--alive with conspirators and philosophers, utopians and nihilists--of the making of the modern world.

    An Autobiography Robert Robinson