The Man Without Talent, his first book ever to be translated into English, is an unforgiving self-portrait of frustration. Swearing off cartooning as a profession, Tsuge takes on a series of unconventional jobs—used camera salesman, ferryman, and stone collector—hoping to find success among the hucksters, speculators, and deadbeats he does business with.Instead, he fails again and again, unable to provide for his family, earning only their contempt and his own. The result is a dryly funny look at the pitfalls of the creative life, and an off-kilter portrait of modern Japan. Accompanied by an essay from translator Ryan Holmberg that discusses Tsuge’s importance in comics and Japanese literature, The Man Without Talent is one of the great works of comics literature.

    Standing between Greece and this tidal wave of destruction are a tiny detachment of but three hundred warriors. Frank Miller's epic retelling of history's supreme moment of battlefield valor is finally collected in a glorious hardcover volume in its intended format -- each two-page spread from the original comics is presented as a single undivided page.Collects: 300 #1-5

    Read an exclusive excerpt at BookBrowse today.The hottest summer of the twentieth century. A tiny community of five houses in the middle of wheat fields. While the adults shelter indoors, six children venture out on their bikes across the scorched, deserted countryside.In the midst of that sea of golden wheat, nine year-old Michele Amitrano discovers a secret so momentous, so terrible, that he daren’t tell anyone about it. To come to terms with it he will have to draw strength from his own imagination and sense of humanity. The reader witnesses a dual story: the one that is seen through Michele's eyes, and the tragedy involving the adults of this isolated hamlet. The result is an immensely powerful, lyrical and skillfully narrated novel, its atmosphere reminiscent of Tom Sawyer, Stephen King's Stand By Me and Italo Calvino's Italian Fairy Tales. This is Ammaniti's third book, but his first to be published in the USA.

    A face-off between a man and a boy. The same blood runs through their veins. One, Daniele Mallarico, is a successful illustrator at the peak of his career. The other, Mario, is his four-year-old grandson who has barely learned to talk but has a few tricks up his loose-fitting sleeves all the same. The older combatant has lived for years in almost complete solitude. The younger one has been dumped with a grandfather he barely knows for 72 hours. Starnone’s sharp novella unfolds within the four walls (and a balcony!) of the apartment where the grandfather grew up, now the home of his daughter and her family, where the rage of an aging man meets optimism incarnate in the shape of a four-year-old child. Lurking, ever present in the conflict, is the memory of Naples, a wily, violent, and passionate city where the old man spent his youth and whose influence is not easily shaken.

    Lenore: Noogies is a romp into the dark, surreal world of a little dead girl. Featuring stories about limbless cannibals, clock monsters, cursed vampire dolls, taxidermied friends and obssesed would be lover and more fuzzy animal mutilations than should be legal. Lenore is one of the funniest, darkest comic books on the marketplace today.

    Originally published in French, this marks the first time that Snowpiercer will be available in English. In a harsh, uncompromisingly cold future where Earth has succumbed to treacherously low temperatures, the last remaining members of humanity travel on a train while the outside world remains encased in ice. The surviving community are not without a social hierarchy; those that travel at the front of the train live in relative luxury whilst those unfortunate enough to be at the rear remain clustered like cattle in claustrophobic darkness. Yet, things are about to change aboard the train as passengers become disgruntled... The movie Snowpiercer, due for release in 2014, is directed by Joon-ho Bong (The Host) and is already causing a stir with parallels to 1984 and Animal Farm.

    There she witnessed the full impact of the war and first formed the ambition to write an account of what history - the great political events driven by men of power, wealth, and ambition - does when it reaches the realm of ordinary people struggling for life and bread. The central character in this powerful and unforgiving novel is Ida Mancuso, a schoolteacher whose husband has died and whose feckless teenage son treats the war as his playground. A German soldier on his way to North Africa rapes her, falls in love with her, and leaves her pregnant with a boy whose survival becomes Ida's passion. Around these two other characters come and go, each caught up by the war which is like a river in flood. We catch glimpses of bombing raids, street crimes, a cattle car from which human cries emerge, an Italian soldier succumbing to frostbite on the Russian front, the dumb endurance of peasants who have lived their whole lives with nothing and now must get by with less than nothing.

    In his version of Dante's Divine Comedy, Chwast's first graphic novel, Dante and his guide Virgil don fedoras and wander through noir-ish realms of Hell, Purgatory, and Paradise, finding both the wicked and the wondrous on their way.Dante Alighieri wrote his epic poem The Divine Comedy from 1308 to 1321 while in exile from his native Florence. In the work's three parts (Inferno, Purgatory, and Paradise), Dante chronicles his travels throughthe afterlife, cataloging a multitude of sinners and saints-many of them real people to whom Dante tellingly assigned either horrible punishment or indescribable pleasure-and eventually meeting both God and Lucifer face-to-face.In his adaptation of this skewering satire, Chwast creates a visual fantasia that fascinates on every page: From the multifarious torments of the Inferno to the host of delights in Paradise, his inventive illustrations capture the delirious complexity of this classic of the Western canon.

    Unpredictable, darkly funny, and deeply moving, they display an exceptional range of focus and technique. The Village Voice called Tomine "one of the most masterful cartoonists of his generation," and this is his most ambitious and empathetic work to date.

    Comparing Vittorini's work to Picasso's, Italo Calvino described Conversations as "the book-Guernica."The novel begins at a time in the narrator's life when nothing seems to matter; whether he is reading newspaper posters blaring of wartime massacres, lying in bed with his wife or girlfriend, or flipping through the pages of a dictionary it is all the same to him—until he embarks on a journey back to Sicily, the home he has not seen in some fifteen years. In traveling through the Sicilian countryside and in variously hilarious and tragic conversations with its people—his indomitable mother in particular—he reconnects with his roots and rediscovers some basic human values.In the introduction Hemingway wrote for the American debut of Conversations (published as In Sicily by New Directions in 1949) he remarked: "I care very much about Vittorini's ability to bring rain with him when he comes, if the earth is dry and that is what you need." More recently, American critic Donald Heiney wrote that in this one book, Vittorini "like Rabelais and Cervantes...adds a new artistic dimension to the history of literature."

    Roux, the narrator, is in pursuit of a mysterious friend named Xavier. His search, which develops into a quest, takes him from town to town across the subcontinent.

    Grendel’s black blood runs thick as Beowulf defeats the monster and his hideous mother, while somber hues overcast the hero’s final, fatal battle against a raging dragon. Speeches filled with courage and sadness, lightning-paced contests of muscle and will, and funeral boats burning on the fjords are all rendered in glorious and gruesome detail. Told for more than a thousand years, Beowulf’s heroic saga finds a true home in this graphic novel edition.

    Accepting their demented challenge, Batman is forced to live and endure the personal hells of the Joker, Scarecrow, Poison Ivy, Two-Face, and many other sworn enemies in order to save the innocents and retake the prison. During his run through this absurd gauntlet, the Dark Knight's own sanity is placed in jeopardy. This special anniversary edition trade paperback also reproduces the original script with annotations by Morrison and editor Karen Berger.

    (His very first—rejected—comics story dealt with the subject, as does his most recent work, the two-volume Putain de Guerre.) But It Was the War of the Trenches is Tardi’s defining, masterful statement on the subject, a graphic novel that can stand shoulder to shoulder with Erich Maria Remarque’s All Quiet on the Western Front and Ernest Hemingway’s A Farewell to Arms.Tardi is not interested in the national politics, the strategies, or the battles. Like Remarque, he focuses on the day to day of the grunts in the trenches, and, with icy, controlled fury and disgust, with sardonic yet deeply sympathetic narration, he brings that existence alive as no one has before or since. Yet he also delves deeply into the underlying causes of the war, the madness, the cynical political exploitation of patriotism. And in a final, heartbreaking coda, Tardi grimly itemizes the ghastly human cost of the war, and lays out the future 20th century conflicts, all of which seem to spring from this global burst of insanity.Trenches features some of Tardi’s most stunning artwork. Rendered in an inhabitually lush illustrative style, inspired both by abundant photographic documentation and classic American war comics, augmented by a sophisticated, gorgeous use of Craftint tones, trenches is somehow simultaneously atypical and a perfect encapsulation of Tardi’s mature style. It is the indisputable centerpiece of Tardi’s oeuvre.It Was the War of the Trenches has been an object of fascination for North American publishers: RAW published a chapter in the early 1980s, and Drawn and Quarterly magazine serialized a few more in the 1990s. But only a small fraction of Trenches has ever been made available to the English speaking public (in now out of print publications); the Fantagraphics edition, the third in an ongoing collection of the works of this great master, finally remedies this situation.

    After nearly two decades away, Miracleman uncovers his origins and their connection to the British military's "Project Zarathustra" - while his alter ego, Michael Moran, must reconcile his life as the lesser half of a god.