Jinnistan is a gripping collection of South Asian short horrors featuring paranormal entities in all shapes and forms- including the form of a loved one, perhaps your neighbor... even your child. So close the curtains, grab your chai and get ready to read spine-chilling tales based on true events.

    Snuffing Out the Moon is a dazzling debut novel that is at once a cry for freedom and a call for resistance.Advance Praise for Snuffing Out the Moon ‘Criss-crossing historical periods and populating its multiple narratives with a diverse set of characters, Snuffing Out the Moon is a daringly original novel charting the past and the future of our civilization, and so illuminating the author’s view of our present. A challenging and thought-provoking read’—Shashi Tharoor, author and MP‘This novel stirred strange feelings in me. Its air is bleak and somehow forbidding. It is vast in scope but comparatively compressed in a space that the novelist uses expertly to draw for us the lineages of the past, the present and the future. It leaves us with the chilling vision that evil—greed or the impulse to destroy—is man’s destiny. Masterfully composed, the novel sums up aeons of history and culture with an assurance of narrative power that makes the picture of the past and the present as compelling as his imaginings of the future. Present fears are no less than the horrible imaginings, the novel seems to say. Learned and sagacious, the narrative pleases while it also awes the reader’—Shamsur Rahman Faruqi, author of The Mirror of Beauty‘Osama Siddique’s ambitious historical novel will be of consequence not only to Pakistan but to the Indian subcontinent’—Bapsi Sidhwa, author of Ice-Candy-Man‘Innovative, introspective and evocative, this remarkable debut novel gives poignant expression to an age-old human dilemma and one of the central challenges of our own troubled times: the choice between stultifying social conformity born of ignorance, intellectual laziness and fear, and the liberating agency that comes from doubt, dissent and defiance. Polyphonic in scope and written in the fragmentary and episodic mode, the intriguingly titled Snuffing Out the Moon deftly weaves together half a dozen different narratives informed by the rich sociopolitical, cultural and literary traditions of South Asia’s six millennia- long history. Beginning in 2084 BCE with the Indus Valley Civilization and ending in 2084 CE when the deadly politics of religious radicalism and water wars have drastically recast the face of South Asia, the novel is a gripping read. It dispenses with linear time by criss-crossing the past, present and the future in a disconnected fashion without becoming random and trivial or devoid of inner meaning and connectedness. A welcome addition to South Asia’s burgeoning trove of English-language literature, it will engage and absorb a cross-section of readers with its sparkling wit, lyrical bursts and welter of insights into human frailties and foibles’—Ayesha Jalal, historian and author of Jinnah: The Sole Spokesman

    He and his mother endured the cold and humiliating attitude of their relatives who like most people were driven by greed.First published in Khawateen Digest, it is now available in Meri Zaat Zarra-e-Benishan.

    Good tool for intellectual grooming.

    This drama will move you, inspire you, and probably even change your life.

    The story of Husain and Zammarrud fallen in the grip of the Assassins take us back to the last days of Hasan Bin Sabah's merciless followers, at the end of which the sect's stronghold, the famous fort of Alamoot, was destroyed by the even more merciless Mongol hordes. Sharar writes famously in the style of a Walter Scott novel, the novel itself being a new literary form in his day. But there are shades of an earlier indigenous genre - the Dastaan - in his work. Yet although he tells a gripping tale, part Scott and part Dastaan, he is not unaware of character. Husain may be credulous, and smitten silly by his love for Zammarrud, but he can still ask Shaikh Vujoodi intelligent questions which the Shaikh can only parry by the display of great wrath and superhuman knowledge. Husain's credulity in accepting his answers immediately has a lot to do with his fear that he would not be allowed to visit his beloved in 'Paradise.' There is a definite modern streak in Sharar's work. His treatment of Zamarrud is different from the usual portrayal of female characters in his day. Zamarrud has a mind of her own. She is observant and intelligent and capable of rebuffing her lover when he sounds credulous and foolish. No old fashioned perceptions of female 'duty' or the superior status of men holds her back from realizing that she is more clear-headed than Husain. She is moreover not mild of manner or adulatory of her man, as the prototypes of female perfection tend to be in Urdu literature of the day. Yet non of this detracts from her femininity, as she runs around 'like a delicate, fleet-footed doe' but fully determined to have her way. Much has been written about the Assassins in English and other languages. Sharar's novel has its own charm, and given a chance it should become a very popular book. Translated into Tajik, Sharar's works have quite a lot of readers in Tajikistan, where they are also the subject of a Ph.D. dissertation by Vladimir Lanikin.

    But neither Partition nor prostitution gave birth to the genius of Saadat Hasan Manto. They only furnished him with an occasion to reveal the truth of the human condition.My Name Is Radha is a path-breaking selection of stories which delves deep into Manto’s creative world. In this singular collection, the focus rests on Manto the writer. It does not draft him into being Manto the commentator. Muhammad Umar Memon’s inspired choice of Manto’s best-known stories, along with those less talked about, and his precise and elegant translation showcase an astonishing writer being true to his calling.

    A mother is horrified when she learns that her daughter wants to marry her American boyfriend. An American housewife living in Lahore has a tempestuous affair with a Pakistani minister. An aged matriarch travels to the USA to discover she must confront a traumatic memory from her past.Finely nuanced, and laced with Sidhwas sharply comic observations, this is a stellar collection of tales from one of the subcontinents most important and beloved writers.

    

    It is a formidable world and the people who live there are constantly subjected to extremes—both of geography and of culture.The Wandering Falcon begins with a young couple, refugees from their tribe, who have traveled to the middle of nowhere to escape the cruel punishments meted upon those who transgress the boundaries of marriage and family. Their son, Tor Baz, descended from both chiefs and outlaws, becomes “The Wandering Falcon,” a character who travels throughout the tribes, over the mountains and the plains, in the towns and tents that comprise the homes of the tribal people. The media today speak about this unimaginably remote region, a geopolitical hotbed of conspiracies, drone attacks, and conflict—now, told in the rich, dramatic tones of a master storyteller, this stunning, honor-bound culture is revealed from the inside.Jamil Ahmad has written an unforgettable portrait of a world of custom and compassion, of love and cruelty, of hardship and survival, a place fragile, unknown, and unforgiving.

    This book has the following stories translated into EnglishRani Sarandha (Queen Saerandha) --Bade Ghar Ki Beti (Daughter of a Cultured Family) --Raja Jardaul (King Hardaul) --Garib ki hai (Curse of the Poor) --Pareeksha-1 (The Test-1) --Namak ka daroga (The Salt Inspector) --Khoon safed (White Blood) --Saut-1 (Co-wife-1) --Do bhai (Two Brothers) --Ghamand ka putla (The Embodiment of Pride) --Maryada ki vedi (Altar of Honour) --Atmaram (Atmaram) --Shankhnad (War Trumpet) --Brahma ka swang (Mocking at Brahma) --Shanti-1 (Peace-1) --Pareeksha-2 (The Test-2) --Guptdhan (Hidden Treasure) --Nairashya leela ((The Play of Despair) --Satyagraha (Civil Disobedience) --Vair ka ant (End of Enmity) --Shatranj ke khilari (Chess Players) --Sava ser Gehun (11/4 ser Wheat) --Kajaki (Kajaki) --Ramleela (Ramlila) --Sati-1 (Sati-1) --Actress (Actress) --Sujan Bhagat (Sujan Bhagat) --Fatiha (Fatiha) --Ghar janwai (The Resident Son-in-law) --Poos ki raat (Night of Poush) --Maikoo (Maiku) --Saut-2 (The co-wife-2) --Sadgati (Deliverance) --Do bailon ki katha (Story of two Bullocks) --Holi ka uphaar (Gift of Holi) --Sati-2 (Sati-2) --Beton wali vidhwa (Widow with Sons) --Kayar (Coward) --Rangeele babu (A Flirtatious Gentleman) --Quaidi (The Prisoner) --Shanti-2 (Peace-2) --Bade bhai saheb (Elder Brother) --Do Behnen (Two Sisters) --Cricket match (Cricket Match)

    When footage of a team of archaeologists bursting into flames at the ancient site of Mohenjodaro goes viral, the world is horrified and shaken. While authorities suspect it to be an incendiary terrorist attack, Nadia Osbourne determines to find her archaeologist sister, Layla, convinced that she has survived. Her frantic search takes her to the ruins and forces her to confront her own demons – her inexplicable dreams about a woman named Jaya.3800 BC. The city of Meluhha is on the brink of a revolution and Iaf and his coterie of corrupt priests will do anything to maintain their power. Jaya is the only one who can read the Bloodstone, the heart of the Goddess Shakari, and divine the future. But with her daughter under Iaf’s control, will Jaya be able to prevent what is to come?Inspired by the legends surrounding the lost Indus Valley city, The Curse of Mohenjodaro is a gripping thriller about a powerful relic, a sinister cult, and family secrets that haunt generations.Maha Khan Phillips is a multiple award-winning financial journalist, and the author of Beautiful from This Angle and The Mystery of the Aagnee Ruby. She grew up in Karachi, Pakistan. She has a bachelors degree in Politics and International Relations and a masters in International Conflict Analysis from the University of Kent at Canterbury. In 2006, she completed a masters degree in Creative Writing from City University in London, where she currently lives with her husband and son.

    The wind tries first, but however hard it blows it fails to make any progress because the traveller simply buttons his coat even tighter than before. Only when the sun shines brightly does he finally remove it, and the wind roars away in a bad temper.

    Like the magazine's issues on India and Australia, its release will be a watershed moment critically and a chance to celebrate the corona of talent which has burst onto the English language publishing world in recent years.

    It is the first novel of Imran Series, a best-selling Urdu spy novels series created by Pakistani writer Ibn-e-Safi. It was published in October 1955.The story is about a terrifying building where a dead boy is found and then a story full of suspense and laughs begins. Suspense because of the cause of death and secret of the building and laughs because of Imran’s behavior which is very comic.Captain Fiaz, Superintendent of Intelligence bureau starts to solve the case but he is always in need of Ali Imran to solve the cases and this time also Imran, with the help of his sharp mind and power of decision, solve the case and disclose Sir Jahangir, a well reputed and honored man, as an agent of enemy. Imran resolve the case of some foreign office’s very sensitive papers which were robbed by some criminal elements long time ago.