They are Nell Stone, fascinating, magnetic and famous for her controversial work studying South Pacific tribes, her intelligent and aggressive husband Fen, and Andrew Bankson, who stumbles into the lives of this strange couple and becomes totally enthralled. Within months the trio are producing their best ever work, but soon a firestorm of fierce love and jealousy begins to burn out of control, threatening their bonds, their careers, and, ultimately, their lives...

    They live a simple life, rich in family and friends, in the beautiful Syrian city of Aleppo--until the unthinkable happens. When all they care for is destroyed by war, they are forced to escape. But what Afra has seen is so terrible she has gone blind, and so they must embark on a perilous journey through Turkey and Greece towards an uncertain future in Britain. On the way, Nuri is sustained by the knowledge that waiting for them is Mustafa, his cousin and business partner, who has started an apiary and is teaching fellow refugees in Yorkshire to keep bees.As Nuri and Afra travel through a broken world, they must confront not only the pain of their own unspeakable loss, but dangers that would overwhelm the bravest of souls. Above all, they must journey to find each other again.Moving, powerful, compassionate, and beautifully written, The Beekeeper of Aleppo is a testament to the triumph of the human spirit. It is the kind of book that reminds us of the power of storytelling.

    But as Emma dives deeper into the gardens’ past, she begins to uncover secrets that have long lain hidden.1907: A talented artist with a growing reputation for her ambitious work, Venetia Smith has carved out a niche for herself as a garden designer to industrialists, solicitors, and bankers looking to show off their wealth with sumptuous country houses. When she is hired to design the gardens of Highbury House, she is determined to make them a triumph, but the gardens—and the people she meets—promise to change her life forever.1944: When land girl Beth Pedley arrives at a farm on the outskirts of the village of Highbury, all she wants is to find a place she can call home. Cook Stella Adderton, on the other hand, is desperate to leave Highbury House to pursue her own dreams. And widow Diana Symonds, the mistress of the grand house, is anxiously trying to cling to her pre-war life now that her home has been requisitioned and transformed into a convalescent hospital for wounded soldiers. But when war threatens Highbury House’s treasured gardens, these three very different women are drawn together by a secret that will last for decades.

    She knows there is something wrong with her but she doesn't know what it is. Her husband Patrick thinks she is fine. He says everyone has something, the thing is just to keep going.Martha told Patrick before they got married that she didn't want to have children. He said he didn't mind either way because he has loved her since he was fourteen and making her happy is all that matters, although he does not seem able to do it.By the time Martha finds out what is wrong, it doesn't really matter anymore. It is too late to get the only thing she has ever wanted. Or maybe it will turn out that you can stop loving someone and start again from nothing - if you can find something else to want.

    . .Sage Singer is a baker. She works through the night, preparing the day’s breads and pastries, trying to escape a reality of loneliness, bad memories, and the shadow of her mother’s death. When Josef Weber, an elderly man in Sage’s grief support group, begins stopping by the bakery, they strike up an unlikely friendship. Despite their differences, they see in each other the hidden scars that others can’t, and they become companions.Everything changes on the day that Josef confesses a long-buried and shameful secret—one that nobody else in town would ever suspect—and asks Sage for an extraordinary favor. If she says yes, she faces not only moral repercussions, but potentially legal ones as well. With her own identity suddenly challenged, and the integrity of the closest friend she’s ever had clouded, Sage begins to question the assumptions and expectations she’s made about her life and her family. When does a moral choice become a moral imperative? And where does one draw the line between punishment and justice, forgiveness and mercy?In this searingly honest novel, Jodi Picoult gracefully explores the lengths we will go in order to protect our families and to keep the past from dictating the future

    But as she adapts to life at the isolated Hardcastle House, it becomes clear there's something not quite right about the beautiful, mysterious Mrs England. Ostracised by the servants and feeling increasingly uneasy, Ruby is forced to confront her own demons in order to prevent history from repeating itself. After all, there's no such thing as the perfect family - and she should know.Simmering with slow-burning menace, Mrs England is a portrait of an Edwardian marriage, weaving an enthralling story of men and women, power and control, courage, truth and the very darkest deception. Set against the atmospheric landscape of West Yorkshire, Stacey Halls' third novel proves her one of the most exciting and compelling new storytellers of our times.

    Charlton from a undernourished and timid tax clerk to ‘Charlie’, a fully-converted member of the Larkin way of life: an easygoing celebration of nature, food, drink, and family. In the process, the reader is introduced to the Brigadier, Miss Pilchester, and Angela Snow. Setting the style for the series, the book ends with a grand celebration, and the announcement of the wedding of Charlie and Mariette. The novel was filmed with the title ‘The Mating Game’, and between 1991 and 1993, Yorkshire Television produced a highly-successful television series called ‘The Darling Buds of May’. This first book in the Larkin series was very successful, appearing first in the United States and then in Britain, where it sold 40,000 in the first two months. Many critics felt that Bates deserved better than to be remembered mostly for the Larkin novels, but they were very profitable. The immensely popular Larkin series of comic novels consisted of ‘The Darling Buds of May’, ‘A Breath of French Air’ (1959), ‘When the Green Woods Laugh’ (1960), ‘Oh! To Be in England’ (1963), and ‘A Little of What You Fancy’ (1970). Bates, speaking of how he was inspired to create the Larkins, recalled the real junkyard that he often passed near his home in Kent; and he remembered seeing a family -- a father, mother and many children, sucking at ice-creams and eating crisps in a "ramshackle lorry that had been recently painted a violent electric blue". He tried writing a brief tale based on the family, but soon decided that he couldn’t waste such a rich gallery of characters to a short story." Pop is a wonderful character who hates pomp, pretension and humbug; loves his family, but doesn’t hesitate to break a few rules... and his and the Larkins' secret is “that they live as many of us would like to live if only we had the guts and nerve to flout the conventions." See also the Pop Larkin Chronicles, which contains all five Larkin books.

    Fletcher, an explosive and thought-provoking novel about the far-reaching repercussions of an illicit relationship between a young girl and a man twenty years her senior.A rising star in the London arts scene of the early 1970s, gifted composer Ralph Boyd is approached by renowned novelist Edmund Greenslay to score a stage adaptation of his most famous work. Welcomed into Greenslay’s sprawling bohemian house in Putney, an artistic and prosperous district in southwest London, the musical wunderkind is introduced to Edmund’s beautiful activist wife Ellie, his aloof son Theo, and his nine-year old daughter Daphne, who quickly becomes Ralph’s muse.Ralph showers Daphne with tokens of his affection—clandestine gifts and secret notes. In a home that is exciting but often lonely, Daphne finds Ralph to be a dazzling companion. Their bond remains strong even after Ralph becomes a husband and father, and though Ralph worships Daphne, he does not touch her. But in the summer of 1976, when Ralph accompanies thirteen-year-old Daphne alone to meet her parents in Greece, their relationship intensifies irrevocably. One person knows of their passionate trysts: Daphne’s best friend Jane, whose awe of the intoxicating Greenslay family ensures her silence.Forty years later Daphne is back in London. After years lost to decadence and drug abuse, she is struggling to create a normal, stable life for herself and her adolescent daughter. When circumstances bring her back in touch with her long-lost friend, Jane, their reunion inevitably turns to Ralph, now a world-famous musician also living in the city. Daphne’s recollections of her childhood and her growing anxiety over her own young daughter eventually lead to an explosive realization that propels her to confront Ralph and their years spent together.Masterfully told from three diverse viewpoints—victim, perpetrator, and witness—Putney is a subtle and enormously powerful novel about consent, agency, and what we tell ourselves to justify what we do, and what others do to us.

    But when her boss offers her a part-time job caring for his elderly aunt, Helena, Eleanor accepts, hoping this good deed will help atone for her mistakes.On the barrier island of Edisto, Eleanor bonds with Helena over their mutual love of music. Drawing the older woman out of her depression, Eleanor learns of her life in Hungary, with her sister, before and during World War II. She hears tales of passion and heartache, defiance and dangerous deception. And when the truth of Helena and her sister’s actions comes to light, Eleanor may finally allow herself to move past guilt and to embrace the song that lies deep in her heart…

    Until the day James Carlson Sweatt--the "over tall" eleven-year-old boy who's the talk of the town--walks into her library and changes her life forever. Two misfits whose lonely paths cross at the circulation desk, Peggy and James are odd candidates for friendship, but nevertheless they soon find their lives entwined in ways that neither one could have predicted. In James, Peggy discovers the one person who's ever really understood her, and as he grows--six foot five at age twelve, then seven feet, then eight--so does her heart and their most singular romance. The Giant's House is an unforgettably tender and quirky novel about learning to welcome the unexpected miracle, and about the strength of choosing to love in a world that gives no promises, and no guarantees.

    When she receives an unexpected inheritance from a complete stranger, Madame Eva d’Orsey, Grace is drawn to uncover the identity of her mysterious benefactor.Weaving through the decades, from 1920s New York to Monte Carlo, Paris, and London, the story Grace uncovers is that of an extraordinary women who inspired one of Paris’s greatest perfumers. Immortalized in three evocative perfumes, Eva d’Orsey’s history will transform Grace’s life forever, forcing her to choose between the woman she is expected to be and the person she really is.The Perfume Collector explores the complex and obsessive love between muse and artist, and the tremendous power of memory and scent.

    He promises her the world, but when she discovers she is pregnant — and that her lover is married — she refuses to be bought. Instead, she accepts an offer of marriage from a gentle, sickly minister passing through on his way to Japan. But her decision to abandon her home, and to reject her son's powerful father, sets off a dramatic saga that will echo down through the generations.Richly told and profoundly moving, Pachinko is a story of love, sacrifice, ambition, and loyalty. From bustling street markets to the halls of Japan's finest universities to the pachinko parlors of the criminal underworld, Lee's complex and passionate characters — strong, stubborn women, devoted sisters and sons, fathers shaken by moral crisis — survive and thrive against the indifferent arc of history.

    But The Hiding Place need not "hide" behind any ready-made comparisons; Azzopardi's astonishing, tension-filled debut stands assuredly on its own as a work of tremendous power and originality. The Hiding Place is narrated by Dolores, the youngest of six daughters born to a Maltese immigrant father and a Welsh mother. With one hand permanently disfigured by a fire when she was only one month old -- the hand is beautifully described by the author as "a closed white tulip standing in the rain; a cutoff creamy marble in the shape of a Saint; a church candle with its tears flowing down the bulb of wrist" -- Dolores has always been treated as an outcast. Her father, Frankie Gauci, is an incorrigible gambler who bets "more than he can afford to lose." On the day Dolores is born, he loses his half-share of a caf&eacute, as well as the apartment above it where his family lives. Everything in Frankie's life is potential currency, including his family; he even sells his second-oldest daughter Marina to gangster Joe Medora in exchange for a house and money to pay off his debts. Dolores's mother, Mary, is driven to the edge of insanity as she watches the world around her collapse, helpless to save even her children from her husband's vices. At times, The Hiding Place paints a phantasmagoric portrait of cruelty, but Trezza Azzopardi's gracefully exacting prose saves her tale from becoming a shock-fest of the sort you would expect on daytime television talk shows. Azzopardi forges profundity through delicately interwoven double-sided images: rabbits that are the children's playthings, until they are brutally slaughtered by their father; trunks, rooms, and cages that can either protect or ensnare; and most abundantly and most significantly, fire, which can warm as well as ravage. Even Dolores's older sister Fran is sent away to a home for being a pyromaniac, craving risk like her father, "gambling on how hot, how high, on how long she can bear it." While some readers may wonder how Dolores is able to relate events that happened when she was so young, it is easy to associate these stories with the phantom pains she feels in her missing fingers, her ability to "miss something [she] never knew." The story comes to us in a dreamlike tapestry, weaving together different times and perspectives. Consequently, the narrative is fragmented, leaving the reader with half-tellings, missing details, stories that unfold only in the retelling, and a sense that the only fact we can be certain of is the profound meaning she imparts through them. The Hiding Place is as much a portrait of a family's destruction as it is an exploration of how memory bends and buckles under the weight of ruin, and how "blame can be twisted like a flame in draught; it will burn and burn."

    But Eva must also confront the ghosts from her own past, as well as those from a time long before her own. For the house where she so often stayed as a child is home not only to her old friends the Halletts, but also to the people who had lived there in the eighteenth century. When Eva finally accepts that she is able to slip between centuries and see and talk to the inhabitants from hundreds of years ago, she soon finds herself falling for Daniel Butler, a man who lived - and died - long before she herself was born. Eva begins to question her place in the present, and in laying her sister to rest, comes to realise that she too must decide where she really belongs, choosing between the life she knows and the past she feels so drawn towards.

    Pagford is not what it first seems.And the empty seat left by Barry on the parish council soon becomes the catalyst for the biggest war the town has yet seen. Who will triumph in an election fraught with passion, duplicity and unexpected revelations?