Born in Grandview, Indiana, Bill Peet nurtured his childhood drawing talent and was awarded a scholarship to the John Herron Art Institute in Indianapolis, where he studied painting and design. After a brief apprenticeship period, he went to work for Walt Disney as a sketch artist, eventually becoming a screenwriter and helping to produce such beloved films as Fantasia, 101 Dalmations, and Peter Pan. In 1959 Bill Peet published his first book, Hubert's Hair-Raising Adventure, going on to write and illustrate over thirty successful books for children.

    A young boy and his father visit the Vietnam Veterans Memorial.

    If you were a boy named Henri Matisse who lived in a dreary town in northern France, what would your life be like? Would it be full of color and art? Full of lines and dancing figures?Find out in this beautiful, unusual picture book about one of the world's most famous and influential artists by acclaimed author and Newbery Medal-winning Patricia MacLachlan and innovative illustrator Hadley Hooper.A Neal Porter Book

    When he befriends Attean, an Indian chief's grandson, he is invited to join the Beaver tribe and move north. Should Matt abandon his hopes of ever seeing his family again and go on to a new life?

    But it never rained rain and it never snowed snow and it never blew just wind. It rained things like soup and juice. It snowed things like mashed potatoes. And sometimes the wind blew in storms of hamburgers. Life for the townspeople was delicious until the weather took a turn for the worse. The food got larger and larger and so did the portions. Chewandswallow was plagued by damaging floods and storms of huge food. The town was a mess and the people feared for their lives. Something had to be done, and in a hurry.

    Arlene Mosel and Blair Lent's classic re-creation of an ancient Chinese folktale has hooked legions of children, teachers, and parents, who return, generation after generation, to learn about the danger of having such an honorable name as Tikki tikki tembo-no sa rembo-chari bari ruchi-pip peri pembo.

    . . John [Hancock], Paul [Revere], George [Washington], and Ben [Franklin]. Oh yes, there was also Tom [Jefferson], but he was annoyingly independent and hardly ever around. These lads were always getting into trouble for one reason or another. In other words, they took a few . . . liberties. And to be honest, they were not always appreciated. Until one day, they all played a part in securing America's freedom."Deftly drawn, witty, and instantly appealing, the illustrations creatively blend period elements such as wood-grain and crackle-glaze texturing, woodcut lines, and formal compositions typical of the era, with gaping mouths and stylized, spiraling eyes typical of modern cartoons," wrote Booklist, and School Library Journal declared, "Exercise your freedom to scoop up this one."

    When she spilled the milk, she was brought before the court for stealing. Because she could read, Molly escaped the typicalpunishment of death on the gallows. At the age of seventeen, the English dairymaid was exiled from her country and sentenced to work as an indentured servant in British Colonial America. Molly worked for a planter in Maryland for seven long years. Then she was given an ox hitched to a cart, some supplies-and her freedom. That a lone woman should stake land was unheard of. That she would marry an African slave was even more so. Yet Molly prospered, and with her husband Bannaky, she turned a one-room cabin in the wilderness into a thriving one hundred-acre farm. And one day she had the pleasure of writing her new grandson's name in her cherished Bible: Benjamin Banneker.

    She was only the second person to do this – and the first woman. Rich in detail, feeling and incident this is nonfiction with edge and action, a you-are-there experience made more dramatic and real by Wendell Minor's vivid paintings.

    Phillis Wheatley--as she comes to be known--has an eager mind and it leads her on an unusual path for a slave--she becomes America’s first published black poet. “Strong characterization and perceptive realism mark this thoughtful portrayal.”--Booklist

    and Mrs. Rogers tell her. ...But somehow things never turn out quite right.

    Although his freedom had been taken, Amos never lost his dignity and courage. For 45 years, Amos worked as a slave and dreamed of freedom. And, at age 60, he finally began to see those dreams come true.

    But one stormy August day, furious flood water carry him off and dump him on an uninhabited island. Despite his determination and stubborn resourcefulness--he tried crossing the river with boats and ropes and even on stepping-stones--Abel can't find a way to get back home. Days, then weeks and months, pass. Slowly, his soft habits disappear as he forages for food, fashions a warm nest in a hollow log, models clay statues of his family for company, and continues to brood on the problem of how to get across the river--and home. Abel's time on the island brings him a new understanding of the world he's separated from. Faced with the daily adventure of survival in his solitary, somewhat hostile domain, he is moved to reexamine the easy way of life he had always accepted and discovers skills and talents in himself that hold promise of a more meaningful life, if and when he should finally return to Mossville and his dear Amanda again.

    With plenty of repetition, this adventure is perfect for reading aloud and for joining in, and a satisfying ending provides a reassuring touch.

    The selections are arranged by the seasons, and Sorensen's handsome watercolor illustrations capture the feel of the New England landscape without in any way trying to provide literal images for the poetry. There's an excellent biographical essay, and at the bottom of each page, Schmidt provides a brief note on some of the possible ways to read the lines....These nature poems show that poetry holds feelings and ideas that everyone can understand."--Booklist. "...superb; the poems introduced in a tone that is informative but not pedantic."--PW. "...satisfies in every way."--SLJ. "Include[s] both well-known favorites and those less often read or quoted. 'Mending Wall,' 'Birches,' 'The Road Not Taken' are essential Frost and all are here."--Quill & Quire. ". . . thoughtfully compiled and brilliantly illustrated."--Buzz Weekly. 48 pages (all in color), 8 1/2 x 10.