Save over 50% compared to buying the titles separately. What would you do if the world ended? Could you trust your neighbours? Your family? Yourself? Step into the apocalypse with 9 full-length novels by British horror master Iain Rob Wright. From Flesh-eating zombies to world-ending experiments, this collection has the apocalypse in all flavors. Get a quick peek at the books included below. Ravaged World Trilogy 1. Sea Sick - Something man-made and evil has escaped aboard the luxury cruise liner, The Spirit of Kirkpatrick. There's nowhere to escape in the middle of the ocean. 2. Ravage - Everyone seems to be getting sick. Then they change. Follow Rick's journey as he struggles to survive at a hilltop amusement park during the end of the world. 3. Savage - Conclusion to the epic story beginning with Sea Sick and ending with a fight for humanity's survival at a fortified pier. Hell on Earth Saga 4. The Gates - All over the world strange gates have appeared, and something awful is about to come through. 5. Legion - The world is at war and the enemy is getting stronger. Humanity must win or become extinct. The Final Winter 6. The Final Winter - It's snowing all over the world. Something evil lurks in the cold, something ancient. Something unimaginable. Tar 7. Tar - In the Australian outback, a science experiment goes awry. Now the world is disappearing and time is about to run out. 2389 8. 2389 - Communication has just been lost with humanity's biggest amusement park, built on the moon. Someone needs to go up there and check things out. Animal Kingdom 9. Animal Kingdom - The animals have changed. No longer are they willing to be pets or dinner. Now we are the pets. We are the dinner. Humanity just fell to the bottom of the food chain. "Iain Rob Wright scares the Hell out of me." - Jack Kilborn, author of Origin and Afraid. "Iain Rob Wright is sick and twist." - David Moody, author of the Autumn series.

    No one in this story was a ghost. This was not a story.”When Marcelo Hernandez Castillo was five years old and his family was preparing to cross the border between Mexico and the United States, he suffered temporary, stress-induced blindness. Castillo regained his vision, but quickly understood that he had to move into a threshold of invisibility before settling in California with his parents and siblings. Thus began a new life of hiding in plain sight and of paying extraordinarily careful attention at all times for fear of being truly seen. Before Castillo was one of the most celebrated poets of a generation, he was a boy who perfected his English in the hopes that he might never seem extraordinary.With beauty, grace, and honesty, Castillo recounts his and his family’s encounters with a system that treats them as criminals for seeking safe, ordinary lives. He writes of the Sunday afternoon when he opened the door to an ICE officer who had one hand on his holster, of the hours he spent making a fake social security card so that he could work to support his family, of his father’s deportation and the decade that he spent waiting to return to his wife and children only to be denied reentry, and of his mother’s heartbreaking decision to leave her children and grandchildren so that she could be reunited with her estranged husband and retire from a life of hard labor.Children of the Land distills the trauma of displacement, illuminates the human lives behind the headlines and serves as a stunning meditation on what it means to be a man and a citizen.

    Henry Awards, The Pushcart Prize, and The Best American Short Stories of 2000 (selected by E.L.Doctorow.) These are provocative, often shocking, tales of obsession, love, racism, addiction, betrayal, even murder, but told in such sensuous, richly-textured prose each story is rendered magical and timeless. A young girl obsessed with her tattooed, Yakuza uncle wit-nesses his horrific ending. A woman is condemned to death for loving a man outside her culture. Two cousins learn the terrible toll of drug addiction. A boy with amputated legs is introduced to love by an older woman. A girl of mixed-race heritage discovers her white father's racist background, and spends her life trying to 'run her genes off, like fat.' Two beautiful sisters, professional taxi-dancers, abandon their daughters, leaving them with no clues or codes on how to survive. A house of dysfunctional and wounded people are finally redeemed by the strength of love.The stories are set in islands across the Pacific where the author has lived and traveled extensively - Hawaii, Papua New Guinea, Nauru, Fiji, Vanuatu - parts of of the world only barely ex-plored in contemporary literature. Davenport offers her readers not just mesmerizing writing, but also brings them bulletins from an ancient, yet seemingly brave, new world. *****Of Davenport's writing, ALICE WALKER has said, "She ex-hibits the character great writers must have, passionate love of people, dedication to the memory of people who have suffered. You can't read Kiana Davenport without being transformed." ISABEL ALLENDE has said, "Reading Davenport is an over-whelming experience. Her prose is sharp and shining as a sword, yet her sense of poetry and love of nature permeate each line."A Sampling of Reviews of Stories in this Collection:"The story, HOUSE OF SKIN, transcends the very good and achieves the beautiful. It describes what is essentially a love story between the uncle, aunt and niece. After the tattooed uncle finally dies comes an ending as appropriate and mortifying as any I have ever read." - W.P. Osborn, Manoa, Journal of International Writing"THE LIPSTICK TREE had a magical effect on me. The pro-tagonist's dream of a better life, and her determination to go to the furthest extremes to achieve it, is heroic. The price of freedom is mitigated with grievous loss and bittersweet victory." - Thom Jones, author of Pugilist at Rest"DRAGON SEED is a spooky tale of addiction and self-destruction." - Jeff Yang, Reviewer, The Village Voice"The haunting, junkie ecstasy of Davenport's DRAGON SEEDis both abhorrent and beautiful." - Jessica Hagedorn, author of Dog Eaters"Hypnotic and amazing tales. Her writing is astonishing. Along the way, we learn about important and under-represented cultures. BONES OF THE INNER EAR still haunts me, and I believe some of these stories will stand as long as there is written language." - Tillie Olsen, author of Silences, Tell Me a Riddle *****

     even when our days are darker than ever we hold on to hope knowing that time will heal our wounds. -time heals all things

    DE VEYRAhas published two books of poetry: Subterranean Thought Parade and Shadowboxing in Headphones. He has won the Don Carlos Palanca Memorial Awards for Literature, the Free Press Literary Awards, and the very first National Commission for Culture and the Arts' Writers' Prize for Poetry. He also fronts the spoken word-jazz-rock band Radioactive Sago Project and currently works as a host and writer for the News and Public Affairs programs of TV5. This is his third collection of poems.

     Twenty authors from the Rockin' Romance Readers Book Signing have come together to bring you a brand new Rockstar stories. Some of these stories are prequels, while others are a sneak peek into the first bit of what to expect from your favorite authors. Singers, Drummers, Guitarists and more are deep in the pages of this anthology. Take a dive into this bad-boy packed book to find your next book boyfriend!

    During her lifetime, she was best known as the flamboyant wife of celebrated muralist Diego Rivera. Theirs was a tumultuous relationship: Rivera declared himself to be "unfit for fidelity." As if to assuage her pain, Kahlo recorded the vicissitudes of her marriage in paint. She also recorded the misery of her deteriorating health--the orthopedic corsets that she was forced to wear, the numerous spinal surgeries, the miscarriages and therapeutic abortions. The artist's sometimes harrowing imagery is mitigated by an intentional primitivism and small scale, as well as by her sardonic humor and extraordinary imagination. In celebration of the one-hundredth anniversary of Kahlo's birth, this major new monograph is published on the occasion of the 2007-08 traveling exhibition. It features the artist's most renowned work--the hauntingly seductive and often brutal self-portraits--as well as a selection of key portraits and still lifes; more than 100 color plates, from Kahlo's earliest works, made in 1926, to her last, in 1954; critical essays by Elizabeth Carpenter, Hayden Herrera and Victor Zamudio-Taylor; and a selection of photographs of Kahlo and Rivera by preeminent photographers of the period, including Manuel Alvarez Bravo, Lola Alvarez Bravo, Gisele Freund, Tina Modotti and Nickolas Muray. The catalogue also contains snapshots from the artist's own photo albums of Kahlo with family and friends such as Andre Breton and Leon Trotsky--some of which have never been published, and several of which Kahlo inscribed with dedications, effaced with self-deprecating marks or kissed with a lipstick trace--plus an extensive illustrated timeline, selected bibliography, exhibition history and index.

    0-935906-02-9$5.00 / Javan Press

    Poems in English and Spanish that discuss what it means to be Puerto Rican in the United States today.

    Best known as the lead singer and enigmatic front man, songwriter, bassist of The Church, Steve has experienced both amazing international success and all the excesses that go with it, as well as a well known heroin addiction that delivered some very dark times. The Church has been a significant and constant influence on the Australian music industry and readers will be keen to hear from one of the industry's most successful, creative and long-standing key protagonists. Kilbey is Australian rock and roll royalty and for the first time this is his story. Come inside the world of Steve Kilbey singer songwriter and bassist of one of Australia's best loved bands, The Church. From his migrant ten pound pom childhood through his adolescence growing up during the advent of The Beatles, Dylan and The Stones to his early adventures in garage bands and neighbourhood jams. His misadventures with a full time job and a 9 to 5 life and wild adventures with The Church as they conquer Australia and then the world. The tours. The records. The women. And then the heroin addiction which enslaved him for ten long years. Then the two sets of twins he fathers along the way and branching off into acting, painting and writing. From snowy Sweden to a cell in New York City, from Ipanema beach to Bondi, Kilbey stumbles through his surrrealistic life as an idiot savant that will make you smile as well as want to kick him up the arse. After coming out the other side his tale is simply too good not to be told. Narrated with unusual and often pristine clarity we and with much focus on his considerable musical talent.

    As 1990 Nobel Laureate Octavio Paz makes clear in his book-length study, Hieroglyphs of Desire (translated by Esther Allen), Villaurrutia is a major poet of desire whose beloved is the death we live each day. His poems define life between the nocturnal and diurnal and have taken on added poignancy as uncanny prophecies of individual lives in the age of the AIDS epidemic.

    In the title poem, Bly addresses the "donkey"—possibly poetry itself—that has carried him through a writing life of more than six decades.from "Talking into the Ear of a Donkey"      "What has happened to the spring,"      I cry, "and our legs that were so joyful      In the bobblings of April?" "Oh, never mind      About all that," the donkey      Says. "Just take hold of my mane, so you      Can lift your lips closer to my hairy ears."

    This passionate, often surprising, intimate record, kept under lock and key for some forty years in Mexico, reveals many new dimensions in the complex persona of this remarkable Mexican artist.Covering the years 1944-45, the 170-page journal contains Frida's thoughts, poems, and dreams, and reflects her stormy relationship with her husband, Diego Rivera, Mexico's famous artist. The seventy watercolor illustrations in the journal - some lively sketches, several elegant self-portraits, others complete paintings - offer insights into her creative process, and show her frequently using the journal to work out pictorial ideas for her canvases.The text entries, written in Frida's round, full script in brightly colored inks, add an almost decorative quality, making the journal as captivating to look at as it is to read. Frida's childhood, her political sensibilities, and her obsession with Diego are all illuminated in witty phrases and haunting images.Although much has been written recently about this extraordinary woman, Frida Kahlo's art and life continue to fascinate the world. This personal document, published in a complete full-color facsimile edition, will add greatly to the understanding of her unique and powerful vision and her enormous courage in the face of more than thirty-five operations to correct injuries she had sustained in an accident at the age of eighteen. The facsimile is accompanied by an introduction by the world-renowned Mexican man of letters Carlos Fuentes and a complete translation of the diary's text. An essay on the place of the diary in Frida's work and in art history at large, as well as commentaries on the images, is provided by Sarah M. Lowe.

    With the panoramic sweep of a Diego Rivera mural, the novel weaves together dozens of plot lines, perspectives, and characters. Blending a wealth of historical information and local detail with a profound understanding of the complex relationship between victim and tormentor, Castellanos captures the ambiguities that underlie all struggles for power.A masterpiece of contemporary Latin American fiction from Mexico's greatest twentieth-century woman writer, The Book of Lamentations was translated with an afterword by Ester Allen and introduction by Alma Guillermoprieto.

    The opening narratives feature adolescent or pre-adolescent boys struggling with their conceptions of manhood: making sense of an old hermit whose life seems to have left no mark, or coexisting with a repulsive great-uncle in a world with no other male role model. Later, the stories depict grown men who find that these same struggles of manhood never go away: a man out of place among hunters and fathers in search of a missing child, or a man fighting through a blizzard to prove his worth to his own wife. The landscapes and lakescapes serve as recurring characters in the book. The boys and men wander forests—sometimes finding tranquility, sometimes finding tragedy. They climb and descend dunes. And often, they encounter the Big Lake: Lake Michigan. The idea of a Third Coast figures prominently in the book, the lake and its horizon serving as a kind of world’s end, where things pass away or come to life.