The month before their second anniversary, during a long-awaited holiday, Aura broke her neck while body surfing. Francisco, blamed for Aura’s death by her family and blaming himself, wanted to die, too. Instead, he wrote Say Her Name, a novel chronicling his great love and unspeakable loss, tracking the stages of grief when pure love gives way to bottomless pain.Suddenly a widower, Goldman collects everything he can about his wife, hungry to keep Aura alive with every memory. From her childhood and university days in Mexico City with her fiercely devoted mother to her studies at Columbia University, through their newlywed years in New York City and travels to Mexico and Europe—and always through the prism of her gifted writings—Goldman seeks her essence and grieves her loss. Humor leavens the pain as he lives through the madness of grief and creates a living portrait of a love as joyous as it is deep and profound.Say Her Name is a love story, a bold inquiry into destiny and accountability, and a tribute to Aura, who she was and who she would've been.

    Mattie Sylvester, a widow of one of America's most celebrated painters, reveals the sordid truth of the past, and of her husband, to her secretary.

    When the haughty Dona Constanza decides to divert a river to fill her swimming pool, the consequences are at once tragic, heroic, and outrageously funny.

    So when she returns there after her father's death, for the first time in twenty-five years, it means facing a past she thought she had put behind her. But even as childhood memories threaten to paralyze her, Ellie sets out to discover the dark secret at the heart of her father's life and her parents' marriage, hoping the truth will allow her to break free from the past that has haunted her life.

    Come home when you can.” He returns to discover a place both wholly familiar and barely recognizable and is cast into the center of an interracial land dispute with the exigencies of war.   Widely acclaimed when first published in the eighties, the timeless novel Red Earth, White Earth showcases Will Weaver’s rough ease with language and storytelling, frankly depicting life’s uneven terrain and crooked paths.

    Like NORTH AND SOUTH and LOVE AND WAR, this novel blends historical detail and fiction."A superb storyteller and compelling writer. Not necessary to have read the first two books, for events and people are clearly defined, thus HEAVEN AND HELL stands on its own considerable merit." (Chattanooga News-Free Press)

    From her first stock show to the day she turns eighteen and flees for the comforts of the city, Dickie bucks the cattle-ranching lifestyle and yearns for manicured lawns, housebroken pets, and neighborhood playmates. Yet she reluctantly finds herself drawn to the vast, desolate landscape of the desert and the solitude it offers—a feeling she won't acknowledge even within herself.Now a grown woman, Dickie is a respected reporter in Salt Lake City, convinced that physical distance and a convenient but passionless relationship will erase the memory of her painful childhood. But when her brother dies in a tragic accident, Dickie finds herself back in the farmhouse she tried so desperately to abandon. Suddenly, she is faced with her family's past and a love she's never admitted to, bringing down the walls of her carefully contrived existence.Accustomed to the physical boundaries city life entails, Dickie feels emotionally exposed by the fenceless expanse of the ranch. As she navigates her past, piecing together relationships, romance, and the pull of the mountains themselves, she finally confronts the pivotal moment of her childhood—the horrifying discovery that made her flee the desert so many years ago.A novel that spans two generations and vast landscapes, The Last Cowgirl brings to mind the writing of Pam Houston and Barbara Kingsolver. Richman's provocative prose, pulled from personal experience, will strike a chord with anyone who has been faced with demons from their past and found solace in the space around them.

    Aubyn's wonderful, wry, and profound Patrick Melrose Cycle, follows five-year-old Patrick through a single day, as the Melrose family awaits the arrival of guests. Bright and imaginative, young Patrick struggles daily to contend with the searing cruelty of his father and the resignation of his embattled mother. But on this day he must endure an unprecedented horror—one that splits his world in two. In Never Mind, St. Aubyn renders this vivid tragedy with profound grace and precision, and introduces us to the unforgettable, complex figure of Patrick Melrose.

    Instead, she boards a bus to the Pacific coast with Tomás, a boy she barely knows. He seems to represent everything her life is lacking—recklessness, impulse, independence.Tomás may also help Luisa fulfill an unusual obsession: she wants to track down a traveling troupe of Ukrainian dwarfs. According to newspaper reports, the dwarfs recently escaped a Soviet circus touring Mexico. The imagined fates of these performers fill Luisa’s surreal dreams as she settles in a beach community in Oaxaca. Surrounded by hippies, nudists, beachcombers, and eccentric storytellers, Luisa searches for someone, anyone, who will “promise, no matter what, to remain a mystery.” It is a quest more easily envisioned than accomplished. As she wanders the shoreline and visits the local bar, Luisa begins to disappear dangerously into the lives of strangers on Zipolite, the “Beach of the Dead.”Meanwhile, her father has set out to find his missing daughter. A mesmeric portrait of transgression and disenchantment unfolds. Sea Monsters is a brilliantly playful and supple novel about the moments and mysteries that shape us.

    Fifty years later her niece inherited the house with no knowledge of it beyond her indelible childhood memories, and no experience at all of living in the country.Mary Lindsay is a born and bred Londoner who has enjoyed her city life-a prestigious job, and friends with whom she takes in the city pleasures of theatre, art and…As a retired businesswoman living in a rural house inherited from her aunt finds consolation for a failed romance with a married blind man by learning more about her aunt and herself.

    It’s 1976, and while the country prepares to celebrate the bicentennial, Daniel Truitt’s family is falling apart. His father, Pete, has been fired from yet another teaching job, and his mother, Valerie, is one step away from leaving for good. But when Pete lucks into a crumbling mansion in the nation’s capital, he makes a bold plan to start a school under his own roof where students and teachers will be equals. Replete with the wry humor, human insight, and cultural resonance that characterizes Shreve’s critically acclaimed fiction, When the White House Was Ours will be a joy to anyone whose family has lived through an idealistic time and ended up in an era of compromise.

    God has been outlawed, and the priests have been systematically hunted down and killed. Now, the last priest is on the run. Too human for heroism, too humble for martyrdom, the nameless little worldly “whiskey priest” is nevertheless impelled toward his squalid Calvary as much by his own compassion for humanity as by the efforts of his pursuers.   In his introduction, John Updike calls The Power and the Glory, “Graham Greene’s masterpiece…. The energy and grandeur of his finest novel derive from the will toward compassion, an ideal communism even more Christian than Communist.”

    Ginny Young is on a plane, en route to see her mother, whom she hasn't seen or spoken to for thirty-five years. She thinks back to the summer of 1958, when she and her sister, Sharla, were young girls. At that time, a series of dramatic events--beginning with the arrival of a mysterious and sensual next-door neighbor--divided the family, separating the sisters from their mother. Moving back and forth in time between the girl she once was and the woman she's become, Ginny at last confronts painful choices that occur in almost any woman's life, and learns surprising truths about the people she thought she knew best. Emotional honesty and a true understanding of people and relationships are combined in this moving and deeply satisfying new book by the novelist who "writes with humor and a big heart about resilience, love and hope. And the transcendence that redeems" (Andre Dubus).

    She used to imagine she was the good kind, now she’s not sure. She’d like to ask Dad about it, but growing up in the saddest chapter of someone else’s story is difficult. She tries not to skate on the thin ice of his memories.Darren has done his best. He's studied his daughter like a seismologist on the lookout for waves and surrounded her with everything she might want - everything he can think of, at least - to be happy.What Clover wants is answers. This summer, she thinks she can find them in the second bedroom, which is full of her mother's belongings. Volume isn't important, what she is looking for is essence; the undiluted bits: a collection of things that will tell the full story of her mother, her father and who she is going to be.But what you find depends on what you're searching for.

    After the tragic death of his young wife, Reverend Tyler Caskey, a New England minister, struggles to hold together his own life, his family, and his town, while dealing with his personal anger, grief, and loss of faith.