Opening Day: The Story of Jackie Robinson's First Season

    Keith Hernandez revolutionized the role of first baseman. During his illustrious career with the World Series-winning St. Louis Cardinals and New York Mets, he was a perennial fan favorite, earning eleven consecutive Gold Gloves, a National League co-MVP Award, and a batting title. But it was his unique blend of intelligence, humor, and talent -- not to mention his unflappable leadership, playful antics, and competitive temperament -- that transcended the sport and propelled him to a level of renown that few other athletes have achieved, including his memorable appearances on the television show Seinfeld. Now, with a striking mix of candor and self-reflection, Hernandez takes us along on his journey to baseball immortality. There are the hellacious bus rides and south-of-the-border escapades of his minor league years. His major league benchings, unending plate adjustments, and role in one of the most exciting batting races in history against Pete Rose. Indeed, from the Little League fields of Northern California to the dusty proving grounds of triple-A ball to the grand stages of Busch Stadium and beyond, I'm Keith Hernandez reveals as much about America's favorite pastime as it does about the man himself. What emerges is an honest and compelling assessment of the game's past, present, and future: a memoir that showcases one of baseball's most unique and experienced minds at his very best.

    In The Only Game in Town, pitcher Elden Auker recalls what it was like to face these sluggers, while Red Sox outfielder Dom DiMaggio remembers how he nearly ended his brother Joe's record hitting streak. Then, in the 1940s, baseball underwent tremendous change. First came World War II, and stars such as Bob Feller and future star Warren Spahn -- both among the ten ballplayers who discuss their playing days in this book -- left the game to serve their country. When the war ended, integration came to baseball. Jackie Robinson was soon followed by other outstanding African-American ballplayers, including Larry Doby and Monte Irvin, both of whom recall their pioneering experiences in Major League Baseball. Buck O'Neil describes scouting and coaching the next generation of African-American ballplayers and helping them make it into the major leagues. Johnny Pesky and Tommy Henrich recall great Red Sox-Yankees rivalries, but from opposite sides, while Ralph Kiner remembers his remarkable ten-year stretch as the most feared home-run hitter of his day. The ten ballplayers who spoke with Fay Vincent for this fascinating book bring back to life baseball from a bygone time. Their stories make The Only Game in Town a must-have for all baseball fans.

    This is the definitive biography of a black showman-athlete. The author interviewed more than 200 veteran fellow players of the Negro and Major Leagues.

    He won over fans nationwide with his wildly endearing antics such as talking to the ball---and throwing back the ones that "had hits in them"; getting down on his knees to "manicure" the mound of any cleat marks; and shaking hands with just about everyone from teammates to groundskeepers to cops during and after games. Female fans tried to obtain locks of his hair from his barber and even named babies after him.But The Bird was no mere sideshow. The non-roster invitee to spring training that year quickly emerged as one of the best pitchers in the game. Meanwhile, his boyish enthusiasm, his famously modest lifestyle, and his refusal to sign with an agent during the days of labor disputes and free agency made him such a breath of fresh air for fans that not only did attendance in Detroit increase---by tens of thousands---for games he pitched, opposing teams would specifically ask the Tigers to shuffle their rotation so Fidrych would pitch in their cities, too. A rare player who transcended pop culture, Fidrych was named starting pitcher in the All-Star Game as a rookie (the first of his two All-Star nods) and became the first athlete to appear on the cover of Rolling Stone magazine.Baseball researcher Doug Wilson delivers the first biography of this once-in-a-lifetime player. Through extensive interviews and meticulous research, the author recounts Fidrych's meteoric rise from Northborough, Massachusetts, to the big leagues, his heartbreaking fall after a torn knee ligament and then rotator cuff, his comeback attempts with the Tigers and in the Red Sox system, and one unforgettable night when The Bird pitched a swan song for the Pawtucket Red Sox against future star Dave Righetti in a game that remains part of local folklore. Finally, Wilson captures Fidrych's post-baseball life and his roles in the community, tragically culminating with his death in a freak accident in 2009.The Bird gives readers a long-overdue look into the life of a player whom baseball had never seen before---and has never seen since.

    Seasons in Hell is a riotous, candid, irreverent behind-the-scenes account in the tradition of The Bronx Zoo and Ball Four, following the Texas Rangers from Whitey Herzog’s reign in 1973 through Billy Martin’s tumultuous tenure. Offering wonderful perspectives on dozens of unique (and likely never-to-be-seen-again) baseball personalities, Seasons in Hell recounts some of the most extreme characters ever to play the game and brings to life the no-holds-barred culture of major league baseball in the mid-seventies

    During his 27-year career, “The Ryan Express” was named an eight-time All-Star and amassed seven no-hitters and more than 5,700 strikeouts—more than any other pitcher in major-league history. This comprehensive biography of Nolan Ryan follows the baseball legend’s journey from the start of his professional career in 1965 to his retirement in 1993. Hall of Famers, journeymen, clubhouse workers, coaches, and trainers offer their own unique take on Ryan in this book filled with never-before-told anecdotes and personal recollections and peppered with eyewitness accounts of his greatest games. In the pages of this history, readers will discover what made Nolan Ryan one of the most revered and respected athletes and citizens of his time.

    A college-educated player from Pennsylvania farm country, he restored respectability to a game tarnished by the rowdies who had dominated baseball in the 1890s. Pitching in a Pinch, originally published in 1912, is an insider’s account blending anecdote, biography, instruction, and social history. It celebrates baseball as it was played in the first decade of the twentieth century by famous contemporaries like Honus Wagner and Rube Marquand, managers like John McGraw and Connie Mack, and many others. Always sensitive to psychology as well as technique, Mathewson describes the “dangerous batters” he faced, the “peculiarities” of big-league pitchers, the “good and bad” of coaching, umpiring, sign-stealing, base-running, spring training, and the importance of superstition to athletes. Matty, as he was called, makes the reader feel that tense moment when a player in a pinch must use his head.

    Although the oldest rookie around, he was already a legend. For twenty-two years, beginning in 1926, Paige dazzled throngs with his performance in the Negro Baseball Leagues. Then he outlasted everyone by playing professional baseball, in and out of the majors, until 1965. Struggle—against early poverty and racial discrimination—was part of Paige's story. So was fast living and a humorous point of view. His immortal advice was "Don't look back. Something might be gaining on you."

    This glaring omission—later rectified by a panel of experts—raised an important question: How could a first-ballot Hall of Famer, widely considered one of the greatest hitters in baseball history, still rank as the most underrated athlete of all time?In Stan Musial, veteran sports journalist George Vecsey finally gives this twenty-time All-Star and St. Louis Cardinals icon the kind of prestigious biographical treatment previously afforded to his more celebrated contemporaries Ted Williams and Joe DiMaggio. More than just a chronological recounting of the events of Musial’s life, this is the definitive portrait of one of the game’s best-loved but most unappreciated legends, told through the remembrances of those who played beside, worked with, and covered “Stan the Man” over the course of his nearly seventy years in the national spotlight.Stan Musial never married a starlet. He didn’t die young, live too hard, or squander his talent. There were no legendary displays of temper or moodiness. He was merely the most consistent superstar of his era, a scarily gifted batsman who compiled 3,630 career hits (1,815 at home and 1,815 on the road), won three World Series titles, and retired in 1963 in possession of seventeen major-league records. Away from the diamond, he proved a savvy businessman and a model of humility and graciousness toward his many fans in St. Louis and around the world. From Keith Hernandez’s boyhood memories of Musial leaving tickets for him when the Cardinals were in San Francisco to the little-known story of Musial’s friendship with novelist James Michener—and their mutual association with Pope John Paul II—Vecsey weaves an intimate oral history around one of the great gentlemen of baseball’s Greatest Generation. There may never be another Stan the Man, a fact that future Hall of Famer Albert Pujols—reluctantly nicknamed “El Hombre” in Musial’s honor—is quick to acknowledge. But thanks to this long-overdue reappraisal, even those who took his greatness for granted will learn to appreciate him all over again.

    His colorful bombast, fearless reporting, and courageous stance on civil rights soon captured the attention of listeners everywhere. No mere jock turned "pretty-boy" broadcaster, the Brooklyn-born Cosell began as a lawyer before becoming a radio commentator. "Telling it like it is," he covered nearly every major sports story for three decades, from the travails of Muhammad Ali to the tragedy at Munich. Featuring a sprawling cast of athletes such as Jackie Robinson, Sonny Liston, Don Meredith, and Joe Namath, Howard Cosell also re-creates the behind-the-scenes story of that American institution, Monday Night Football. With more than forty interviews, Mark Ribowsky presents Cosell's life as part of an American panorama, examining racism, anti-Semitism, and alcoholism, among other sensitive themes. Cosell's endless complexities are brilliantly explored in this haunting work that reveals as much about the explosive commercialization of sports as it does about a much-neglected media giant.

    His lifetime batting average is still the highest of all time, and when he retired in 1928, after twenty-one years with the Detroit Tigers and two with the Philadelphia Athletics, he held more than ninety records. But the numbers don't tell half of Cobb's tale. The Georgia Peach was by far the most thrilling player of the era: "Ty Cobb could cause more excitement with a base on balls than Babe Ruth could with a grand slam," one columnist wrote. When the Hall of Fame began in 1936, he was the first player voted in.But Cobb was also one of the game's most controversial characters. He got in a lot of fights, on and off the field, and was often accused of being overly aggressive. In his day, even his supporters acknowledged that he was a fierce and fiery competitor. Because his philosophy was to "create a mental hazard for the other man,"; he had his enemies, but he was also widely admired. After his death in 1961, however, something strange happened: his reputation morphed into that of a monster - a virulent racist who also hated children and women, and was in turn hated by his peers. How did this happen? Who is the real Ty Cobb? Setting the record straight, Charles Leerhsen pushed aside the myths, traveled to Georgia and Detroit, and re-traced Cobb's journey, from the shy son of a professor and state senator who was progressive on race for his time, to America's first true sports celebrity. In the process, he tells of a life overflowing with incident and a man who cut his own path through his times - a man we thought we knew but really didn't.

    Interracial contests took place during the off-season, when major leaguers and Negro Leaguers alike fattened their wallets by playing exhibitions in cities and towns across America. These barnstorming tours reached new heights, however, when Satchel Paige and other African- American stars took on white teams headlined by the irrepressible Dizzy Dean. Lippy and funny, a born showman, the native Arkansan saw no reason why he shouldn't pitch against Negro Leaguers. Paige, who feared no one and chased a buck harder than any player alive, instantly recognized the box-office appeal of competing against Dizzy Dean's "All-Stars." Paige and Dean both featured soaring leg kicks and loved to mimic each other's style to amuse fans. Skin color aside, the dirt-poor Southern pitchers had much in common. Historian Timothy M. Gay has unearthed long-forgotten exhibitions where Paige and Dean dueled, and he tells the story of their pioneering escapades in this engaging book. Long before they ever heard of Robinson or Larry Doby, baseball fans from Brooklyn to Enid, Oklahoma, watched black and white players battle on the same diamond. With such Hall of Fame teammates as Josh Gibson, Turkey Stearnes, Mule Suttles, Oscar Charleston, Cool Papa Bell, and Bullet Joe Rogan, Paige often had the upper hand against Diz. After arm troubles sidelined Dean, a new pitching phenom, Bob Feller--Rapid Robert--assembled his own teams to face Paige and other blackballers. By the time Paige became Feller's teammate on the Cleveland Indians in 1948, a rookie at age forty-two, Satch and Feller had barnstormed against each other for more than a decade.These often obscure contests helped hasten the end of Jim Crow baseball, paving the way for the game's integration. Satchel Paige, Dizzy Dean, and Bob Feller never set out to make social history--but that's precisely what happened. Tim Gay has brought this era to vivid and colorful life in a book that every baseball fan will embrace.

    But the world has also left its mark on him. "Hammering Hank" Aaron's story is one that tells us much about baseball, naturally, but also about our times. His unique, poignant life has made him a symbol for much of the social history of twentieth-century America.Raised during the Depression in the Deep South enclave of Mobile, Alabama, Aaron broke into professional baseball as a cross-handed slugger and shortstop for the Indianapolis Clowns of the Negro American League. A year later, he and a few others had the unforgettable mission of integrating the South Atlantic League. A year after that, he was a timid rookie leftfielder for the Milwaukee Braves, for whom he became a World Series hero in 1957 as well as the MostValuable Player of the National League.Aaron found himself back in the South when the Braves moved to Atlanta in 1965. Nine years later, in the heat of hatred and controversy, he hit his 715th home run to break Ruth's and baseball's most cherished record--a feat that was recently voted the greatest moment in baseball history. That year, Aaron received over 900,000 pieces of mail, many of them vicious and racially charged.In a career that may be the most consistent baseball has ever seen. Aaron also set all-time records for total bases and RBIs. He ended his playing days by spending two nostalgic seasons back in Milwaukee with the Brewers, then embarked on a new career as an executive with the Atlanta Braves. He was for a long time the highest-ranking black in baseball. In this position, Aaron has become an unofficial spokesman in racial matters pertaining to the national pastime.Because of the depth and pertinence of Aaron's dramatic experiences, I Had A Hammer is more than a baseball autobiography. Henry Aaron's candor and insights have produced a revealing book about his extraordinary life and time.

    His career in baseball spanned forty years and two eras—from the game’s raucous early days to its emergence as big business.Charles C. Alexander, a professor of history at Ohio University, Athens, and the author of Ty Cobb, calls John McGraw “perhaps the single most significant figure in baseball’s history before Babe Ruth transformed the game with his mammoth home runs and unparalleled showmanship.”