The resulting pairs cover such subjects as "Scruples/Saints," "Hypocrisy/Precision," and "Anger/Generosity." The wisdom and startling turns we've come to expect from Dunn are everywhere in the ninety miniatures (forty-five pairs) that comprise this volume.

    Rowan too, otherwise safe in her 'upper crusty' suburb, is drawn more and more strongly 'out west'.  The past is dangerously alive. Clyde Buckley - violent as a boy; enigmatic, subterranean as an old man - returns to his childhood territory. What does he want? What crimes does he hide? And how is Lionel involved? Rowan must abandon safety if she is to find out . . . Maurice Gee is a master storyteller. Access Road is at once a novel of chilling tension and expansive humanity; both a beautifully crafted work of literature and an effortlessly seductive family story.

    It includes a full account of Tolkien the linguist, as well as telling how to write all the languages, with guides to grammar and pronunciation, and a complete dictionary of the fourteen languages.Here is a book to deepen and enhance our enjoyment of those classics of Middle-earth, The Hobbit, The Lord of the Rings, and The Silmarillion.Ruth Noel teaches remedial and developmental reading in Riverside, California. She is the author of The Mythology of Middle-earth, on the relation between The Lord of the Rings and European myth in general. "The author is convincing and fascinating as she connects Tolkien's fantasies with the hallowed myths of other cultures." - Publishers Weekly

    His pawns: planes full of human lives. When an outsider upsets his board, two jetliners collide and Kellys world spins out of control. Convinced hes not to blame, Kelly fights to save his reputation and expose the true villain before he strikes again.

    Lizzie Browne moves from London to a small town on the coast, looking forward to a quiet life, but when she finds a murdered patient on her first day it seems that perhaps Stibbington is not so quiet after all. DCI Adam Maguire, and colleague Steve Grayson, haven’t been challenged by a case for a long time, and welcome this break from their normal routine, except that there seems to be no apparent motive for anyone to kill a harmless young drop-out. When a second body, similar to the first, is found in Lizzie’s garden she is drawn into Adam’s investigation against her will, and against her better judgment her quiet life is riven with tension and conflict.

    How is an achievement of this magnitude to be explained? Stephen Greenblatt brings us down to earth to see, hear, and feel how an acutely sensitive and talented boy, surrounded by the rich tapestry of Elizabethan life, could have become the world’s greatest playwright.

    The technique is controlled, not ostentatious, and one senses here a conscious link to the work of older poets such as Larkin and Levertov. Karr's strength lies in her delicate and meticulous control of detail. Characteristically, she describes a cat's nighttime prowl with humor and precision: `` . . . he pounced and rabbit-kicked my head. / I had to disentangle from my hair / all four sets of claws, then tossed him / out into the pyramid of boxes / we'd erected in the yard.'' Such loving attention to seemingly insignificant events is reminiscent of the early work of Adrienne Rich and the use of imagery is similarly evocative (``When the moon / clicked over the sun like a black lens / over a white eye. . . ''). Karr's work generally falls into clipped stanzas, the lines flowing over for an effect of ironic tension appropriate for much of the ``devilish'' material with which she is concerned. While the poet's unflinching consciousness stands out in this text, the poetic voice is not completely developed. (Apr.)

    For years, Hannah has hardly spoken to her overbearing mother or the half-sisters she barely knows: shy Candice, and Mary, a stunning fifteen year old with an eerie grip on the town. But when she learns her mother has been kidnapped, she returns home to the shack on Hermit Lake and the step-father she's never trusted. Detective Cody McAlister has never seen a case like this. The kidnapper has planned every detail with exquisite precision and when body parts begin to arrive at his department, the glaring reality becomes all too clear: Kendra won't be alive for long. The key to the deranged kidnapper's motive and identity may be held in the unsteady hands of a twelve-year old girl. But Candice hasn't spoken a word since that tragic night.As Hannah and Cody's investigation takes them from abandoned strip malls to the outer reaches of the marsh, the unimaginable truth emerges, and Hannah finds herself reliving hellish memories of the shack she thought she'd never have to face. If she doesn't unravel the psychological puzzle of her own past, she won't find her mother in time. In small-town New Hampshire where what you see is what you get, no one is who they seem.

    prison system, tracking down a chameleon con artist in Europe, or riding in a cyclone-tossed skiff with a scientist hunting the elusive giant squid, David Grann revels in telling stories that explore the nature of obsession and that piece together true and unforgettable mysteries.Each of the dozen stories in this collection reveals a hidden and often dangerous world and, like Into Thin Air and The Orchid Thief, pivots around the gravitational pull of obsession and the captivating personalities of those caught in its grip. There is the world's foremost expert on Sherlock Holmes who is found dead in mysterious circumstances; an arson sleuth trying to prove that a man about to be executed is innocent, and sandhogs racing to complete the brutally dangerous job of building New York City's water tunnels before the old system collapses. Throughout, Grann's hypnotic accounts display the power-and often the willful perversity-of the human spirit.Compulsively readable, The Devil and Sherlock Holmes is a brilliant mosaic of ambition, madness, passion, and folly.

    Here then, from the well-thumbed pages of 'Black Mask' and 'Dime Detective Magazine', are eight of his finest stories including 'The Man Who Liked Dogs', 'The Lady in the Lake' and 'Bay City Blues'. Sharper than a hoodlum's switchblade, more exciting than an unexpected red-head and stronger than a double shot of whisky, they are packed full of the punchy poetry and laconic wit that makes Chandler the undisputed master of his genre.'Anything Chandler writes about grips the mind from the first sentence' Daily Telegraph 'One of the greatest crime writers, who set standards others still try to attain' Sunday Times'Chandler is an original stylist, creator of a character as immortal as Sherlock Holmes' Anthony BurgessBest-known as the creator of the original private eye, Philip Marlowe, Raymond Chandler was born in Chicago in 1888 and died in 1959. Many of his books have been adapted for the screen, and he is widely regarded as one of the very greatest writers of detective fiction. His books include The Big Sleep, The Little Sister, Farewell, My Lovely, The Long Good-bye, The Lady in the Lake, Playback, Killer in the Rain, The High Window and Trouble is My Business.

    Henry is the pen name of American writer William Sydney Porter (1862-1910). Porter's 400 short stories are known for their wit, wordplay, characterization and the clever use of twist endings. He travelled to Austin in 1884, where he took a number of different jobs over the next several years, first as pharmacist then as a draftsman, bank teller and journalist. He also began writing as a sideline to employment. Porter's most prolific writing period started in 1902, when he moved to New York City to be near his publishers. He wrote 381 short stories while living there. He wrote a story a week for over a year for the New York World Sunday Magazine. His wit, characterization and plot twists were adored by his readers, but often panned by the critics. Yet, he went on to gain international recognition and is credited with defining the short story as a literary art form. His works include: Cabbages and Kings (1904), The Four Million (1906), Heart of the West (1907), The Trimmed Lamp and Other Stories of the Four Million (1907), The Voice of the City: Further Stories of the Four Million (1908), The Gentle Grafter (1908) and Roads of Destiny (1909).This collection contains:The octopus marooned --Jeff Peters as a personal magnet --Modern rural sports --The chair of philanthromathematics --The hand that rules the world --The exact science of matrimony --A midsummer masquerade --Shearing the wolf --Innocents of Broadway --Conscience in art --The man higher up --A tempered wind --Hostages to Momus --The ethics of pig.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

     The First Crime: Many people had reason to kill the victim, and they tried 'til they got it right. You'd think that would leave plenty of clues, but they don't add up right. Can a 16-yr-old. The Second Crime: A teacher was found dead and a lot of other students have had accidents, some serious. Gracie Greene's not so sure they were accidents, but can she find the pattern and motive before someone else dies? The Third Crime: At 18 years old Gracie Greene has already solved 2 murders. Now she finds herself a suspect in a 3rd murder and must solve it to clear herself.

    Then one morning Sam disappears and Molly learns that her husband of eight years is a spy and a traitor. Suddenly Molly is caught in a nightmare, hurtling toward a rendezvous with terror.

    Their subjects: language and writing. The interviewee drove more than an hour, from Claremont to downtown Los Angeles. The interviewer flew from Dallas. They spoke on film for 67 minutes and then walked uphill to a nearby seafood restaurant, where they continued the running conversation they had started five years earlier. They liked each other, and they seemed to understand each other. The rest is history. This is the last long interview with David Foster Wallace.