This classic of lesbian eroticism is Jane Rule's first novel.Set in the late 1950s, this is the story of Evelyn Hall, an English professor, who goes to Reno to obtain a divorce and put an end to her disastrous 16-year marriage. While staying at a boarding house to establish her six-week residency requirement she meets Ann Childs, a casino worker and fifteen years her junior. Physically, they are remarkably alike and eventually have an affair and begin the struggle to figure out just how a relationship between two women can last. Desert of the Heart examines the conflict between convention and freedom and the ways in which the characters try to resolve the conflict.

    Standing over six feet tall with unmistakable blue hair, Ramona is sure of three things: she likes girls, she’s fiercely devoted to her family, and she knows she’s destined for something bigger than the trailer she calls home in Eulogy, Mississippi. But juggling multiple jobs, her flaky mom, and her well-meaning but ineffectual dad forces her to be the adult of the family. Now, with her sister, Hattie, pregnant, responsibility weighs more heavily than ever.The return of her childhood friend Freddie brings a welcome distraction. Ramona’s friendship with the former competitive swimmer picks up exactly where it left off, and soon he’s talked her into joining him for laps at the pool. But as Ramona falls in love with swimming, her feelings for Freddie begin to shift too, which is the last thing she expected. With her growing affection for Freddie making her question her sexual identity, Ramona begins to wonder if perhaps she likes girls and guys or if this new attraction is just a fluke. Either way, Ramona will discover that, for her, life and love are more fluid than they seem.

    Experience the forces that shaped an American icon -- and America itself.Long before George Takei braved new frontiers in Star Trek, he woke up as a four-year-old boy to find his own birth country at war with his father's -- and their entire family forced from their home into an uncertain future.In 1942, at the order of President Franklin D. Roosevelt, every person of Japanese descent on the west coast was rounded up and shipped to one of ten "relocation centers," hundreds or thousands of miles from home, where they would be held for years under armed guard.They Called Us Enemy is Takei's firsthand account of those years behind barbed wire, the joys and terrors of growing up under legalized racism, his mother's hard choices, his father's faith in democracy, and the way those experiences planted the seeds for his astonishing future.

      In 1958, Greenwich Village buzzes with beatniks, jazz clubs, and new ideas—the ideal spot for three ambitious young people to meet. Cliff Nelson, the son of a successful book editor, is convinced he’s the next Kerouac, if only his father would notice. Eden Katz dreams of being an editor but is shocked when she encounters roadblocks to that ambition. And Miles Tillman, a talented black writer from Harlem, seeks to learn the truth about his father’s past, finding love in the process. Though different from one another, all three share a common goal: to succeed in the competitive and uncompromising world of book publishing. As they reach for what they want, they come to understand what they must sacrifice, conceal, and betray to achieve their goals, learning they must live with the consequences of their choices. In Three-Martini Lunch, Suzanne Rindell has written both a page-turning morality tale and a captivating look at a stylish, demanding era—and a world steeped in tradition that’s poised for great upheaval.

    Summers spent with the girls at their lakeside camp in Vermont are her one escape--from her husband's demands, from days consumed by household drudgery, and from the nagging suspicion that life was supposed to hold something different.Then a new family moves in across the street. Ted and Eva Wilson have three children and a fourth on the way, and their arrival reignites long-buried feelings in Billie. The affair that follows offers a solace Billie has never known, until her secret is revealed and both families are wrenched apart in the tragic aftermath.Fifty years later, Ted and Eva's son, Johnny, contacts an elderly but still spry Billie, entreating her to return east to meet with him. Once there, Billie finally learns the surprising truth about what was lost, and what still remains, of those joyful, momentous summers.In this deeply tender novel, T. Greenwood weaves deftly between the past and present to create a poignant and wonderfully moving story of friendship, the resonance of memories, and the love that keeps us afloat.

    Don't Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love, and longevity they deserved here on earth. Smith turns then to desire, mortality the dangers experienced in skin and body and blood and a diagnosis of HIV positive. "Some of us are killed / in pieces," Smith writes, some of us all at once. Don't Call Us Dead is an astonishing and ambitious collection, one that confronts, praises, and rebukes America--"Dear White America"--where every day is too often a funeral and not often enough a miracle.

    He is preparing feverishly for this role when his fifteen-year-old daughter Angel shows up pregnant on his doorstep and disrupts his plans for personal redemption. With weeks to go until her due date, tough, ebullient Angel has fled her mother’s house, setting her life on a startling new path.Vivid, tender, funny, and beautifully rendered, The Five Wounds spans the baby’s first year as five generations of the Padilla family converge: Amadeo’s mother, Yolanda, reeling from a recent discovery; Angel’s mother, Marissa, whom Angel isn’t speaking to; and disapproving Tíve, Yolanda’s uncle and keeper of the family’s history. Each brings expectations that Amadeo, who often solves his problems with a beer in his hand, doesn’t think he can live up to.The Five Wounds is a miraculous debut novel from a writer whose stories have been hailed as “legitimate masterpieces” (New York Times). Kirstin Valdez Quade conjures characters that will linger long after the final page, bringing to life their struggles to parent children they may not be equipped to save.

     Stretching between these figures is a cast of artists, writers, and scientists--mostly women, mostly queer--whose public contribution has risen out of their unclassifiable and often heartbreaking private relationships to change the way we understand, experience, and appreciate the universe. Among them are the astronomer Maria Mitchell, who paved the way for women in science; the sculptor Harriet Hosmer, who did the same in art; the journalist and literary critic Margaret Fuller, who sparked the feminist movement; and the poet Emily Dickinson.Emanating from these lives are larger questions about the measure of a good life and what it means to leave a lasting mark of betterment on an imperfect world: Are achievement and acclaim enough for happiness? Is genius? Is love? Weaving through the narrative is a set of peripheral figures--Ralph Waldo Emerson, Charles Darwin, Elizabeth Barrett Browning, Herman Melville, Frederick Douglass, Nathaniel Hawthorne, and Walt Whitman--and a tapestry of themes spanning music, feminism, the history of science, the rise and decline of religion, and how the intersection of astronomy, poetry, and Transcendentalist philosophy fomented the environmental movement.

    In The Moonlit Earth, he delivers a compelling psychological thriller about a young woman who must act to save her brother’s reputation and life when he is accused of being involved in a terrorist event.When Megan and Cameron Reynolds’s father walked out on their mother, they forged an unbreakable bond. If their father could not be there to take care of them, they would always be there to take care of each other. But life intervenes, and siblings go separate ways . . . until something happens to reforge that bond.At thirty, faced with disappointments in career and romance, Megan Reynolds returns to the safety of Cathedral Beach, the home of her mother, who lives among the wealthy with no money of her own. Cameron worries that his sister will lose herself around their mother’s frivolous life, but Megan worries more about her brother. She worries that Cameron’s care- free charm, which makes him popular in both his work as a flight attendant on a luxury airline and the West Hollywood party scene he enjoys, could lead him into danger.When a bomb goes off in a high-end hotel in Hong Kong, security-camera footage appears on television showing two men escaping: one Middle Eastern and one American. Megan and her mother recognize the young American as Cameron—and find that he has become enmeshed with a mysterious family of wealthy Saudis.In her desperate journey to save her brother’s life, Megan uncovers a trail of secrets and intrigue that snakes from the decadent beaches of southern Thailand to the glass skyscrapers of Hong Kong— and finds herself part of a dark global conspiracy that involves a member of her own family.

    Inside is a gigantic taxidermied aardvark. This outrageous, edge-of-your-seat novel hurtles between contemporary Washington, DC, where Wilson tries to get rid of the unsightly beast before it destroys his career, and Victorian England--where we meet Titus Downing, the taxidermist who stuffed the aardvark, and Richard Ostlet, the naturalist who hunted her. Our present world, we begin to see, has been shaped in profound and disturbing ways by the secret that binds these men.

    After twenty-seven years of marriage and three children, Annie has fallen in love with Viveca, the wealthy, cultured, confident Manhattan art dealer who orchestrated her professional success.Annie and Viveca plan to wed in the Oh family's hometown of Three Rivers, Connecticut, where gay marriage has recently been legalized. But the impending wedding provokes some very mixed reactions and opens a Pandora's box of toxic secrets—dark and painful truths that have festered below the surface of the Ohs' lives.We Are Water is an intricate and layered portrait of marriage, family, and the inexorable need for understanding and connection, told in the alternating voices of the Ohs—nonconformist Annie; her ex-husband, Orion, a psychologist; Ariane, the do-gooder daughter, and her twin, Andrew, the rebellious only son; and free-spirited Marissa, the youngest Oh. Set in New England and New York during the first years of the Obama presidency, it is also a portrait of modern America, exploring issues of class, changing social mores, the legacy of racial violence, and the nature of creativity and art.With humor and breathtaking compassion, Wally Lamb brilliantly captures the essence of human experience in vivid and unforgettable characters struggling to find hope and redemption in the aftermath of trauma and loss. We Are Water is vintage Wally Lamb—a compulsively readable, generous, and uplifting masterpiece that digs deep into the complexities of the human heart to explore the ways in which we search for love and meaning in our lives.

    At the heart of the park is Faggotland, a playland for gay men, and Castle Faggot, the darkest dark ride in the world. Home to a cartoon Dracula called Count Choc-o-log, the castle is decorated with the corpses of gays—some were killed, some killed themselves, all ended up as décor.The book includes a map of Faggotland, a photobook of the castle, the instructions for a castle-shaped dollhouse, and the novelization of a TV puppet show about Count Choc-o-log and his friends—reminiscent of the classic stop-motion special Rudolph the Red-Nosed Reindeer, but even gayer and more grotesque. As scatological as Sade but with a Hanna-Barbera vibe, Castle Faggot transmutes McCormack's love of the lurid and the childlike, of funhouses and sickhouses, into something furiously funny: as Edmund White says, “the mystery of objects, the lyricism of neglected lives, the menace and nostalgia of the past—these are all ingredients in this weird and beautiful parallel universe.”

    Newly divorced and eager to escape her bleak life in upstate New York, where she moved as an adult, she arrives with her two teenagers to discover a city that has become an unrecognizable ghost town. The move fractures the siblings' close relationship, as Michael, free to be gay, takes to looting empty houses and partying with wannabe anarchists, while Adela, fascinated with the horrors of the Holocaust, buries herself in books and finds companionship in a previously unknown cousin. Over time, the town itself changes--from dismantled city to refugee haven and neo-Nazi hotbed, and eventually to a desirable seaside resort town. In the midst of that change, two episodes of devastating, fateful violence come to define the family forever.Moving seamlessly through decades and between the thoughts and lives of several unforgettable characters, Thomas Grattan's spellbinding novel is a multigenerational epic that illuminates what it means to leave home, and what it means to return. Masterfully crafted with humor, gorgeous prose, and a powerful understanding of history and heritage, The Recent East is the profoundly affecting story of a family upended by displacement and loss, and the extraordinary debut of an empathetic and ambitious storyteller.

    "It was my Grandfather's. I was hoping you could tell me something about it."A love story of two couples, generations apart.Disclaimer: This is a rewritten fanfiction and is available only as a complimentary read. DO NOT pay to download. It has not been professionally edited. Available at author's website

    If only she could stop getting in her own way and find someone, anyone, willing to help. But her best friend Ellis MacQueen “fixes” problems by running away from them―including his broken relationship with his twin brother, Tommy. And Tommy’s depression has hit a new low, so he’s not up for fixing anything.In the wake of the town’s latest devastating storm, Tommy goes out for a swim that he doesn’t intend to survive. It’s his unexpected return that sets into motion a sea change between these three teens. One that tests old loyalties, sparks new romance, and uncovers painful secrets. And nothing stays secret in West Finch for long.