But that doesn’t stop her from longing to join in, especially if it means spending time with the popular boy she secretly loves, Ben Williamson. So when the opportunity for a dream escape to Surfers Paradise arrives, Poppy and her twin sister Rosemary seize it, and find themselves in the midst of the swinging sixties at last.Rosemary embraces their secret new life with a vengeance, discovering drugs, boys and radical politics in a haze of parties, music festivals and protest marches. But such freedom is stolen when Rosemary’s great love Angus is sent to Vietnam, along with Ben.Soon a war fought thousands of kilometres away will arrive on the twins’ door in the form of orphaned refugee Thuy. As many more victims begin to appear, including shattered versions of Australian soldiers, they must decide how far they will go for the men they adore, and ask themselves whether love really is all that you need."Through her sensitivity, beautiful writing and gift as a storyteller, O'Connor's readers come to know and love her characters." — Weekly Times

    Every morning she uses 100 strokes to brush her hair, 160 strokes to brush her teeth. She remembers the day she started to count, how she used numbers to organize her adolescence, her career, even the men she dated. But something went wrong. Grace used to be a teacher, but now she's surviving on disability checks. According to the parents of one of her former students, "she's mad."Most people don't understand that numbers rule, not just the world in a macro way but their world, their own world. Their lives. They don't really understand that everything and everybody are connected by a mathematical formula. Counting is what defines us...the only thing that gives our lives meaning is the knowledge that eventually we all will die. That's what makes each minute important. Without the ability to count our days, our hours, our loved ones...there's no meaning. Our lives would have no meaning. Without counting, our lives are unexamined. Not valued. Not precious. This consciousness, this ability to rejoice when we gain something and grieve when we lose something—this is what separates us from other animals. Counting, adding, measuring, timing. It's what makes us human.Grace's father is dead and her mother is a mystery to her. Her sister wants to sympathize but she really doesn't understand. Only Hilary, her favorite niece, connects with her. And Grace can only connect with Nikola Tesla, the turn-of-the-twentieth-century inventor whose portrait sits on her bedside table and who rescues her in her dreams. Then one day all the tables at her regular café are full, and as she hesitates in the doorway a stranger—Seamus Joseph O'Reilly (19 letters in his name, just like Grace's)—invites her to sit with him. Grace is not the least bit sentimental. But she understands that no matter how organized you are, how many systems you put in place, you can't plan for people. They are unpredictable and full of possibilities—like life itself, a series of maybes and what-ifs.And suddenly, Grace may be about to lose count of the number of ways she can fall in love.

    His visitor is Jasper Jones, an outcast in the regional mining town of Corrigan.Rebellious, mixed-race and solitary, Jasper is a distant figure of danger and intrigue for Charlie. So when Jasper begs for his help, Charlie eagerly steals into the night by his side, terribly afraid but desperate to impress. Jasper takes him to his secret glade in the bush, and it's here that Charlie bears witness to Jasper's horrible discovery.With his secret like a brick in his belly, Charlie is pushed and pulled by a town closing in on itself in fear and suspicion as he locks horns with his tempestuous mother; falls nervously in love and battles to keep a lid on his zealous best friend, Jeffrey Lu.And in vainly attempting to restore the parts that have been shaken loose, Charlie learns to discern the truth from the myth, and why white lies creep like a curse.In the simmering summer where everything changes, Charlie learns why the truth of things is so hard to know, and even harder to hold in his heart.

    When a mysterious woman comes into their lives, she upsets their delicate equilibrium sets in motion a chain of events that could be the making—or the ruin—of them all.From the two-time Booker Prize–winning author and recipient of the Commonwealth Prize comes this new novel about obsession, deception, and redemption, at once an engrossing psychological suspense story and a work of highly charged, fiendishly funny literary fiction. Michael—a.k.a. "Butcher"—Boone is an ex–"really famous" painter: opinionated, furious, brilliant, and now reduced to living in the remote country house of his biggest collector and acting as caretaker for his younger brother, Hugh, a damaged man of imposing physicality and childlike emotional volatility. Alone together they’ve forged a delicate and shifting equilibrium, a balance instantly destroyed when a mysterious young woman named Marlene walks out of a rainstorm and into their lives on three-inch Manolo Blahnik heels. Beautiful, smart, and ambitious, she’s also the daughter-in-law of the late great painter Jacques Liebovitz, one of Butcher’s earliest influences. She’s sweet to Hugh and falls in love with Butcher, and they reciprocate in kind. And she sets in motion a chain of events that could be the making—or the ruin—of them all. Told through the alternating points of view of the brothers—Butcher’s urbane, intelligent, caustic observations contrasting with Hugh’s bizarre, frequently poetic, utterly unique voice—Theft reminds us once again of Peter Carey’s remarkable gift for creating indelible, fascinating characters and a narrative as gripping as it is deliriously surprising.

    But in Thirroul, in 1948, she’s not the only person trying to chase dreams through books. There’s Roy McKinnon, who found poetry in the mess of war, but who has now lost his words and his hope. There’s Frank Draper, trapped by the guilt of those his medical treatment and care failed on their first day of freedom. All three struggle to find their own peace, and their own new story.But along with the firming of this triangle of friendship and a sense of lives inching towards renewal come other extremities—and misunderstandings. In the end, love and freedom can have unexpected ways of expressing themselves.The Railwayman’s Wife explores the power of beginnings and endings, and how hard it can sometimes be to tell them apart. Most of all, it celebrates love in all its forms, and the beauty of discovering that loving someone can be as extraordinary as being loved yourself.

    Wife to a gorgeous husband, Scott, and a devoted mother to two small daughters, the former accountant has everything she wants - except a third child. But the universe has a strange way of providing.On the surface, Ava's fifth birthday party seems the ideal opportunity for Lisa to meet her daughter's new kindergarten friends - all 32 of them! But from beginning to end, the day is a complete nightmare, capped off by the discovery of a little girl hiding in the Wheeldon's backyard. At first, Lisa reasons that Ellie's mum is running late. But when they open a gift from the mysterious little girl, it becomes clear her mother has no intention of returning at all...What sort of mother abandons her child? And why has she chosen the Wheeldons?Together, Lisa and her sister Jamie launch their own efforts to find the missing mum, a journey that will force Lisa to face her past, Jamie to confront her future and see both embroiled with angry exes, pragmatic fortune-tellers, Russian mobsters and a hyena pack of yummy mummies.A journey that will force Lisa to rethink all she knows about being a good mother.Liane Moriarty meets Marian Keyes with a touch of Christos Tsiolkas's The Slap in this hilarious, touching and clever novel that asks what wouldn't you do to save a child?PRAISE FOR AFTER THE PARTY'Everything I love in a novel -- jam-packed with intrigue and humour - After the Party will keep you turning the pages into the early hours.' - Bestselling Australian author Rachael Johns'a light-hearted and heart-warming story about parenting, marriage and family...I can see it being passed from sister to sister, or from girlfriend to girlfriend, with a knowing look, an exasperated sigh and a genuine giggle.' - Cass Moriarty, bestselling author of The Promise Seed and Parting Words

    They share two kids, a mortgage, careers and plenty of history. Now, after a particularly fraught Christmas, Lou is ready to ask herself: is this marriage worth hanging on to?Every month for a year, Lou sets a different test for their relationship - from daily sex to brutal honesty - to help her decide if she should stay or go. Secrets are exposed, old wounds reopened and a true-to-life suburban love story unfolds.I Give My Marriage a Year paints a sharply accurate, often hilarious picture of a modern Australian marriage. Lou and Josh are a couple on the edge, and their efforts to bring their relationship back from the brink will resonate with anyone who has ever asked themselves: is this enough?Whose side will you take? Who deserves a second chance? And will Josh and Lou stay together or split for good?

    Hester has never seen the outside world. The story told by Hester is often dark and terrible, but the sheer blazing brilliance of her language and the imagery that illuminates the pages make this novel an exhilarating, enlightening and joyous act of faith.

    Two years later, Rosie returns to the house and living there is Martha, whom Seb Gennaro married less than a year after the death of Rosie’s mother. Martha is struggling to fulfil Seb’s dream, while Rosie is coming to terms with new responsibilities. And so begins a stand-off between two women who refuse to move out of the home they both lay claim to.As the battle lines are drawn, Jimmy Hailler re-enters Rosie’s life. Having always watched other families from the perimeters, he’s now grappling, heartbreakingly, with forming one of his own . . .An unforgettable story about losing love and finding love; about the interconnectedness of lives and the true nature of belonging, from one of our most acclaimed writers.

    Any distraction is welcome, and the woman who has chained herself to the escalator, shouting about the perils of consumerism, is certainly that. She recognises Dot immediately - from their time campaigning for women's rights, and further back still, to the heyday of the Sydney Push when Margot married Laurence. Dot is in despair at the abandonment of the sisterhood, at the idea of pole dancing as empowerment and the sight of five year-olds with false eyelashes and padded bras. She's still a fierce campaigner, but these days she isn't sure where to direct her rage. Margot's despair is quieter; a haunting resentment that her youthful ambitions have always been shelved to attend to the needs of others. And as the two women turn to the past for solutions for the future, Margot's family is in crisis. Laurence sets off on a journey in a bid to repress his grief, daughter Lexie loses the job that has been her life for twenty years, and her younger sister Emma hides her pain with shopping binges that plunge her into debt. Liz Byrski assembles a fallible cast of characters who are asking the questions we ask ourselves. What does it mean to grow older? Are we brave enough to free ourselves from the pressure to stay young? And is there ever a stage in life when we can just be ourselves?

    But one day, Millie’s mum leaves her alone beneath the Ginormous Women’s underwear rack in a department store, and doesn’t come back.Agatha Pantha is an eighty-two-year-old woman who hasn’t left her home since her husband died. Instead, she fills the silence by yelling at passers-by, watching loud static on TV, and maintaining a strict daily schedule. Until the day Agatha spies a little girl across the street.Karl the Touch Typist is eighty-seven years old and once typed love letters with his fingers on to his wife’s skin. He sits in a nursing home, knowing that somehow he must find a way for life to begin again. In a moment of clarity and joy, he escapes.Together, Millie, Agatha and Karl set out to find Millie’s mum. Along the way, they will discover that the young can be wise, that old age is not the same as death, and that breaking the rules once in a while might just be the key to a happy life.

    Twenty-six years earlier, Sammy Went, a two-year old girl vanished from her home in Manson, Kentucky. An American accountant who contacts Kim is convinced she was that child, kidnapped just after her birthday. She cannot believe the woman who raised her, a loving social worker who died of cancer four years ago, crossed international lines to steal a toddler.On April 3rd, 1990, Jack and Molly Went’s daughter Sammy disappeared from the inside their Kentucky home. Already estranged since the girl’s birth, the couple drifted further apart as time passed. Jack did his best to raise and protect his other daughter and son while Molly found solace in her faith. The Church of the Light Within, a Pentecostal fundamentalist group who handle poisonous snakes as part of their worship, provided that faith. Without Sammy, the Wents eventually fell apart.Now, with proof that she and Sammy are in fact the same person, Kim travels to America to reunite with a family she never knew she had. And to solve the mystery of her abduction—a mystery that will take her deep into the dark heart of religious fanaticism where she must fight for her life against those determined to save her soul…

    Skye is a daring and brash pilot, and Liberty the one to defy her at every turn. Even if women aren't allowed in the Royal Air Force, Skye is determined to help the war effort. She's thrilled when it reunites her with her childhood soulmate, Nicholas. She's less thrilled to learn Nicholas is now engaged to an enigmatic Frenchwoman named Margaux Jourdan.Paris, 1947: Designer Christian Dior unveils his glamorous first collection to a world weary of war and grief. He names his debut fragrance Miss Dior in tribute to his beloved sister Catherine, who forged a friendship with Skye and Margaux through her work with the French Resistance.Present Day: Fashion conservator Kat Jourdan discovers a priceless collection of Dior gowns in her grandmother's vacant cottage. As she delves into the mystery of their origin, Kat begins to doubt everything she thought she knew about her beloved grandmother.

    The crash wakes Charlie’s sister, Abby, who’d been sleeping in the passenger seat next to him. They were heading to their father’s farm.A dead woman has no place in either of their plans. They drive away, leaving her on the ground as heavy rain falls. They cannot help her, there are no witnesses, and there is too much at stake.When they arrive at the farm, the siblings learn that the dead woman, Skye, was their father’s fiance.They resolve to tell no one what they’ve done — to admit to this crime will cost them their father and their future. Charlie leans on his older sister to lead them out of trouble, to act as the protector she’s had to be since their mother died. But their secret grows more complicated by the day.Abby, however, is not one to give up. She keeps the single piece of evidence hidden, and decides to redeem herself. She determines to raise Skye’s son as her own, study, and make a difference. She is convinced that she and Charlie can get back on track. But along the way, they need to reconsider exactly what it is they want.

    The endless glow of summer, the bottomless fury of contest. All the love and hatred in two small bodies poured into the rules of a made-up game.Darren has two big talents: cricket and trouble. No surprise that he becomes an Australian sporting star of the bad-boy variety—one of those men who’s always got away with things and just keeps getting.Until the day we meet him, middle aged, in the boot of a car. Gagged, cable-tied, a bullet in his knee. Everything pointing towards a shallow grave.