Dugan’s new poems continue his career-long concerns with renewed vigor: the poet’s insistence that art is a grounded practice threatened by pretension, the wry wit, the jibes at the academic and sententious, and the arresting observations on the quotidian battles of life. All the while he peppers his poems with humorous images of the grim and daunting topics of existential emptiness.

    Political and iconoclastic, Anne Boyer’s poems dally in pastoral camp and a dizzying, delightful array of sights and sounds born from the dust of the Kansas plains where dinner for two is cooked in Fire King and served on depression ware, and where bawdy instructions for a modern “Home on the Range” read:Mix a drink of stock lot:vermouth and the water table.And the bar will smell of IBP.And you will lick my Laura Ingalls.In Boyer’s heartland, “Surfaces should be worn. Lamps should smolder. / Dahlias do bloom like tumors. The birds do rise like bombs.” And the once bright and now crumbling populism of Marxists, poets, and folksingers springs vividly back to life as realism, idealism, and nostalgia do battle amongst the silos and ditchweed.Nothing, too, is a subject:dusk regulating the blankery.Fill in the nightish sky with ardent,fill in the metaphorical smell.A poet and visual artist, Anne Boyer lives in Kansas, where she co-edits the poetry journal Abraham Lincoln and teaches at Kansas City Art Institute.

    They have become one of the most influential British rock bands of their generation, sharing with their fans a belief that music can inspire change. Dear Future Historians features front-man Rou Reynolds own song interpretations and social commentary alongside all of their lyrics to date.

    The title of the book refers to the forty acres of Montana land Welch?s father once leased from a Blackfeet family called Earthboy. This land and its surroundings shaped the writer?s worldview as a youth, its rawness resonates in the vitality of his elegant poetry, and his verse shows a great awareness of a moment in time, of a place in nature, and of the human being in context. Deeply evoking the specific Native American experience in Montana, Welch?s poems nonetheless speak profoundly to all readers. With its new introduction, this vital work that has influenced so many American writers is certain to capture a new generation of readers.

    Winner of the 2008 James Laughlin Award. In the aftermath of her father's death, the speaker of Rusty Morrison's exquisitely formed poems takes a step-by-step accounting of her transformation as she reconciles herself to loss. This book-length sequence is the silvery underside of elegy, a lyric of living acceptance paced with the linen texture of right silences. Rusty Morrison's THE TRUE KEEPS CALM BIDING ITS STORY brilliantly restores the energy of telegraphic communication, launching line after line toward a potentially infinite horizon of meaning. Her careful handling of form allows knowing to remain both openly discrete and discretely open. This is a joyous read and a remarkable book--Peter Gizzi.

    A year earlier his managerial career had reached its nadir amid speculation he would be forced out of Old Trafford. He was taken to the limit over the Roy Keane scandal, his volatile relationship with the media, the political fallout of Malcolm Glazer's takeover and a miserable six-month run in which the team were humbled in Europe, embarrassed by the Conference side Burton Albion and barracked by their own fans. Ferguson, it is claimed, came close to quitting. But the great man has used his inimitable managing skills and bloody-minded determination to turn it around yet again and remind everyone he is still the most formidable manager in the business.Written over the course of two hugely eventful, diverse and controversial seasons, "This Is The One" offers a unique, warts-and-all portrait of Ferguson from a privileged behind-the-scenes position. As a football writer for the Guardian, Daniel Taylor has been there from day one and seen every side of Ferguson, from the flint-faced authoritarian to the kind, quick-witted man with the heart the size of the Old Trafford trophy room. Entertaining, revelatory, sometimes shocking but always affectionate, this is the close-up look at one of the most talked-about figures in sport, in good times and bad, and culminating in the glory of his ninth tittle win.

    

    For today, anyway. Because tomorrow I might be someone else. I can't tell you my real name, because I don't know what it is. The truth of the matter is that I don’t know who I am. You might be wondering how that can be. Join the club. My memories begin with overhearing two men planning my murder. You heard me, my murder. I get away from them, but just barely. The only things in my possession are a duffel bag with obscene amounts of cash and a wallet with four driver’s licenses. All with my picture. Don’t ask me how or why I have them – or even if any of them are real – because I don’t know. I don’t know much of anything. All I know is those men want me dead. For reasons still unknown to me. So I’ll run. And I’ll keep running until I can piece my fractured mind back together. But how do you go about remembering the things that most people already know?

    To do so, he and Anaya fly to House Yaot, the dragon warren that was home to her mother, but the effort fails so spectacularly that he worries he's ruined the company's chance at success. His concerns are compounded when they learn that a mysterious enemy actively works against them, and increasing tension amongst the dragonlinked trainees only adds to his problems.As their enemy continues to interfere with every move they make, the masters disclose their true plan, a much more ambitious undertaking. Then, an unknown dragonlinked is discovered, and a shocking revelation makes it even more important that the new plan succeeds.In order for that to happen, however, the group is going to have to somehow mend their differences, come together, and prove they're capable of their expanded purpose. Because their future, the future of dragons and dragonlinked, rests squarely on their shoulders.In THE BOND, sequel to DRAGONLINKED, author Adolfo Garza Jr. takes readers back to the world of Lethera, where magic and a nascent Industrial Revolution are the the backdrop for tales about dragons and the brave souls who are their bond-mates, the dragonlinked.

    Written as a catharsis in the months following the loss of her father in late 2016, Jessica has taken pen to page to say things he and others will never read, either because they can't, or just won't. Containing entirely new works, this is a can't miss release.

    . .to come nearer to a realm of experience little explored in American poetry, the lives of those who are engaged in the complex project of transforming their own gender... Oliver Bendorf writes from a paradoxical, new-world position: the adult voice of a man who has just appeared in the world. A man emergent, a man in love, alive in the fluid instability of any category. --Mark Doty, from the ForewordBest Poetry Book of 2014— Entropy Magazine30 Must-Read Poetry Debuts from 2015 — LithubSpectacular Books of 2015 — Split This Rock“Bendorf’s poems give us all we have ever wanted, to wake up and feel that the body we are in is ours, that the hands on the ends of our wrists—our body’s gates of tenderness—are large enough to hold in them all the things we have desired.” —Natalie Diaz, author of When My Brother Was An Aztec“Astonishing.” —The Literary Review“Oliver Bendorf’s poems draw unflinching attention to the process of making… Bendorf strips a poem to its scaffold with an honesty that is at once funny and unbearably sad.” —Blackbird“Bendorf’s collection indeed opens the door to a spectral wilderness, an otherworldly pastoral, a queer ecology endlessly transformed by possibility, grief, and the unruly wanting of our names and bodies. Stunningly lyrical and beautifully theoretical, The Spectral Wilderness is an invitation one cannot turn down; the book calls us to travel with Bendorf, to study the topography of becoming because ‘what we used to be matters’ in the way that language matters— however fleeting, however mistaken, however contradictory it might be.” —Stacey Waite, author of Butch Geography“What gorgeous and ravenous rackets Oliver Bendorf’s poems are made of; what a yearning and beautiful heart. ‘Lift a geode from the ground and crack me open,’ he writes, which is more or less what these poems do for me: break me open to what might sparkle and blaze, what might glisten and burn inside. The Spectral Wilderness is a wonderful book.” —Ross Gay, author of Against Which and Bringing the Shovel Down“The Spectral Wilderness is full of beautiful little bodies, written into being (into becoming) by a maker from whom we’ll continue to be amazed and enchanted.” —Lambda Literary

    In this ambitious lyric sequence, the speaker’s fear of annihilation expands beyond the self to an imperiled planet on which all inhabitants are “soft targets.” Her melancholic examinations recall life’s uncanny ability to transform ordinary places―subways, cafes, street corners―into sites of intense significance that weigh heavily on the modern mind.“O you who want to slaughter us, we’ll be dead soon/enough what’s the rush,” Landau writes, contemplating a world beset by political tumult, random violence, terror attacks, and climate change. Still there are the ordinary and abundant pleasures of day-to-day living, though the tender exchanges of friendship and love play out against a backdrop of 21st century threats with historical echoes, as neo-Nazis marching in the United States recall her grandmother’s flight from Nazi Germany.