You passed her on the street with a surreptitious glance, though she was well worth looking at-in her furs and laces and plumes. She had the only full-length mink coat in our town, and Ganz's shoe store sent to Chicago for her shoes. Hers were the miraculously small feet you frequently see in stout women. Usually she walked alone; but on rare occasions, especially round Christmastime, she might have been seen accompanied by some silent, dull-eyed, stupid-looking girl, who would follow her dumbly in and out of stores, stopping now and then to admire a cheap comb or a chain set with flashy imitation stones-or, queerly enough, a doll with yellow hair and blue eyes and very pink cheeks. But, alone or in company, her appearance in the stores of our town was the signal for a sudden jump in the cost of living. The storekeepers mulcted her; and she knew it and paid in silence, for she was of the class that has no redress. She owned the House with the Closed Shutters, near the freight depot-did Blanche Devine.

    With a different die-cut on every page, Tree of Codes explores previously unchartered literary territory. Initially deemed impossible to make, the book is a first — as much a sculptural object as it is a work of masterful storytelling. Tree of Codes is the story of an enormous last day of life — as one character's life is chased to extinction, Foer multi-layers the story with immense, anxious, at times disorientating imagery, crossing both a sense of time and place, making the story of one person’s last day everyone’s story. Inspired to exhume a new story from an existing text, Jonathan Safran Foer has taken his "favorite" book, The Street of Crocodiles by Polish-Jewish writer Bruno Schulz, and used it as a canvas, cutting into and out of the pages, to arrive at an original new story told in Jonathan Safran Foer's own acclaimed voice.

    I suspect it may be both.” --Toby Young, New York Times bestselling author of How to Lose Friends and Alienate PeopleAn offensive, in-your-face, brutally honest and completely hilarious look at male inner life and sexual fantasy. In the course of this hilariously honest book, our narrator suffers through a relationship with his vapid wannabe-actress girlfriend until he finds the perfect girl. But when he moves into the new relationship, he slowly learns that all women are pretty much the same, that man's true desires will never be fulfilled, and the decision between living life alone or biting the marriage bullet must be made.

    They are stories about the woods, houses hidden in the gaps between mountains. Behind them, the skeletons of old and powerful machines rust into the slate and leaves. Water red with iron leeches from the empty mines and pools near a stone foundation. The boy there plays in the bones because he is a child and this will be his childhood. He watches while winter comes falling slowly down over the road. Sometimes he remembers a girl, her hair and the perfume she wore. These are stories about her and where she might have gone. He waits for sleep because in the next story he will leave. The boy watches an airplane blink red past his window. From here, you can't hear its violence.

    His historical importance is indisputable.” Here, in a Library of America volume edited by Nobel laureate Toni Morrison, is the fiction that established James Baldwin’s reputation as a writer who fused unblinking realism and rare verbal eloquence.His first novel, Go Tell It on the Mountain (1953), tells the story, rooted in Baldwin’s own experience, of a preacher’s son coming of age in 1930’s Harlem. Ten years in the writing, its exploration of religious, sexual, and generational conflicts was described by Baldwin as “an attempt to exorcise something, to find out what happened to my father, what happened to all of us.”Giovanni’s Room (1956) is a searching, and in its day controversial, treatment of the tragic self-delusions of a young American expatriate at war with his own homosexuality. Another Country (1962), a wide-ranging exploration of America’s racial and sexual boundaries, depicts the suicide of a gifted jazz musician and its ripple effect on those who knew him. Complex in structure and turbulent in mood, it is in many ways Baldwin’s most ambitious novel.Going to Meet the Man (1965) collects Baldwin’s short fiction, including the masterful “Sonny’s Blues,” the unforgettable portrait of a jazz musician struggling with drug addiction in which Baldwin came closest to defining his goal as a writer: “For, while the tale of how we suffer, and how we are delighted, and how we may triumph is never new, it must be heard. There isn’t any other tale to tell, it’s the only light we’ve got in all this darkness.”

    The book is a last in its series started from Vanvas.

    Not a perfect trip.Daniel Stafford wants to visit his family in Tuscany—after his girlfriend dumps him for their Italian driver, he botches a work presentation in Rome, and an assertive American falls in front of his car.When their two disastrous lives collide, they end up sleeping on the side of the road. Falling in love with Italy—and each other—is the least of their concerns.

    It is August 1974, and a mysterious tightrope walker is running, dancing, leaping between the towers, suspended a quarter mile above the ground. In the streets below, a slew of ordinary lives become extraordinary in bestselling novelist Colum McCann’s stunningly intricate portrait of a city and its people.Let the Great World Spin is the critically acclaimed author’s most ambitious novel yet: a dazzlingly rich vision of the pain, loveliness, mystery, and promise of New York City in the 1970s.Corrigan, a radical young Irish monk, struggles with his own demons as he lives among the prostitutes in the middle of the burning Bronx. A group of mothers gather in a Park Avenue apartment to mourn their sons who died in Vietnam, only to discover just how much divides them even in grief. A young artist finds herself at the scene of a hit-and-run that sends her own life careening sideways. Tillie, a thirty-eight-year-old grandmother, turns tricks alongside her teenage daughter, determined not only to take care of her family but to prove her own worth.Elegantly weaving together these and other seemingly disparate lives, McCann’s powerful allegory comes alive in the unforgettable voices of the city’s people, unexpectedly drawn together by hope, beauty, and the “artistic crime of the century.” A sweeping and radical social novel, Let the Great World Spin captures the spirit of America in a time of transition, extraordinary promise, and, in hindsight, heartbreaking innocence. Hailed as a “fiercely original talent” (San Francisco Chronicle), award-winning novelist McCann has delivered a triumphantly American masterpiece that awakens in us a sense of what the novel can achieve, confront, and even heal.

    "Why don't you get out of that wet coat and into a dry martini?"

    As the elder son of a respected Illinois family at the turn of the century, Christian dutifully sets aside his own creative talents and dreams to take his place in the family business. His younger, prodigal brother Harry, however, always gets what he wants and doesn’t mind letting others—especially his awkward brother—pay the cost. But when Harry thinks he’s found his soul mate in the wealthy socialite Anna Clark, Christian fears his future sister-in-law really has gotten away with murder. In order to protect his brother from his beguiling prize, Christian must challenge his family’s wishes, stand up to Harry and uncover Anna’s dark secrets before someone else is destroyed. All this while another more lethal danger threatens them all. November 1918 would be the deadliest month in US History as the Spanish Influenza epidemic swept through America, killing more civilians at home than in all the battles of the Great War in Europe. Amidst this sudden struggle to survive, all three young people will be forced to reveal their true colors.The Reverend's Other Son is a fiction novel set at the end of the First World War and features romantic and inspirational plotlines interwoven with captivating and accurate historical detail. Approximately 75,000 words, intended for young adult and adult readers. DLR Designs created the original cover art.

    Also includes a few Christmas poems by the author.

    Carefully (and also illegally), he tapped into the main irrigation channel. And so began-though few knew it at the time-the Milagro beanfield war. But like everything else in the dirt-poor town of Milagro, it would be a patchwork war, fought more by tactical retreats than by battlefield victories. Gradually, the small farmers and sheepmen begin to rally to Joe's beanfield as the symbol of their lost rights and their lost lands. And downstate in the capital, the Anglo water barons and power brokers huddle in urgent conference, intent on destroying that symbol before it destroys their multimillion-dollar land-development schemes. The tale of Milagro's rising is wildly comic and lovingly ter, a vivid portrayal of a town that, half-stumbling and partly prodded, gropes its way toward its own stubborn salvation.

    As well as identifying her body, her brother Simon then has to wind up her affairs but gets more than he bargains for. Who is Alexis, and why are Veronica and Daniel searching for her? Why is there a roll of cash in Jessica’s house, and what’s the connection between his sister and Alexis?

    Qais Ahmed is everything she never wants to be: narcissistic, manipulative and arrogant.However, despite her relentless efforts, she is unable to resist his charm and wit and is drawn to him once she gets to know the real him.She soon discovers that he isn't just a part of her professional life but has a deep connection to a past she is trying to forget.Will this disturbing secret tear them apart or bind them together forever?

    Bobby Flopkowski has it all. Until a complicated series of events snowball into a disaster that changes the course of his life forever. Now, with a tent on the beach as his only home and an addiction that has cut him off from everyone he once loved, Bobby has a revelation that could put him back on track: he believes he has solved the puzzling crime that led to his downfall. But as the reality he’s always known slips farther away, will he be able to convince someone—anyone—that his suspicions aren’t merely the pleas of a desperate man?