This unique graphic anthology offers historical and cultural commentary on nine uncelebrated heroes whose stories are not often found in history books. Among the stories included are: Henry "Box" Brown, who escaped from slavery by mailing himself to Philadelphia; Alexander Crummel and the Noyes Academy, the first integrated school in America, established in the 1830s; Marshall "Major" Taylor, a.k.a. the Black Cyclone, the first black champion in any sport; and Bass Reeves, the most successful lawman in the Old West. Written and illustrated by Joel Christian Gill, the diverse art beautifully captures the spirit of each remarkable individual and opens a window into an important part of American history.

    It only takes a few people to believe that change is possible. And when those people sing out, they can change the world. "We Shall Overcome" is one of their songs. From the song's roots in America's era of slavery through to the civil rights movement of the 1960s and today, "We Shall Overcome" has come to represent the fight for equality and freedom around the world. This important book, lyrically written by Debbie Levy and paired with elegant, collage-style art by Vanessa Brantley-Newton, pays tribute to the heroic spirit of the famous song that encompasses American history.- Jane Addams Award Honor Book- Bank Street College Best Book- NCSS Notable Social Studies Book- American Folklore Society Aesop Accolade- Chicago Public Library Best Informational Book“The power of song to bolster courage, combat bigotry, and effect change courses through this . . . . enlightening and inspiring book.” –Publishers Weekly “An inviting introduction to a spirited and spiritual anthem.” –Kirkus Reviews “An innovative capturing of history through the lens of a song and a passionate affirmation of human rights.” –Booklist

    On that Sunday morning, however, a blast in the 16th Street Baptist Church ripped through the exterior wall and claimed the lives of four girls. The church was the ideal target for segregationists, as it was the rallying place for Birmingham's African American community, Martin Luther King, Jr., using it as his ''headquarters'' when he was in town to further the cause of desegregation and equal rights. Rather than triggering paralyzing fear, the bombing was the definitive act that guaranteed passage of the landmark 1964 civil rights legislation. Birmingham Sunday centers on this fateful day and places it in historical context.Book Details: Format: Hardcover Publication Date: 2/1/2010 Pages: 48 Reading Level: Age 10 and Up

    When she spilled the milk, she was brought before the court for stealing. Because she could read, Molly escaped the typicalpunishment of death on the gallows. At the age of seventeen, the English dairymaid was exiled from her country and sentenced to work as an indentured servant in British Colonial America. Molly worked for a planter in Maryland for seven long years. Then she was given an ox hitched to a cart, some supplies-and her freedom. That a lone woman should stake land was unheard of. That she would marry an African slave was even more so. Yet Molly prospered, and with her husband Bannaky, she turned a one-room cabin in the wilderness into a thriving one hundred-acre farm. And one day she had the pleasure of writing her new grandson's name in her cherished Bible: Benjamin Banneker.

    Although he was only seventeen when he composed it, Hughes already had the insight to capture in words the strength and courage of black people in America.Artist E.B. Lewis acts as interpreter and visionary, using watercolor to pay tribute to Hughes's timeless poem, a poem that every child deserves to know.

    The lighter-skinned children have been promised a chance to escape into white society, but what does this mean for the children who look more like their mother? As each child grows up, their questions about slavery and freedom become tougher, calling into question the real meaning of "life, liberty, and the pursuit of happiness."Told in three parts from the points of view of three of Jefferson's slaves - Beverly, Madison, and a third boy close to the Hemings family - these engaging and poignant voices shed light on what life was like as one of Jefferson's invisible offspring.

    From the tired and weary families who risked their lives to escape slavery to the instruments of freedom who helped them. One such amazing instrument was John Parker. As an ex-slave who had bought his own freedom, he knew of the pain and struggles his brethren were feeling. Parker made it his goal to help families escape their life of suffering into a free land. Freedom River tells the story of one such mission. Kentucky was a slave state, but Ohio -- just across the Ohio River -- was free. Time and again, Parker sails across the river in the dark of night and brings slaves to Ohio. One night in November, Parker tries to free a family from the Shrofe plantation. But one man will not leave, fearful for his wife and child. Parker has to go back empty-handed, and the onset of winter prevents him from crossing the river for many weeks; in April, he tries again but is informed that Master Shrofe knows of the family's near escape and now keeps careful eye on all that they do -- even keeping their baby at the foot of his bed at night. Parker promises to help them. The next night he tells them to wait in the woods while he enters the master's house. Risking life and limb, he retrieves the infant, as Shrofe's angry shouts echo in the distance.Told in an exquisite voice, this book highlights the heroes no one seldom hears about. The tone of the book is realistic and at times somber. The watercolor and collage illustrations, especially those evoking the blue of the night sky, adds depth and intensity to an already passionate story. --Amy Barkat

    Every day, these men and women join the work force and contribute positively to society. The story is told via the ancient Mixtec codex—accordion fold—format. Juan grew up in Mexico working in the fields to help provide for his family. Struggling for money, Juan crosses over into the United States and becomes an undocumented worker, living in a poor neighborhood, working hard to survive. Though he is able to get a job as a busboy at a restaurant, he is severely undercompensated—he receives less than half of the minimum wage! Risking his boss reporting him to the authorities for not having proper resident papers, Juan risks everything and stands up for himself and the rest of the community.

    The book traces the history of African Americans in Tulsa's Greenwood district and chronicles the devastation that occurred in 1921 when a white mob attacked the Black community.News of what happened was largely suppressed, and no official investigation occurred for seventy-five years.

    Folami Abiade, Dinah Johnson, Carole Boston Weatherford, Dakari Hru, Michael Burgess, E. Ethelbert Miller, Lenard D. Moore, David Anderson, Angela Johnson, Sonia Sanchez, and Davida Adedjouma all contribute. Javaka Steptoe, who also offers a poem, employs an inventive range of media to bring each of the poems to life. In Daddy's Arms I Am Tall testifies to the powerful bond between father and child, recognizing family as our greatest gift, and identifying fathers as being among our most influential heroes.

    Though there were plenty of empty seats, she was denied entry, assaulted, and threatened all because of her race--even though New York was a free state at that time. Lizzie decided to fight back. She told her story, took her case to court--where future president Chester Arthur represented her--and won! Her victory was the first recorded in the fight for equal rights on public transportation, and Lizzie's case set a precedent. Author Beth Anderson and acclaimed illustrator E. B. Lewis bring this inspiring, little-known story to life in this captivating nonfiction book.

    “The Dillons magnificently capture the drama with powerful full-page illustrations that resemble stage sets. . . . Ideal for reading aloud during an Egyptian unit, in music classes, to children attending the opera, or for the pure aesthetic experience.”--Booklist

    In fact, five of them could fit into the period at the end of this sentence.On a clear, warm Sunday, April 14, 1935, a wild wind whipped up millions upon millions of these specks of dust to form a duster—a savage storm—on America's high southern plains.The sky turned black, sand-filled winds scoured the paint off houses and cars, trains derailed, and electricity coursed through the air. Sand and dirt fell like snow—people got lost in the gloom and suffocated . . . and that was just the beginning.Don Brown brings the Dirty Thirties to life with kinetic, highly saturated, and lively artwork in this graphic novel of one of America's most catastrophic natural events: the Dust Bowl.

    He's embarking on the most painful yet important journey of his life—he's leaving home to build a better future for his family. Shaun Tan evokes universal aspects of an immigrant's experience through a singular work of the imagination. He does so using brilliantly clear and mesmerizing images. Because the main character can't communicate in words, the book forgoes them too. But while the reader experiences the main character's isolation, he also shares his ultimate joy.

    Through annotated illustrations, journals, maps, and dreamscapes, Peter Sí­s shows what life was like for a child who loved to draw, proudly wore the red scarf of a Young Pioneer, stood guard at the giant statue of Stalin, and believed whatever he was told to believe. But adolescence brought questions. Cracks began to appear in the Iron Curtain, and news from the West slowly filtered into the country. Sí­s learned about beat poetry, rock 'n' roll, blue jeans, and Coca-Cola. He let his hair grow long, secretly read banned books, and joined a rock band. Then came the Prague Spring of 1968, and for a teenager who wanted to see the world and meet the Beatles, this was a magical time. It was short-lived, however, brought to a sudden and brutal end by the Soviet-led invasion. But this brief flowering had provided a glimpse of new possibilities—creativity could be discouraged but not easily killed. By joining memory and history, Sí­s takes us on his extraordinary journey: from infant with paintbrush in hand to young man borne aloft by the wings of his art.