Then Wesley's old friend from university, archaeologist Neil Watson, unearths the bodies of a strangled young woman and a new-born baby on the site of a seventeenth century merchant's house: though luckily for the overstretched police force the skeletons are centuries old. But as the search for the missing child intensifies and the true identity of the body on the cliff path is established, Wesley begins to suspect a tragic link, spanning the centuries, between his investigations and Neil's: for motives of jealousy, sexual obsession and desperate longing are as old as time. And when the dark secret of the merchant's house is finally revealed, Wesley must act swiftly to avert a further tragedy.

    . . . At first, the murder scene appears sad, but not unusual: a young woman undone by drugs and prostitution, her six-year-old daughter dead alongside her. But then detectives find a strange piece of evidence in the squalid house: the platinum credit card of a very wealthy--and long dead--steel tycoon. What is a heroin-addicted hooker doing with the credit card of a well-known and powerful man who died months ago? This is the question that the most junior member of the investigative team, Detective Constable Fiona Griffiths, is assigned to answer.But D.C. Griffiths is no ordinary cop. She's earned a reputation at police headquarters in Cardiff, Wales, for being odd, for not picking up on social cues, for being a little overintense. And there's that gap in her past, the two-year hiatus that everyone assumes was a breakdown. But Fiona is a crack investigator, quick and intuitive. She is immediately drawn to the crime scene, and to the tragic face of the six-year-old girl, who she is certain has something to tell her . . . something that will break the case wide open.Ignoring orders and protocol, Fiona begins to explore far beyond the rich man's credit card and into the secrets of her seaside city. And when she uncovers another dead prostitute, Fiona knows that she's only begun to scratch the surface of a dark world of crime and murder. But the deeper she digs, the more danger she risks--not just from criminals and killers but from her own past . . . and the abyss that threatens to pull her back at any time.

    The sheriff, desperate for more positive press, makes Eve the youngest female homicide detective in the department’s history.Now Eve, with a lot to learn and resented by her colleagues, has to justify her new badge. Her chance comes when she and her burned-out, soon-to-retire partner are called to the blood-splattered home of a missing single mother and her two kids. The horrific carnage screams multiple murder—but there are no corpses.Eve has to rely on her instincts and tenacity to find the bodies and capture the vicious killer, all while battling her own insecurities and mounting pressure from the media, her bosses, and the bereaved family. It’s a deadly ordeal that will either prove her skills…or totally destroy her.

     In the year 1780, Harriet Westerman, the willful mistress of a country manor in Sussex, finds a dead man on her grounds with a ring bearing the crest of Thornleigh Hall in his pocket. Not one to be bound by convention or to shy away from adventure, she recruits a reclusive local anatomist named Gabriel Crowther to help her find the murderer, and historical suspense's newest investigative duo is born. For years, Mrs. Westerman has sensed the menace of neighboring Thornleigh Hall, seat of the Earl of Sussex. It is the home of a once- great family that has been reduced to an ailing invalid, his whorish wife, and his alcoholic second son, a man haunted by his years spent as a redcoat in the Revolutionary War. The same day, Alexander Adams is slain by an unknown killer in his London music shop, leaving his children orphaned. His death will lead back to Sussex, and to an explosive secret that has already destroyed one family and threatens many others. Instruments of Darkness combines the brooding atmosphere of Anne Perry with the complex, compelling detail of Tess Gerritsen, moving from drawing room to dissecting room, from coffee house to country inn. Mrs. Westerman and Mr. Crowther are both razor-sharp minds and their personalities breathe spirit into this gripping historical mystery.

    Then a talented young female student goes missing on the marsh and Nikki and Joseph find themselves joining forces with a master criminal in their efforts to save her. They need to look behind the masks, but when they do, they find something more sinister and deadly than they ever expected . . .

    A big city detective. Can she unravel the gruesome trail of clues before the killer strikes again? Detective Inspector Ruth Hunter lives with the pain of her partner’s mysterious and unsolved disappearance. About to hit fifty, the veteran police officer trades in the crime-ridden streets of London for a more peaceful life in rural North Wales. But Ruth has barely settled into her new position in North Wales Police, when the body of a brutally murdered woman is discovered…with strange symbols carved into her skin. Teaming up with an obstinate deputy, Ruth struggles to eliminate anyone from a long line of suspects. When another slain victim is discovered with the same cryptic markings, she’s forced to re-think the investigation. Has Ruth got what it takes to solve the case before the murderer attacks again? The Snowdonia Killings is the first book in the DI Ruth Hunter Crime Thriller series and set against the majestic backdrop of Snowdonia, a timeless land of Arthurian legend, folklore and myth. If you like dark police procedurals, psychologically complex characters, and shocking twists, then you’ll love Simon McCleave’s pulse-pounding debut novel.

     Two hikers go missing along the Appalachian Trail, leaving only a bloodstained forest behind them, and when another hiker collapses on someone’s porch in New Hampshire, murdered by crossbow, the local police realize they have a serial killer on their hands––and need to call in the FBI. FBI Agent Tara Mills is young, brilliant and new to the force. With a promising career in front of her, she faces the ultimate test when she is assigned the case. It soon proves to be more challenging than she ever could have imagined––an impossible riddle that leaves even her seasoned partner stumped. Meanwhile, something about the case stirs a darkness within her––a tortured past that even her long-term boyfriend doesn’t fully understand. As nightmares consume her, she only hopes that her past will not come back to ruin her once again. As more hikers go missing, and with her job on the line, Tara finds herself on a race against time as she combs through the forest’s trails. Peeling back each layer, she soon realizes that she is up against a true diabolical mastermind. And just when she thinks she has it all figured out, her instincts lead her to the most shocking truth of all. Book #2 in the series––ONE LAST BREATH––is also now available for pre-order!

    Still, it happened so fast, and no one seems to have gotten a good look at the shooter. Was it random? Was it connected to the spate of drug violence plaguing poor areas of the country just like Acker's Gap? Or were Dean Streeter, Shorty McClurg, and Lee Rader targeted somehow?One of the witnesses to the brutal incident was Carla Elkins, teenaged daughter of Bell Elkins, the prosecuting attorney for Raythune County, WV. Carla was shocked and horrified by what she saw, but after a few days, she begins to recover enough to believe that she might be uniquely placed to help her mother do her job.After all, what better way to repair their fragile, damaged relationship? But could Carla also end up doing more harm than good―in fact, putting her own life in danger?

    Ruth Galloway is in her late thirties and lives happily alone with her two cats in a bleak, remote area near Norfolk, land that was sacred to its Iron Age inhabitants—not quite earth, not quite sea. But her routine days of digging up bones and other ancient objects are harshly upended when a child’s bones are found on a desolate beach. Detective Chief Inspector Nelson calls Galloway for help, believing they are the remains of Lucy Downey, a little girl who went missing a decade ago and whose abductor continues to taunt him with bizarre letters containing references to ritual sacrifice, Shakespeare, and the Bible. Then a second girl goes missing and Nelson receives a new letter—exactly like the ones about Lucy. Is it the same killer or a copycat murderer, linked in some way to the site near Ruth’s remote home?

    But the next morning the body of a murdered teenage girl is discovered nearby, and suspicion falls on Magnus. Inspector Jimmy Perez enters an investigative maze that leads deeper into the past of the Shetland Islands than anyone wants to go.

    One catch: he’ll only do it if FBI profiler Reni Fisher, his estranged daughter, accompanies them. As hard as it is to exhume her traumatic childhood, Reni can’t say no. She still feels complicit in her father’s crimes.Perfect to play a lost little girl, Reni was the bait to lure unsuspecting women to their deaths. It’s time for closure. For her. For the families. And for Daniel. He shares Reni’s obsession with the past. Ever since he was a boy, he’s been convinced that his mother was one of Fisher’s victims.A five-hundred-mile road trip lies ahead. Thirty years of bad memories are flooding back. A master manipulator has gained their trust. For Reni and Daniel, this isn’t the end of a nightmare. It’s only the beginning.

    As a matter of routine, or so it seems, the case passes across the desk of Detective Sergeant Smith, recently returned to work after an internal investigation into another case that has led to tensions between officers at Kings Lake police headquarters. As an ex DCI, Smith could have retired by now, and it is clear that some of his superiors wish that he would do so. The latest trainee detective to work with him is the son of a member of his former team, and together they begin to unravel the truth about what happened to Wayne Fletcher. As the investigation proceeds, it becomes clear that others are involved - some seem determined to prevent it, some seem to be taking too much interest. In the end Smith operates alone, having stepped too far outside standard procedures to ask for support. He knows that his own life might be at risk but he has not calculated on the life of his young assistant also being put in danger. He might still get his man but at what cost?

    But the discovery of a body floating in the whirlpool bath ends Kincaid's vacation before it's begun. One of his new acquaintances at Followdale House is dead; another is a killer. Despite a distinct lack of cooperation from the local constabulary, Kincaid's keen sense of duty won't allow him to ignore the heinous crime, impelling him to send for his enthusiastic young assistant, Sergeant Gemma James. But the stakes are raised dramatically when a second murder occurs, and Kincaid and James find themselves in a determined hunt for a fiendish felon who enjoys homicide a bit too much.

    Small and blond, from a distance she looked vulnerable and slight. . . the perfect bait to catch a killer. But as Quinn got older, she realised she needed to find a protegee, a younger field agent to take her place. So Quinn trains a twenty-two year old and lets her loose in the field. The plan works. Until the Route 66 killer not only takes the bait, but kills the bait too.Years on, Quinn is trying to move past the fact that she has a young woman's death on her conscience. She's now the perfect Stepford Wife - until she gets a knock on her door. The girl's body has finally been discovered. Quinn is pulled back into the case and the more she learns about the killer the more she comes to believe, despite the overwhelming forensic evidence to hand, that they have the wrong man.

    Within twenty-four hours a reporter receives an anonymous letter that points out alarming similarities between the murder and Jack the Ripper’s first murder—a letter that calls out Lacey by name. If it’s real, and they have a killer bent on re-creating London’s bloody past, history shows they have just five days until the next attempt.No one believes the connections are anything more than a sadistic killer’s game, not even Lacey, whom the killer seems to be taunting specifically. However, as they investigate the details of the case start reminding her more and more of a part of her past she’d rather keep hidden. And the only way to do that is to catch the killer herself.