A disgruntled retired politician complains to his daughter that he hears the sound of digging at night. Could it be their tenant, that young Arab? But then the young Arab hears the digging sounds too. Where has the mayor's wife gone, vanished without trace, her note saying "Don't worry about me"? Around the village, the veneer of new wealth--gourmet restaurants, art galleries, a winery--barely conceals the scars of war and of past generations: disused air raid shelters, rusting farm tools, and trucks left wherever they stopped. Scenes from Village Life is a memorable novel-in-stories by the inimitable Amos Oz: a brilliant, unsettling glimpse of what goes on beneath the surface of everyday life.Translated from the Hebrew by Nicholas de Lange

    Amelie-Anaïs, buried on the Nebraska hilltop where the family home resides, tells this story of deceit, survival, and love from beyond the grave. Following Willow's life and Willow's incredible passion to paint despite loneliness, a physical handicap, and being raised by a father plagued with secrets, Amelie-Anaïs weaves together the lives of four enigmatic generations."Not since 'The Lovely Bones' have we experienced such a moving tale of love, suspense, and family secrets narrated by a ghost. Lukas creates a complex, moving story with brilliant lyricism and hard won realism. She is a rare writer who makes you devour her words. Readers of Alice Hoffman and Anita Shreve will love this novel...and stay up all night to finish it!" -Jonis Agee, author of "The River Wife"“Margaret Lukas has written a page-turner of a novel. 'Farthest House,' boldly narrated by an unsettled spirit, is part-ghost story and a full-out love story of a family coming to terms with its mysterious past, much of it lived in an ancestral home set within a gorgeously rendered Nebraska landscape. Above all, Farthest House is the story of Willow, a bewildered little girl who grows into a passionate painter. I can’t remember the last time I rooted so enthusiastically for a heroine.” –Anna Monardo, author of "The Courtyard of Dreams" and "Falling in Love with Natassia"“Haunting and eerily beautiful, Margaret Lukas' 'Farthest House' is like the family treasure chest one finds in the attic. It may seem inviting at first, but open at your own risk. An ode to both what we should and should never know about the generations that preceded us, 'Farthest House' is an unsettling, unforgettable book.” Holiday Reinhorn, author of "Big Cats: Stories"

    Her family moved in Berlin’s highest social circles, admired by friends and neighbors. Eleven-year-old Hannah was often taken by her mother for an afternoon treat at the tea room of the beautiful Adlon Hotel, both dressed in their finest clothes. She spent her afternoons at the park with her best friend Leo Martin. But, in an instant, that sunlit world vanished. Now the streets of Berlin are draped with red, white, and black flags; their fine possessions are hauled away, and they are no longer welcome in the places that once felt like home. The two friends make a pact: come what may, they promise to have a future together.As Hannah and Leo’s families desperately begin to search for a means of escape, a glimmer of hope appears when they discover the Saint Louis, a transatlantic liner that can give Jews safe passage to Cuba. After a frantic search to obtain visas, the Rosenthals and the Martins depart from Hamburg on the luxurious passenger liner bound for Havana. Life aboard the ship is a welcome respite from the gloom of Berlin—filled with masquerade balls, dancing, and exquisite meals every night.As the passengers gain renewed hope for a bright future ahead, love between Hannah and Leo blossoms. But soon reports from the outside world began to filter in, and dark news overshadows the celebratory atmosphere on the ship; the governments of Cuba, the United States, and Canada are denying the passengers of the St. Louis admittance to their countries, forcing them to return to Europe as it descends into the Second World War. The ship that had seemed their salvation seems likely to become their death sentence.After four days anchored at bay, only a handful of passengers are allowed to disembark onto Cuban soil, and Hannah and Leo must face the grim reality that they could be torn apart. Their future is unknown, and their only choice will have an impact in generations to come.Decades later in New York City on her eleventh birthday, Anna Rosen receives a mysterious envelope from Hannah, a great-aunt she has never met but who raised her deceased father. In an attempt to piece together her father’s mysterious past, Anna and her mother travel to Havana to meet Hannah, who is turning eighty-seven years old. Hannah reveals old family ties, recounts her journey aboard the Saint Louis and, for the first time, reveals what happened to her father and Leo. Bringing together the pain of the past with the mysteries of the present, Hannah gives young Anna a sense of their shared histories, forever intertwining their lives, honoring those they loved and cruelly lost.

    Nicholas and Lally were the children of the great house, set in the bleak and magical Fen country; Thomasine was the unconventional niece of two genteel maiden aunts in the village; Daniel was the son of the local blacksmith, a fiercely independent, ambitious boy who longed to break away from the stifling confines of his East Anglian upbringing. As the drums of war sounded in the distance, the Firedrake, a mysterious and ancient Blythe family heirloom disappeared, setting off an uncontrollable chain of events.The Great War changed everything, and both Nicholas and Daniel returned from the front damaged by their experiences. Thomasine, freed from the narrow disciplines of her childhood, and enjoying the new hedonism which the twenties brought, thought that she could escape from the ties that bound her to both Nicholas and Daniel. But the passions and enmities of their youth had intensified in the passing years, and the four friends had to experience tragedy and betrayal before the Firedrake made its reappearance and, with it, a new hope for the future.

    After their husbands both pass away within a year of one another, they have no reason to interact. Their connection drops to an awkward phone call on birthdays and an exchange of holiday cards.Until an eccentric uncle of their husbands' leaves a massive cattle ranch to the women's minor children. . . if they work the ranch themselves. A ranch that's located near a small town on the Wasatch front that isn’t too keen on outsiders.They're both going to turn the bequest down, clearly. It’s not like either of them could properly raise their kids or find love again in a backwater province like Birch Creek. But when things at home change dramatically—for both moms—they decide to give it a try. . . just for the summer.What could possibly go wrong in a mere three months? (Or more importantly... what might go right?)Wall Street Journal and USA Today bestselling author Pamela Kelley said, "B. E. Baker takes you right to the heart of the small town that two widowed sisters-in-law land in very unexpectedly. Can they survive the year they need to spend there to keep it? I really enjoyed reading Bridget's romantic women's fiction debut."

    Unable to get out of Austria, they manage to secure passage for their young daughter on a kindertransport, and send her to live with strangers in England. Six years later, the war finally over, a grief-stricken Rose attempts to build a life for herself. Alone in London, devastated, she cannot help but try to search out one piece of her childhood: the Chaim Soutine painting her mother had cherished.Many years later, the painting finds its way to America. In modern-day Los Angeles, Lizzie Goldstein has returned home for her father’s funeral. Newly single and unsure of her path, she also carries a burden of guilt that cannot be displaced. Years ago, as a teenager, Lizzie threw a party at her father’s house with unexpected but far-reaching consequences. The Soutine painting that she loved and had provided lasting comfort to her after her own mother had died was stolen, and has never been recovered.This painting will bring Lizzie and Rose together and ignite an unexpected friendship, eventually revealing long-held secrets that hold painful truths. Spanning decades and unfolding in crystalline, atmospheric prose, The Fortunate Ones is a haunting story of longing, devastation, and forgiveness, and a deep examination of the bonds and desires that map our private histories.

    While she's packing her possessions, she finds a clue to the whereabouts of her twin sister, who disappeared from the little-known Jewish mecca of Boyle Heights on the eve of WWII when the girls were eighteen. Plunging back into memories of her childhood and the momentous historical facts that impacted her family, Elaine recalls her family's stories-those from the Old Country, and tales of immigration travails, and the heartache of being the "smart" one of the twins instead of the "popular" one.In an utterly unforgettable, salty voice, Elaine revives the memories of growing up with her twin sister Barbara, her parents, her Zayde, her aunts and her younger sisters as the Greensteins bear the disappointments, heartbreaks, and fallout from the immigrant baggage that they have been unable to shed despite settling in southern California-the land of sunshine and opportunity, fig trees and equality.Janice Steinberg's novel is not only about the stories that make up our family histories, but also about those we tell ourselves in order to believe in who we've made ourselves out to be.

    Finally, peace has been declared. Cathie hardly dares believe that Alex, the fiancé she has not seen for nearly two years, is coming home. And, finally, life can begin again for Cathie and the orphaned baby in her care.But the Alex who returns is not the kind, loving man Cathie remembers. He’s cold, selfish, sometimes even frightening. So Cathie has a choice: stand by him, and try to contain his violent temper? Or hold her tiny baby close…and run from the man she has yearned for. Home is Where the Heart Is is a heart-wrenchingly, poignant new saga from Freda Lightfoot, set in the aftermath of World War II.

    She must prove to Anders Sæterdal, her trapping partner who makes no secret of his disdain, that a woman is fit for the task. Over the course of a Svalbard winter, Wanny and Sæterdal will confront polar bears, traverse glaciers, withstand blizzards and the dangers of sea ice, and hike miles to trap Arctic fox, all in the frigid darkness of the four-month polar night. For Wanny, the darkness hides her own deceptions that, if exposed, speak to the untenable sacrifice of a 1930s woman longing to fulfil a dream. Alongside the raw, confronting nature of the trappers’ work, is the story of a young blue Arctic fox, itself a hunter, who must eke out a living and navigate the trappers’ world if it is to survive its first Arctic winter.

    Decades later, a young boy seeks out the now cynical, elderly magician in the hopes that his spells might keep his family together. Prague, 1934: The fifteen-year-old rabbi s son Moshe Goldenhirsch marvels at the legendary circus magician known as the Half-Moon Man. Unexpectedly, he falls madly in love with the magician's delightful assistant, spurring him to run away from home to join the circus, which is slowly making its way to Germany as war looms on the horizon. Soon, he becomes a world-renowned magician known as the Great Zabbatini, even sought after by Adolf Hitler. But when Moshe is discovered to be a Jew, only his special talent can save him from perishing in a concentration camp. Los Angeles, 2007: Ten-year-old Max Cohn is convinced that magic can bring his estranged parents back together before they divorce. So one night he climbs out of his bedroom window in search of the Great Zabbatini, certain this powerful magician has the power to reunite his family.

    In a twist of fate he meets Hannah, the daughter of a Holocaust survivor and an artist striving to understand a father she barely knows. Unaware the connection they share goes back centuries, the two feel an immediate pull to one another. But as their story intertwines with that of their ancestors, the heroic but ultimately tragic decision that bound two families centuries ago ripples into the future, threatening to tear Hannah and Selim apart.From a 16th-century harem to a seaside village in the Holy Land, from Nazi-occupied Paris to modern-day Manhattan, Nicole Dweck's The Debt of Tamar weaves a spellbinding tapestry of love, history, and fate that will enchant readers from the very first page.

    Or so she thinks. An unimaginable betrayal by those she loves causes her to flee her home and family one snowy night. Crushed and heartbroken, Ruby vows that despite the odds stacked against her she will not only survive, but one day will show the ones she left behind that she’s succeeded in making something of herself. Brave words, but the reality is far from easy. Dangers Ruby could never have foreseen and more tragedy threaten her new life, and love always seems just out of reach. Can a happy ending ever be hers?

    After the funeral, Marko flees to England, hoping to put his broken homeland, and the part he played in the loss of his friend, behind him.In 2004, human rights researcher Anya Teal is following a tenuous lead in the hunt for a Bosnian man with blood on his hands. She is also clinging to the fragile hope that she can rebuild a relationship with her first love, William Howell. When Anya invites Will to join her on a Christmas holiday in the Thai beach resort of Khao Lak, she hopes the holiday will offer them the chance to unpick the mistakes of their past. But Khao Lak may also be home to the man Anya is looking for-a man with a much darker history.What nobody knows is that a disaster as destructive as a war is approaching, detonated in the seabed of the Indian Ocean, one that will connect the fates of Marko, William, and Anya, across the years and continents. In its wake, everything Marko thought he knew will be overturned.

    She was found abandoned on a park bench in Glasgow, Scotland when she was only two years old. Being unable to talk or explain herself meant that growing up within the Scottish welfare system was depressingly harsh.This all changes the day a young social worker named Kim comes into seven-year-old Emily's life. Kim suspects that there is definitely more to Emily than the workers in the social system have surmised. A suspicion that Emily is no ordinary sufferer of domestic trauma. Emily, through Kim, finds hope, guidance and the chance of a normal life. But when a teenaged Emily becomes a victim of assault, leading to the death of her attackers, it fires off an urgent need to find out who she actually is.Through the first person accounts of a social worker, a teenager, a gymnastics coach, an investigative agent and a sickly, elderly man, we observe Emily's often-perilous journey to discover her true identity and what led to her abandonment in the first place--what she eventually finds may be truly extraordinary.

    Jewish shops have been ransacked and looted, synagogues destroyed. As storm troopers pound on his door, Otto Silbermann, a respected businessman who fought for Germany in the Great War, is forced to sneak out the back of his own home. Turned away from establishments he had long patronized, and fearful of being exposed as a Jew despite his Aryan looks, he boards a train.And then another. And another . . . until his flight becomes a frantic odyssey across Germany, as he searches first for information, then for help, and finally for escape. His travels bring him face-to-face with waiters and conductors, officials and fellow outcasts, seductive women and vicious thieves, a few of whom disapprove of the regime while the rest embrace it wholeheartedly.Clinging to his existence as it was just days before, Silbermann refuses to believe what is happening even as he is beset by opportunists, betrayed by associates, and bereft of family, friends, and fortune. As his world collapses around him, he is forced to concede that his nightmare is all too real.Twenty-three-year-old Ulrich Boschwitz wrote The Passenger at breakneck speed in 1938, fresh in the wake of the Kristallnacht pogroms, and his prose flies at the same pace. Taut, immediate, infused with acerbic Kafkaesque humor, The Passenger is an indelible portrait of a man and a society careening out of control.