Life revolves around his family: Mama, Papa, sister Shahnaz, brothers Adil and Akhtar and, his favourite, older brother Bilal. It also revolves around Munnu’s two favourite things – sugar and drawing.But Munnu’s is a childhood experienced against the backdrop of conflict. Bilal’s classmates are crossing over into the Pakistan-administered portion of Kashmir to be trained to resist the ‘occupation’; Papa and Bilal are regularly taken by the military to identification parades where informers will point out ‘terrorists’; Munnu’s school is closed; close neighbours are killed and the homes of Kashmiri Hindu families lie abandoned, as once close, mixed communities have ruptured under the pressure of Kashmir’s divisions.Munnu is an amazingly personal insight into everyday life in Kashmir. Closely based on Malik Sajad’s own childhood and experiences, it is a beautiful, evocatively drawn graphic novel that questions every aspect of the Kashmir situation – the faults and responsibilities of every side, the history of the region, the role of Britain and the West, the possibilities for the future. It opens up the story of this contested and conflicted land, while also giving a brilliantly close, funny and warm-hearted portrait of a boy’s childhood and coming-of-age.

    You've been nothing but an inconvenience. Guised as an instructive manual, A Handbook For My Lover chronicles six years in the life of an unconventional affair between a young woman writer and her older photographer lover.The sensuous epistle documents the woman's demands and desires, her fantasies and eccentricities as she negotiates the minefield that is their relationship.A Handbook For My Lover is a poetic, erotic account of two lovers fated to seek refuge in the transient. It is a celebration of all that is momentary and fleeting rather than that which is permanent.

    . . A prison warder from Kerala is worshipped as an incarnate deity for two months of every year . . . A Jain nun tests her powers of detachment watching her closest friend ritually starve herself to death . . . The twenty-third in a centuries-old line of idol makers struggles to reconcile with his son’s wish to study computer engineering . . . An illiterate goatherd keeps alive in his memory an ancient 200,000-stanza sacred epic . . . A temple prostitute, who resisted her own initiation into sex work, pushes her daughters into the trade she nonetheless regards as a sacred calling.William Dalrymple tells these stories, among others, with expansive insight and a spellbinding evocation of remarkable circumstance, giving us a dazzling travelogue of both place and spirit

    The firstborn, the ‘original’ scion of Ikshvaku, the daughter of Dasharatha and Kaushalya, who came before Rama, Lakshmana, Bharata and Shatrughana. Shanta, as her named suggested, preferred solitude to her royal status of the princess of Ayodhya. She yearned for love—from her parents, who were obsessed with producing a male heir for their kingdom. After the passing of many years, when Dasharatha lies on his death bed pining for his son, Rama who has been banished to the forest for 14 long years, it is Shanta who is besides her father, but watches helplessly as Dasharatha doesn’t even recognize her. In this fascinating and hitherto unknown account, Shanta: The Story of Rama’s Sister, Anand Neelakantan tells the story of a woman who makes sacrifice her life’s mission, propelled by love, affection and a commitment to the land of her birth, Ayodhya.

    Among his expansive and impressive body of work, Gitanjali is regarded as one of his greatest achievements, and has been a perennial bestseller since it was first published in 1910.

    This novel describes a day in the life of Bakha, sweeper and toilet-cleaner, as he searches for a meaning to the tragic existence he has been born into - and comes to an unexpected conclusion.

    These pages retell in riveting detail the story of the Pandava Warrior-Prince who has captured the imagination of millions across centuries. This is the intense and human story of his loves, friendship, ambitions, weaknesses and follies, as well as his untimely death and revival, his stint as a eunuch, and the innermost reaches of his thoughts. Told in a refreshingly modern and humourous style and set against the staggering backdrop of the Mahabharata. Arjunas story appeals equally to the average, discerning reader and the scholar. It spans the epic journey from before his birth, when omens foretold his greatness, across the fabled, wondrous landscape that was his life.

    A re-creation of one of the key moments of twentieth-century history: the partition and independence of India, and the final days of the Raj.

    They also saw the structure of the army, with its recruitment on the basis of caste and religion, as incompatible with their hopes for a new secular nation.India has successfully preserved its democracy, however, unlike many other colonial states that inherited imperial "divide and rule" armies, and unlike its neighbor Pakistan, which inherited part of the same Indian army in 1947. As Steven I. Wilkinson shows, the puzzle of how this happened is even more surprising when we realize that the Indian Army has kept, and even expanded, many of its traditional "martial class" units, despite promising at independence to gradually phase them out.Army and Nation draws on uniquely comprehensive data to explore how and why India has succeeded in keeping the military out of politics, when so many other countries have failed. It uncovers the command and control strategies, the careful ethnic balancing, and the political, foreign policy, and strategic decisions that have made the army safe for Indian democracy. Wilkinson goes further to ask whether, in a rapidly changing society, these structures will survive the current national conflicts over caste and regional representation in New Delhi, as well as India's external and strategic challenges.

    She faced abandonment by her mother, the formidable constraints placed on her by her family, and the barbs of village elders bound by hundreds of years of oppressive practices and customs that subjugate women. Shilpa is torn between the contrasting lives she leads: one of servitude and injustice experienced by her family; the other of opportunity and empowerment offered by a good education in a school started by a philanthropist.Just when all seems settled, an unforeseen death under mysterious circumstances shatters whatever stability remains in her life. Pulled in opposite directions, and torn between despair and dreams, Shilpa finally makes a choice for her future. Is she strong enough to stand up to the people she loves, and pursue what she wants?At its heart The Elephant Chaser’s Daughter is about hope, when all seems lost. Written with raw honesty and grit, this is a deeply moving memoir of a young girl confronting her ‘untouchable’ status in a caste-based society, and her aspirations for modernity.Reviews so far: Kirkus Review: Shilpa was given the chance to transcend her family history and perhaps her own karma. A deft portrayal of a young woman’s growth and courageous transformation through education.Sir Ken Robinson:Shilpa Raj is a powerful new voice for human dignity and opportunity and against the appalling and demeaning mistreatment of women worldwide. An important and deeply affecting book narrated in a moving and intimate style.Sir Ken Robinson, Author and EducatorSri Vishwanath:The Elephant Chaser’s Daughter unveils the secret of transcendence. Shilpa Raj is the future voice for the poor and deprived, uncovering the diamond in the rubble. Read her.well-known authorVanessa Roth:Shilpa’s story speaks for millions of families in a way that is immediate, intimate and personal. Her book will have a powerful impact on the lives and minds of young people around the world.film director, and winner of Academy AwardMadhu Trehan:Shilpa’s searing, penetrating honesty in the account of her life will change perspectives and impact every reader. It gives hope to the under-privileged and sensitizes the privileged.Editor-in-Chief, Newslaundry.com

    Abhinav Chandrachud suggests that colonial-era restrictions on free speech, like sedition, obscenity, contempt of court, defamation and hate speech, were not merely retained but also strengthened in independent India. Authoritative and compelling, this book offers lucid and cogent arguments that have not been advanced substantially before by any of the leading thinkers on the right of free speech in India.