The first male child born in the newly established Republic of Texas, Eli McCullough is thirteen years old when a marauding band of Comanche storm his homestead and brutally murder his mother and sister, taking him captive. Brave and clever, Eli quickly adapts to Comanche life, learning their ways and language, answering to a new name, carving a place as the chief's adopted son, and waging war against their enemies, including white men-complicating his sense of loyalty and understanding of who he is. But when disease, starvation, and overwhelming numbers of armed Americans decimate the tribe, Eli finds himself alone. Neither white nor Indian, civilized or fully wild, he must carve a place for himself in a world in which he does not fully belong-a journey of adventure, tragedy, hardship, grit, and luck that reverberates in the lives of his progeny. Intertwined with Eli's story are those of his son, Peter, a man who bears the emotional cost of his father's drive for power, and JA, Eli's great-granddaughter, a woman who must fight hardened rivals to succeed in a man's world.Phillipp Meyer deftly explores how Eli's ruthlessness and steely pragmatism transform subsequent generations of McCulloughs. Love, honor, children are sacrificed in the name of ambition, as the family becomes one of the richest powers in Texas, a ranching-and-oil dynasty of unsurpassed wealth and privilege. Yet, like all empires, the McCoulloughs must eventually face the consequences of their choices.Harrowing, panoramic, and vividly drawn, The Son is a masterful achievement from a sublime young talent.

    She finds this and much more in a town with the unlikely name of Chicken, located deep in the Alaskan interior. It is 1927 and Chicken is a wild mining community flaming with gold fever. Anne quickly makes friends with many of the townspeople, but is soon ostracized when she not only befriends the local Indians but also falls in love with one. A heartwarming story in the tradition of Benedict Freedman's classic, Mrs. Mike, Tisha is one of those rare books that stays with the reader for years, beckoning to be read again and again. --Maudeen Wachsmith

    Now comes a reissue of the best-selling debut novel that launched her remarkable career. St. Elizabeth's, a home for unwed mothers in Habit, Kentucky, usually harbors its residents for only a little while. Not so Rose Clinton, a beautiful, mysterious woman who comes to the home pregnant but not unwed, and stays. She plans to give up her child, thinking she cannot be the mother it needs. But when Cecilia is born, Rose makes a place for herself and her daughter amid St. Elizabeth's extended family of nuns and an ever-changing collection of pregnant teenage girls. Rose's past won't be kept away, though, even by St. Elizabeth's; she cannot remain untouched by what she has left behind, even as she cannot change who she has become in the leaving.

    It's a warmhearted place where good friends share laughter, tears and comfort. A funny, poignant first novel about the bonds between women, says the Houston Chronicle.

    Her parents have crumbled under the weight of her father’s infidelity; he has left the family, and mental illness has rendered her mother nearly catatonic. So Joon, at the age of thirteen, decides she would be better off on her own, a choice that commences a harrowing and often tragic journey that exposes the painful difficulties of a life lived on the margins. Joon’s adolescent years take her from a homeless shelter to an escort club, through struggles with addiction, to jobs selling newspapers and cosmetics, committing petty crimes, and, finally, toward something resembling hope.

    This is the mystery the two daughters must unravel as they stay up late reading the words penned by Elizabeth so long ago. Their mother can’t give them the answers: After a massive stroke, she lies mute and near death in a nursing home. Only the pages of her diary can provide clues to what really happened.In a richly detailed journey into the past, we see Elizabeth lose her heart to one man while remaining devoted to another. Finally, she must choose between the stable, loyal Bob...and the electrifying and unpredictable A.J., who spent time in juvenile detention as a teen. When a suspicious fire in the neighborhood is linked to A.J., Elizabeth is faced with another dilemma: She’s the only one who can clear A.J.’s name, but to do so would ruin her reputation. Surprisingly, it’s Bob who comes to the rescue, forcing Elizabeth to make perhaps the most painful decision of her life....The Diary is a love story. It’s also the story of the unshakable bond between a mother and her daughters.

    The invitations summon home the group of people Violet Aird has cared for most in her long life. The oldest, strongest and wisest of them all, she sees Alexa, her vulnerable granddaughter, find love for the first time, while the decision to send her little grandson away to school is driving parents Edmund and Virginia even further apart. Far from them all is Pandora, the glamorous, exciting girl who ran away twenty years before. All will converge on Scotland this September.

    Just moments after four o’clock, a large split of snow separates from Jubilee Mountain high above the tiny hamlet and hurtles down the rocky slope, enveloping everything in its path including nine young children who are walking home from school. But only four children survive. Whiter Than Snow takes you into the lives of each of these families: There’s Lucy and Dolly Patch—two sisters, long estranged by a shocking betrayal. Joe Cobb, Swandyke’s only black resident, whose love for his daughter Jane forces him to flee Alabama. There’s Grace Foote, who hides secrets and scandal that belies her genteel façade. And Minder Evans, a civil war veteran who considers his cowardice his greatest sin. Finally, there’s Essie Snowball, born Esther Schnable to conservative Jewish parents, but who now works as a prostitute and hides her child’s parentage from all the world. Ultimately, each story serves as an allegory to the greater theme of the novel by echoing that fate, chance, and perhaps even divine providence, are all woven into the fabric of everyday life. And it’s through each character’s defining moment in his or her past that the reader understands how each child has become its parent’s purpose for living. In the end, it’s a novel of forgiveness, redemption, survival, faith and family.

    He travels east in search of his brother, moving on foot against the great push to the west. Driven back over and over again on his journey through vast expanses, Håkan meets naturalists, criminals, religious fanatics, Indians, and lawmen, and his exploits turn him into a legend. Díaz defies the conventions of historical fiction and genre (travel narratives, the bildungsroman, nature writing, the Western), offering a probing look at the stereotypes that populate our past and a portrait of radical foreignness.At first, it was a contest, but in time the beasts understood that, with an embrace and the slightest push, they had to lie down on their side and stay until Håkan got up. He did this each time he thought he spied someone on the circular horizon. Had Håkan and his animals ever been spotted, the distant travelers would have taken the vanishing silhouettes for a mirage. But there were no such travelers—the moving shadows he saw almost every day in the distance were illusions. With the double intention of getting away from the trail and the cold, he had traveled south for days.Hernán Díaz is the author of Borges, Between History and Eternity (Bloomsbury 2012), managing editor of RHM, and associate director of the Hispanic Institute at Columbia University. He lives in New York.

    When her best friend, Gemma, loses her parents in a tragic fire, Jessilyn's father vows to care for her as one of his own, despite the fact that Gemma is black and prejudice is prevalent in their southern Virginia town. Violence springs up as a ragtag band of Ku Klux Klan members unite and decide to take matters into their own hands. As tensions mount in the small community, loyalties are tested and Jessilyn is forced to say good-bye to the carefree days of her youth. Fireflies in December is the 2007 winner of the Christian Writers Guild's Operation First Novel contest.

    But how can she leave them when they still have so much growing up to do?Take Lisa, in her midthirties but incapable of making a commitment; or Jennifer, trapped in a stale marriage and buttoned up so tight she could burst. Twentysomething Amanda, the traveler, has always distanced herself from the rest of the family; and then there's Hannah, a teenage girl on the verge of womanhood about to be parted from the mother she adores.But by drawing on the wisdom in Barbara's letters, the girls might just find a way to cope with their loss. And in coming to terms with their bereavement, can they also set themselves free to enjoy their lives with all the passion and love each deserves?

    No other work of fiction so faithfully conveys both the sharp physical realities and the mythic sweep of the transformation of the American frontier—and the transformation of the people who settled it. Cather's heroine is Alexandra Bergson, who arrives on the wind-blasted prairie of Hanover, Nebraska, as a girl and grows up to make it a prosperous farm. But this archetypal success story is darkened by loss, and Alexandra's devotion to the land may come at the cost of love itself.At once a sophisticated pastoral and a prototype for later feminist novels, O Pioneers! is a work in which triumph is inextricably enmeshed with tragedy, a story of people who do not claim a land so much as they submit to it and, in the process, become greater than they were.

    Set in a small, dusty Texas town, it introduces Jacy, Duane and Sonny, teenagers stumbling towards adulthood, discovering the beguiling mysteries of sex and the even more baffling mysteries of love.

    Moving from post-World War I America through the early 1950s, Some Luck gives us an intimate look at this family's triumphs and tragedies, zooming in on the realities of farm life, while casting-as the children grow up and scatter to New York, California, and everywhere in between-a panoramic eye on the monumental changes that marked the first half of the twentieth century. Rich with humor and wisdom, twists and surprises, Some Luck takes us through deeply emotional cycles of births and deaths, passions, and betrayals, displaying Smiley's dazzling virtuosity, compassion, and understanding of human nature and the nature of history, never discounting the role of fate and chance. This potent conjuring of many lives across generations is a stunning tour de force.

    His young widow, Lauren, finds solace in her large clan of in-laws, while his brother's wife Kate pursues motherhood even at the expense of her marriage. John's teenage nephew Stephen finds himself involved in an act of petty theft that takes a surprising turn, and nephew Alex, a gifted student, travels to Spain and considers the world beyond his family's Northeast Philadelphia neighborhood. Through departures and arrivals, weddings and reunions, The Blessings reveals the interior worlds of the members of a close-knit Irish-Catholic family and the rituals that unite them.