Includes:"Michael's Little Sister" / C. S. Adler"Dancing Backwards" / Marion Dane Bauer"Winnie and Tommy" / Francesca Lia Block"Am I Blue" / Bruce Coville"Parents Night" / Nancy Garden"Three Mondays in July" / James Cross Giblin"Running" / Ellen Howard"We Might as Well Be Strangers" / M. E. Kerr"Hands" / Jonathan London"Holding" / Lois Lowry"The Honorary Shepherds" / Gregory Maguire"Supper" / Lesléa Newman"50% Chance of Lightning" / Cristina Salat"In the Tunnels" / William Sleator"Slipping Away" / Jacqueline Woodson"Blood Sister" / Jane Yolen

    But how is she ever going to find a girlfriend in Duluth, Minnesota?When she meets a group of kids who are telling a science fiction story online and gets invited down to the Twin Cities, she gets more attention than she ever expected, from two very different girls: charming Sierra and troublesome Blake.Blake helps Lauren understand that she’s not the crazy one in her life. But Blake's attention—and insights into life and living with bipolar disorder—threaten to destroy everything Lauren has created for herself, including her relationship with Sierra.

    It’s not easy being gay in Washington, DC, in the age of McCarthyism, but when she discovers a series of books about women falling in love with other women, it awakens something in Janet. As she juggles a romance she must keep hidden and a newfound ambition to write and publish her own story, she risks exposing herself—and Marie—to a danger all too real.Sixty-two years later, Abby Zimet can’t stop thinking about her senior project and its subject—classic 1950s lesbian pulp fiction. Between the pages of her favorite book, the stresses of Abby’s own life are lost to the fictional hopes, desires and tragedies of the characters she’s reading about. She feels especially connected to one author, a woman who wrote under the pseudonym “Marian Love,” and becomes determined to track her down and discover her true identity.In this novel told in dual narratives, New York Times bestselling author Robin Talley weaves together the lives of two young women connected across generations through the power of words. A stunning story of bravery, love, how far we’ve come and how much farther we have to go.

    In one moment,it is over.In one momentit is gone.The morning growsthin, greyand our lives—how they were—have vanished.Our lives havechangedwhen I walk inon Lizziemy sisterholding a shotgun.Twelve year old girl Hope's life is turned upside down when her older sister Lizzie becomes an elective mute and is institutionalized after trying to kill herself.With raw and haunting writing reminiscent of Ellen Hopkins and Elizabeth Scott, Carol Lynch Williams is a promising new YA voice.

    Beach-loving surfer Alberta has been the only black girl in town for years. Alberta's best friend, Laramie, is the closest thing she has to a sister, but there are some things even Laramie can't understand. When the bed and breakfast across the street finds new owners, Alberta is ecstatic to learn the family is black-and they have a 12-year-old daughter just like her.Alberta is positive she and the new girl, Edie, will be fast friends. But while Alberta loves being a California girl, Edie misses her native Brooklyn and finds it hard to adapt to small-town living.When the girls discover a box of old journals in Edie's attic, they team up to figure out exactly who's behind them and why they got left behind. Soon they discover shocking and painful secrets of the past and learn that nothing is quite what it seems.

    Archie's trying to cope with the lingering effects of his parents' divorce, Mari's considering an opportunity to contact her biological mother, Dante's working up the courage to come out to his friends, and Sam's clinging to a failing relationship. The four eventually embark on a cross-country road trip in an attempt to solve--or to avoid--their problems. Told in the narrative style of Akira Kurosawa's RASHOMAN, AN INFINITE NUMBER OF PARALLEL UNIVERSES is at turns geeky, funny, and lyrical as it tells a story about that time in life when friends need each other to become more than just people that hang out.

    A chance meeting at church bingo in 1963 brings Hazel Johnson and Mari McCray together. Through their formative years, these two women develop feelings for each other and finally profess their love for one another.Forced apart by their families and society, Hazel and Mari both married young men and had families. Decades later, now in their mid 60’s, Hazel and Mari are reunited again at a bingo hall. Realizing their love for each other is still alive, what these grandmothers do next takes absolute strength and courage.From TEE FRANKLIN (NAILBITER’s “THE OUTFIT,” Love is Love) and JENN ST-ONGE (Jem & the Misfits), BINGO LOVE is a touching story of love, family, and resiliency that spans over 60 years.

    The Church of Blue can help. We are not a cult.$5 for a holy quest is a good deal. Since sixth grade, Debbie Woodlawn has nursed a secret, heart-searing crush on her best friend, Lisa. But all those years of pretending to enjoy Full House reruns and abstinence rallies with Lisa go down the drain when her friend hooks up with Norman, the most boring guy at school. This earth-shattering event makes Debbie decide to do the unthinkable: confess her love to Lisa. And she has to do it tonight--before Lisa and Norman go past "the point of no return."So Debbie embarks on a quest to find Lisa. Guiding the quest are fellow students/detention hall crashers Emma and Tim, the founding (and only) members of the wacky Church of Blue. Three chases, three declarations of love, two heartbreaks, a break-in, and five dollars worth of gas later, Debbie has been fully initiated into Bluedaism--but is there time left to stop Lisa and Norman from going too far?

    * That Owen definitely wasn't supposed to break up with her because of it. * That behind the carefully crafted selfies and scenes Lulu projects onto people's screens, her life feels like a terrible, uncertain mess.Then Lulu meets Cass. Cass isn't interested in looking at Lulu's life, only in living in it. And The Hotel—a gorgeous space with an intriguing, Old Hollywood history and a trust-fund kid to restore it—seems like the perfect, secret place for them to get to know each other. But just because Lulu has stepped out of the spotlight doesn't mean it'll stop following her every move.It's a story about what you present vs. who you really are, about real intimacy and manufactured intimacy and the blurring of that line. It's a deceptively glamorous, feminist, emotionally complex, utterly compelling, queer coming-of-age novel about falling in love and taking ownership of your own self—your whole self—in the age of social media.

    As Phyre rehearses for the school play, she comes to realize that the unrequited feelings she has for Mia go deeper than she’s ever experienced. Especially with a teacher. Or a woman. All the while, Phyre’s best friend—addressed throughout the story in the second person, as "you"—stands by, ready to help Phyre make sense of her feelings. But just as Mia doesn’t understand what Phyre feels, Phyre can’t fathom the depth of her best friend’s feelings . . . until it’s almost too late for a happy ending. Characters come to life through the innovative screenplay format of this dazzling debut, and unanswered questions—is "you" male or female?—will have readers talking.

    Still, they're as close as sisters can be. Until Eva deletes Roz from her life like so much junk e-mail for no reason that Roz understands. Now Eva hangs out with the annoyingly petite cheerleaders, and Roz fantasizes about slipping bovine growth hormone into their Gatorade.Roz has a suspicion about Eva. In turn, Eva taunts Roz with a dare, which leads to an act of total insanity. Drama geeks clamor for attention, Shakespearean insults fly, and Roz steals the show in Lauren Bjorkman's hilarious debut novel.

    It's still true that their mother has abandoned the four Tillerman children somewhere in the middle of Connecticut. It's still true they have to find their way, somehow, to Great-aunt Cilla's house in Bridgeport, which may be their only hope of staying together as a family.But when they get to Bridgeport, they learn that Great-aunt Cilla has died, and the home they find with her daughter, Eunice, isn't the permanent haven they've been searching for. So their journey continues to its unexpected conclusion -- and some surprising discoveries about their history, and their future.

    Again. And normally I wouldn't mind. But right now, my best friend and source of solace, Jupiter Sanchez, is ignoring me to text some girl. Rae Evelyn ChinI assumed "new girl" would be synonymous with "pariah," but Jupiter and Courtney make me feel like I'm right where I belong. I also want to kiss him. And her. Which is . . . perplexing.Jupiter Charity-SanchezThe only thing worse than losing the girl you love to a boy is losing her to your boy. That means losing him, too. I have to make a move. . . .One story.Three sides.No easy answers.

    Her family is desperately poor, but her life is full of simple pleasures, like raising her black-and-white speckled goat, and having her mother brush her hair by the light of an oil lamp. But when the harsh Himalayan monsoons wash away all that remains of the family's crops, Lakshmi's stepfather says she must leave home and take a job to support her family. He introduces her to a glamorous stranger who tells her she will find her a job as a maid working for a wealthy woman in the city. Glad to be able to help, Lakshmi undertakes the long journey to India and arrives at "Happiness House" full of hope. But she soon learns the unthinkable truth: she has been sold into prostitution. An old woman named Mumtaz rules the brothel with cruelty and cunning. She tells Lakshmi that she is trapped there until she can pay off her family's debt—then cheats Lakshmi of her meager earnings so that she can never leave. Lakshmi's life becomes a nightmare from which she cannot escape. Still, she lives by her mother's words—"Simply to endure is to triumph"—and gradually, she forms friendships with the other girls that enable her to survive in this terrifying new world. Then the day comes when she must make a decision—will she risk everything for a chance to reclaim her life? Written in spare and evocative vignettes, this powerful novel renders a world that is as unimaginable as it is real, and a girl who not only survives but triumphs.

    Mazie has dreamed of being on Broadway since she could walk. Growing up in her small Nebraska town, that always seemed like an impossible dream. But when Mazie's grandmother dies and leaves her a letter and enough money for a six-week stay in New York City, Mazie jumps at the chance to follow her dream, leaving behind everything--and everyone--she's ever known. Of course, nothing can prepare Mazie for the loudness and chaos of the city. She's homesick for her family and the familiarity of her momma's cooking, and lovesick for Jesse--the boyfriend whose heart she broke when she left. But Mazie is determined to make her time in New York count. She is determined to succeed. With her money running out, and faced with too many rejections to count, Mazie finally lands a role. But there's a catch: the tour is an industrial musical designed to sell farm equipment, bringing Mazie right back to the cornbelt of her hometown she was all too eager to escape.Mazie is the story of a girl caught between two lives--and two loves--as she navigates who she is, what matters most, and the cost of following her dream.