Now eight years later, fate has brought Violet and her daughter, Holly, back to the house Violet grew up in.As soon as Violet runs into James 'Mac' MacKellan, she wonders if she should run all the way back to the city. But something about the look in his eyes makes her want to linger. Can she trust him, can she trust herself or will she be burned again?James MacKellan has had a soft spot for Violet Beckett for longer than he can remember. It almost killed him to watch his brother woo her, use her and finally lose her. From their very first encounter he's hooked. But how can he convince her that not all MacKellans are the same?McKellan's Run is an entertaining love story that takes us into the hearts of two very special people who deserve a second chance.

    It is real-life police procedural, courtroom drama, family saga, investigative journalism, social history, archival treasure hunt - a meditation, too, on how the past shapes the present, and the present the past.On a warm evening in December 1949, two young people met by chance under the clocks at Flinders Street railway station. They decided to have a night on the town. The next morning, one of them, twenty-year-old typist Beth Williams, was found dead on Albert Park Beach. When police arrested the other, Australia was transfixed: twenty-four-year-old John Bryan Kerr was a son of the establishment, a suave and handsome commercial radio star educated at Scotch College, and Harold Holt's next-door neighbour in Toorak.Police said he had confessed. Kerr denied it steadfastly. There were three dramatic trials attended by enormous crowds, a relentless public campaign proclaiming his innocence involving the first editorials against capital punishment in Australia. For more than a decade Kerr was a Pentridge celebrity, a poster boy for rehabilitation – a fame that burdened him the rest of his life. Then, shortly after his death, another man confessed to having murdered Williams. But could he be believed?

    Even her childhood, where she and her mother were forced to flee Malaya in the fish-stinking hold of a junk in the dying days of colonialism, was fraught with peril.For a time it seemed she would find safe harbour in Tasmania in the arms of wine-maker Peter Torrance, but her restless spirit cannot be contained. Thea’s ambition is to travel the world as a foreign correspondent but Peter is dedicated to his family vineyard in a blue gum valley: it seems their love must fail.Thea makes her name internationally with her coverage of the assassination of President Kennedy then the escalating war in Vietnam, one of the only women in the field. Her job leads her further into peril and death stalks her all the way, until a return to Tasmania opens the door to a new and exciting career.Will this opportunity allow her to become reunited with the man she used to love? Or has that dream vanished, like mist in the valley of blue gums?

    It is the story of her quest to retain freedom despite the strictures and expectations of family and society

    An editor-in-chief drives his sister halfway around the country to an east-coast rehabilitation clinic. A single mother flies to Perth with her autistic son for one last holiday. A father at the end of his tether tries to survive the chaos of the Sydney Royal Easter Show. A group of young friends hire a luxury beach house in the final weeks of one of their lives. A postman hits a pedestrian and drives off into the night.When There's Nowhere Else to Run is a collection of stories about people who find their lives unravelling. They are teachers, lawyers, nurses, firemen, chefs, gamblers, war veterans, hard drinkers, adulterers, widows and romantics. Seeking refuge all across the country, from the wheat belt of Western Australia, the limestone desert of South Australia, the sugarcane towns of Queensland, the hinterland of New South Wales to the coastline of Victoria, they discover that no matter how many thousands of kilometres they put between themselves and their transgressions, sometimes there's nowhere else to run.'Masterfully controlled, lingers long in the memory.' Rohan Wilson, author of The Roving Party and To Name Those Lost'Assured, witty and wise.' Stephen Romei, Literary Editor, The Australian'Vivid and compelling.' Jenny Barry, BooksPlus

    A mother's secret, a father's betrayal, a town on the edge…When social worker Aimee arrives in the mining town of Kalgoorlie, she is ready for a fresh start. Her colleagues Lori and Paddy seem friendly, and she is also drawn to one of her cases: the Steele family, whose future looks particularly bleak. But Aimee has a dark secret and as the past reaches out towards her once more, she realises that somehow her secret is connected to this unfamiliar but harshly beautiful town and its inhabitants. As she strengthens her ties with the local community – especially with the vibrant Lori, stoical Kerry and wise Agnes – she finds herself questioning earlier decisions. Can Aimee reveal her secret, even if it is not hers alone to share? A compelling novel of the transcendental love of children and the truth's unwillingness to stay hidden.

    Orphaned at age nine, at home under the stars, completely unschooled, Adam uses his fists and his wits to rise from poverty to prosperity. He befriends an aborigine, performs dangerous work in the opal mines, falls in love with a sensual half-caste, has a run-in with a murderous policeman, marries a cold and manipulative beauty and finally treks west to carve himself an empire. This striking first novel tells a colorful and entertaining story, vividly evoking a vigorous, multiethnic society and a beautiful, diverse, often dangerous land. Green is a journalist and the author of Alice to Nowhere. Copyright 1987 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title. From Library JournalNine-year old Adam is orphaned when his father is buried during an Australian desert sandstorm. A childhood of roaming the outback with his father's drilling partner instills in him a fierce determination to have a place of his own. In this fast-paced, gripping saga, the reader follows the hard-working Adam and his mates, Jimmy, the practical aboriginal, and Josef, the impetuous young German immigrant, from the opal mines to the desert. They feint with death in mine disasters, at the hands of Mailey, the revenge-seeking law officer, and in the ravages of flash floods. A more deadly threat for Adam is his beautiful, calculating, near-mad wife, but a seductive half-caste woman lends her own type of danger to all of the men. Essential for most fiction collections. Joan Hinkemeyer, Englewood P.L., Col.

    But she remains haunted by Adam's dying words, not to mention persistent whispers that his death was not an accident.

    When temperatures soar to 47 degrees one hot summer day, 12-year-old Zeelie hopes the neraby bushfires everyone's talking about aren't heading towards her family's new home. What will they do if the wind changes direction? What about their belongings and their beloved pets? And why hasn't her mum and brother returned from Melbourne? Nothing can prepare Zeelie for what's to come.

    The verandah's dozens of tables and chairs were occupied and standing room was at a minimum with barely enough space to throw a punch. But before long there'd be punches thrown nonetheless - the Mermaid Hotel was a tough place on a Saturday night.Despite the crowd the heat was not unpleasant. Beneath the corrugated iron roof, large ceiling fans whirred, and a pleasing breeze drifted in from the sea. It was late July, the middle of the dry season.Mike and Dan had found a spot in the far corner by the wooden-latticed railings where they'd been drinking steadily for the past hour with a bunch of miners from Hamersley Iron. Mike hadn't met the men before, but then, apart from Dan, Mike didn't really know anyone in Dampier.Amongst the hard drinking men were several equally hard drinking women, which sometimes spelled trouble - the shortage of available women in Dampier could lead to fierce competition. But tonight the crowd's raucousness was good natured with little evidence of frayed tempers. Everyone seemed bent on having a good time.Then the Swede arrived.

    There are two stories here.Hannah Mulvey left her island home as a teenager. But her stubborn, defiant mother is dying, and now Hannah has returned to Chesil, taking up a teaching post at the tiny schoolhouse, doing what she can in the long days of this final year.But though Hannah cannot pinpoint exactly when it begins, something threatens her small community. A girl disappears entirely from class. Odd reports and rumours reach her through her young charges. People mutter on street corners, the church bell tolls through the night and the island's women gather at strange hours...And then the miracles begin.A page-turning, thought-provoking portrayal of a remote community caught up in a collective moment of madness, of good intentions turned terribly awry. A blistering examination of truth and power, and how we might tell one from the other.'Catherine Noske's debut novel grapples with questions of familial obligation, complicity, remorse and the fallibility of memory...The Salt Madonna will appeal to readers who enjoyed Laura Elizabeth Woollett's Beautiful Revolutionary.' Books+Publishing'Catherine Noske's The Salt Madonna is Australian Gothic at its most sublime and uncanny. Superbly atmospheric and darkly unsettling, the characters are haunted by their colonial pasts, manifested in guilty silence...Noske's taut, subversive writing exposes unspeakable truths buried in dazzling stories, miracles and epiphanies.' Cassandra Atherton

    The story is a simple one, but told in a way that keeps you reading as much for the elegance of the telling as for the action it describes. Here is prose with a light, sunny breeze blowing through it... Why can't more people write like this? A little gem.' - The Age'colourful, evocative and energetic' - Sydney Morning Herald'Kim Kelly's Wild Chicory is told with wit, warmth and courage. It's an ode to the splendour to be found in a simple life and the hope for something better, even if you must risk everything to achieve it.' - Newtown Review of BooksWild Chicory is a novella that takes the reader on an immigrant journey from Ireland to Australia in the early 1900s, along threads of love, family, war and peace. It's a slice of ordinary life rich in history, folklore and fairy tale, and a portrait of the precious relationship between a granddaughter, Brigid, and her grandmother, Nell.From the windswept, emerald coast of County Kerry, to the slums of Sydney's Surry Hills; and from the bitter sectarian violence of Ulster, to tranquillity of rural New South Wales, Brigid weaves her grandmother's tales into a small but beautiful epic of romance and tragedy, of laughter and the cold reality of loss. It's Nell's tales, tall and true, that spur Brigid to write her own, too.Ultimately, it's a story of finding your feet in a new land - be that a new country, or a new emotional space - and the wonderful trove of narrative we carry with us wherever we might go.

    After a pelican mother is shot, Storm Boy rescues the three chicks, and nurses them back to health. He names them Mr Proud, Mr Ponder and Mr Percival. After he releases them, his favourite, Mr Percival, returns. The story then concentrates on the conflict between his lifestyle and the externally imposed requirement for him to attend a school, and the fate of the pelican.

    We gathered around the bigger tree. No one asked Matty - he just reached up and put his right hand on the trunk with ours.Kieran cleared his throat. 'We swear, on these trees, to always be friends. To protect each other - and this place.'Finding those carved trees forged a bond between Jay and her four childhood friends and opened their eyes to a wider world. But their attempt to protect the grove ends in disaster, and that one day on the river changes their lives forever.Seventeen years later, Jay finally has her chance to make amends. But at what cost? Not every wrong can be put right, but sometimes looking the other way is no longer an option.

    Each book comprises all new stories, each one set in a distinct neighborhood or location within the respective city.Brand-new stories by: Kirsten Tranter, Mandy Sayer, John Dale, Eleanor Limprecht, Mark Dapin, Leigh Redhead, Julie Koh, Peter Polites, Robert Drewe, Tom Gilling, Gabrielle Lord, Philip McLaren, P.M. Newton, and Peter Doyle.From the introduction by John Dale:Nothing lasts in Sydney, especially good fortune: lives are upturned, shops are sold, roads dug up, trees and houses knocked down, premiers discarded, and entire communities relocated in the name of that economic mantra—growth and progress. Just when you think the traffic can’t get any worse and the screech of the 747s descending over your roof can’t get any louder, along comes a wild electrical storm that batters the buildings and shakes the power lines and washes the garbage off the streets and you stand, sheltered under your broken brolly in the center of Sydney, admiring this big beautiful city.What never changes, though, is the hustle on the street. My father was a detective in the vice squad shortly after the Second World War, and he told stories of busting SP bookies in Paddington and Surry Hills, collaring cockatoos stationed in the laneways of South Sydney, and arresting sly-groggers. Policing back then was hands-on for the poor and hands-off for the rich. Crime and Sydney have always been inseparable: a deep vein of corruption runs beneath the surface of even its most respectable suburbs.