William and Mary was later adapted for Roald's American television series 'Way Out and several of the stories appeared in British television adaptations for the series Tales of the Unexpected in the 1980s. Also included here is The Champion of the World - the first time Roald wrote about the man who would go on to become Danny's dad in Danny the Champion of the World.The stories featured in Kiss Kiss are: The LandladyWilliam and MaryThe Way up to HeavenParson's PleasureMrs Bixby and the Colonel's CoatRoyal JellyGeorgy PorgyGenesis and CatastropheEdward the ConquerorPigThe Champion of the World--roalddahl.com

    Then an enigmatic young nanny named Missy introduces him to a world he never knew existed.

    In “Books and Roses” one special key opens a library, a garden, and clues to at least two lovers’ fates. In “Is Your Blood as Red as This?” an unlikely key opens the heart of a student at a puppeteering school. “‘Sorry’ Doesn’t Sweeten Her Tea” involves a “house of locks,” where doors can be closed only with a key—with surprising, unobservable developments. And in “If a Book Is Locked There’s Probably a Good Reason for That Don't You Think,” a key keeps a mystical diary locked (for good reason).  Oyeyemi’s tales span multiple times and landscapes as they tease boundaries between coexisting realities. Is a key a gate, a gift, or an invitation?

    This volume collects many of his most famous short works and is a fitting compendium of his literary achievements for newcomers or longtime Hawthorne fans alike.

    In "Hands," Wing Biddlebaum tries to hide the tale of his banishment from a Pennsylvania town, a tale represented by his hands. In "Adventure," lonely Alice Hindman impulsively walks naked into the night rain. Threaded through the stories is the viewpoint of George Willard, the young newspaper reporter who, like his creator, stands witness to the dark and despairing dealings of a community of isolated people.

    In the breathtaking long story “The Street,” Tóibín imagines a relationship between Pakistani workers in Barcelona—a taboo affair in a community ruled by obedience and silence. In “Two Women,” an eminent and taciturn Irish set designer takes a job in her homeland, and must confront emotions she has long repressed. “Silence” is a brilliant historical set piece about Lady Gregory, who tells the writer Henry James a confessional story at a dinner party.Silence --The empty family --Two women --One minus one --The pearl fishers --Barcelona, 1975 --The new Spain --The colour of shadows --The street

    The best bones weren’t on trails—deer and moose don’t die conveniently—and soon I was wandering so far into the woods that I needed a map and compass to find my way home. When winter came and snow blew into the mountains, burying the bones, I continued to spend my days and often my nights in the woods. I vaguely understood that I was doing this because I could no longer think; I found relief in walking up hills. When the night temperatures dropped below zero, I felt visited by necessity, a baseline purpose, and I walked for miles, my only objective to remain upright, keep moving, preserve warmth. When I was lost, I told myself stories . . .”So Charles D’Ambrosio recounted his life in Philipsburg, Montana, the genesis of the brilliant stories collected here, six of which originally appeared in The New Yorker. Each of these eight burnished, terrifying, masterfully crafted stories is set against a landscape that is both deeply American and unmistakably universal. A son confronts his father’s madness and his own hunger for connection on a misguided hike in the Pacific Northwest. A screenwriter fights for his sanity in the bleak corridors of a Manhattan psych ward while lusting after a ballerina who sets herself ablaze. A Thanksgiving hunting trip in Northern Michigan becomes the scene of a haunting reckoning with marital infidelity and desperation. And in the magnificent title story, carpenters building sets for a porn movie drift dreamily beneath a surface of sexual tension toward a racial violence they will never fully comprehend. Taking place in remote cabins, asylums, Indian reservations, the backloads of Iowa and the streets of Seattle, this collection of stories, as muscular and challenging as the best novels, is about people who have been orphaned, who have lost connection, and who have exhausted the ability to generate meaning in their lives. Yet in the midst of lacerating difficulty, the sensibility at work in these fictions boldly insists on the enduring power of love. D’Ambrosio conjures a world that is fearfully inhospitable, darkly humorous, and touched by glory; here are characters, tested by every kind of failure, who struggle to remain human, whose lives have been sharpened rather than numbed by adversity, whose apprehension of truth and beauty has been deepened rather than defeated by their troubles. Many writers speak of the abyss. Charles D’Ambrosio writes as if he is inside of it, gazing upward, and the gaze itself is redemptive, a great yearning ache, poignant and wondrous, equal parts grit and grace.The high divide --Drummond & son --Screenwriter --Up north --The scheme of things --The dead fish museum --Blessing --The bone game

    A literary event of the highest order. Joy Williams has been celebrated as a master of the short story for four decades, her renown passing as a given from one generation to the next even in the shifting landscape of contemporary writing. And at long last the incredible scope of her singular achievement is put on display: thirty-three stories drawn from three much-lauded collections, and another thirteen appearing here for the first time in book form. Forty-six stories in all, far and away the most comprehensive volume in her long career, showcasing her crisp, elegant prose, her dark wit, and her uncanny ability to illuminate our world through characters and situations that feel at once peculiar and foreign and disturbingly familiar. Virtually all American writers have their favorite Joy Williams stories, as do many readers of all ages, and each one of them is available here.

    He writes with equal force about the blithe energies of youth ("Boys") and the rueful onset of middle age ("Hawaiian Night"), about Midwestern optimists ("Double Zero") and West coast strategists ("Baggage Carousel"), about visionary exhilaration ("Forecast from the Retail Desk") and delusional catharsis ("Surplus Value Books: Catalog Number 13.") The astounding title story, which has already been reprinted in four different anthologies, is a masterpiece of remembrance and thwarted love.Full of deep feeling and stunningly beautiful language, the stories in Demonology offer the deepest pleasures that fiction can afford.

    In their intensity of perception, their neon-lit evocation of a strange world brought uncomfortably close to our own, the stories in Jesus' Son offer a disturbing yet eerily beautiful portrayal of American loneliness and hope.Contains:Car Crash While HitchhikingTwo MenOut on BailDundunWorkEmergencyDirty WeddingThe Other ManHappy HourSteady Hands at Seattle GeneralBeverly Home'

    Lawrence, Chekhov and Hemingway, Bukowski's writing is passionate, extreme and has attracted a cult following, while his life was as weird and wild as the tales he wrote. This collection of short stories gives an insight into the dark, dangerous lowlife of Los Angeles that Bukowski inhabited.From prostitutes to classical music, Bukowski ingeniously mixes high and low culture in his 'tales of ordinary madness'. These are angry yet tender, humorous and haunting portrayals of life in the underbelly of Los Angeles.A .45 to pay the rent --Doing time with public enemy no. 1 --Scenes from the big time --Nut ward just east of Hollywood --Would you suggest writing as a career? --The great Zen wedding --Reunion --Cunt and Kant and a happy home --Goodbye Watson --Great poets die in steaming pots of shit --My stay in the poet's cottage --The stupid Christs --Too sensitive --Rape! Rape! --An evil town --Love it or leave it. A dollar and twenty cents --No stockings --A quiet conversation piece --Beer and poets and talk --I shot a man in Reno --A rain of women --Night streets of madness --Purple as an iris --Eyes like the sky --One for Walter Lowenfels --Notes of a potential suicide --Notes on the pest --A bad trip --Animal crackers in my soup --A popular man --Flower horse --The big pot game --The blanket

    Each of the portraits in Close Range reveals characters fiercely wrought with precision and grace. These are stories of desperation and unlikely elation, set in a landscape both stark and magnificent.The half-skinned steer --The mud below --55 miles to the gas pump --The bunchgrass edge of the world --A lonely coast --Job history --Pair a spurs --People in Hell just want a drink of water --The governors of Wyoming --The blood bay --Brokeback Mountain

    From the bestselling author of Good in Bed comes a new collection of stories.

    These ten powerful stories portray men and women in their most intimate moments. A lover of poetry is asked by his wife to give up what may be his most treasured relationship. A book dealer is forced to face the truth about his life. And in the title story, a translator assists his wife’s suicide, even as he performs a last act of betrayal. James Salter’s assured style and emotional insight make him one of our most essential writers

    In "Soulmates," by Marian Keyes, one woman's relationship is so bleedin' perfect that it's driving her friends crazy. In Cathy Kelly's "Thelma, Louise and the Lurve Gods," two women on a madcap Stateside road trip encounter a pair of insanely good-looking men....These fabulous stories and a baker's dozen more prove that when it comes to spinning a good yarn, the Irish are the best in the business.