The book, which Sullivan calls The Statistical Probability of Love at First Sight meets Bridesmaids, is a dual narrative novel by authors who dated when they were in high school, about a boy and girl who must navigate social misunderstandings, the plotting of well-meaning friends, and their own fears about being virgins forever. It's slated for summer 2016; Allison Hellegers of Rights People brokered the deal on behalf of Barry Cunningham and Elinor Bagenal at Chicken House in the U.K.

    While going through her childhood bedroom, Rain discovers an old diary that reveals her mother was pregnant with her when she was her age - 16 - and tells of how scared, confused and happy she was. Rain retraces the places that her mother went with a boy with whom she falls in love.

    One snag: the companion ticket is already booked under the name of his ex, Margaret Campbell. Nontransferable, no exceptions.Enter the new Margaret C. (Mae for short), an aspiring filmmaker with big dreams. After finding Hugo's spare ticket offer online, she's convinced it's the perfect opportunity to expand her horizons.When the two meet, the attraction is undeniable, and both find more than they bargained for. As Mae pushes Hugo to explore his dreams for his future, he'll encourage her to channel a new, vulnerable side of her art. But when life off the train threatens the bubble they've created for themselves, will they manage to keep their love on track?

    How I wrecked their whole family. Now I’m serving out my summer like a jail sentence: Just ninety-nine days till I can leave for college, and be done.Day 4: A nasty note on my windshield makes it clear Julia isn’t finished. I’m expecting a fight when someone taps me on the shoulder, but it’s just Gabe, home from college and actually happy to see me. “For what it’s worth, Molly Barlow,” he says, “I’m really glad you’re back.”Day 12: Gabe got me to come to this party, and I’m actually having fun. I think he’s about to kiss me—and that’s when I see Patrick. My Patrick, who’s supposed to be clear across the country. My Patrick, who’s never going to forgive me.

    Sarcastic and bossy 13-year-old Primrose lives with her childlike, fortuneteller mother, and a framed picture is the only evidence of the father she never knew. Despite their differences, David and Primrose forge a tight yet tumultuous friendship, eventually helping each other deal with what is missing in their lives. This powerful, quirky novel about two very complicated, damaged children has much to say about friendship, loss, and recovery.

    Especially after the strangest thing occurs one otherwise ordinary afternoon: She witnesses a couple kiss and is overcome with a vision of how their romance began . . . and how it will end. After all, even the greatest love stories end with a broken heart, eventually.As Evie tries to understand why this is happening, she finds herself at La Brea Dance Studio, learning to waltz, fox-trot, and tango with a boy named X. X is everything that Evie is not: adventurous, passionate, daring. His philosophy is to say yes to everything--including entering a ballroom dance competition with a girl he's only just met.Falling for X is definitely not what Evie had in mind. If her visions of heartbreak have taught her anything, it's that no one escapes love unscathed. But as she and X dance around and toward each other, Evie is forced to question all she thought she knew about life and love. In the end, is love worth the risk?

     Hildy and Paul each have their own reasons for joining the university psychology study that asks the simple question: Can love be engineered? The study consists of 36 questions, ranging from "What is your most terrible memory?" to "When did you last sing to yourself?" By the time Hildy and Paul have made it to the end of the questionnaire, they've laughed and cried and lied and thrown things and run away and come back and driven each other almost crazy. They've also each discovered the painful secret the other was trying so hard to hide. But have they fallen in love? Told in the language of modern romance—texting, Q&A, IM—and punctuated by Paul's sketches, this clever high-concept YA is full of humor and heart. As soon as you've finished reading, you'll be searching for your own stranger to ask the 36 questions. Maybe you'll even fall in love.

    YESJamie Goldberg is cool with volunteering for his local state senate candidate—as long as he’s behind the scenes. When it comes to speaking to strangers (or, let’s face it, speaking at all to almost anyone), Jamie’s a choke artist. There’s no way he’d ever knock on doors to ask people for their votes…until he meets Maya.NOMaya Rehman’s having the worst Ramadan ever. Her best friend is too busy to hang out, her summer trip is canceled, and now her parents are separating. Why her mother thinks the solution to her problems is political canvassing—with some awkward dude she hardly knows—is beyond her.MAYBE SOGoing door to door isn’t exactly glamorous, but maybe it’s not the worst thing in the world. After all, the polls are getting closer—and so are Maya and Jamie. Mastering local activism is one thing. Navigating the cross-cultural romance of the century is another thing entirely.

    When you are a politician’s daughter who’s pretty much raised yourself, you learn everything can be planned or spun, or both. Especially your future. Important internship? Check. Amazing friends? Check. Guys? Check (as long as we’re talking no more than three weeks).But that was before the scandal. Before having to be in the same house with her dad. Before walking an insane number of dogs. That was before Clark and those few months that might change her whole life. Because here’s the thing—if everything’s planned out, you can never find the unexpected. And where’s the fun in that?

    His girlfriend has dumped him to hook up with his best friend. He has no money and no job. His parents insist that he drive his great-uncle Lester to his bridge club four times a week and be his cardturner—whatever that means. Alton’s uncle is old, blind, very sick, and very rich. But Alton’s parents aren’t the only ones trying to worm their way into Lester Trapp’s good graces. They’re in competition with his longtime housekeeper, his alluring young nurse, and the crazy Castaneda family, who seem to have a mysterious influence over him. Alton soon finds himself intrigued by his uncle, by the game of bridge, and especially by the pretty and shy Toni Castaneda. As the summer goes on, he struggles to figure out what it all means, and ultimately to figure out the meaning of his own life. Through Alton’s wry observations, Louis Sachar explores the disparity between what you know and what you think you know. With his incomparable flair and inventiveness, he examines the elusive differences between perception and reality—and inspires readers to think and think again.

    In the morning, all she can "remember" are events from her future. London is used to relying on reminder notes and a trusted friend to get through the day, but things get complicated when a new boy at school enters the picture. Luke Henry is not someone you'd easily forget, yet try as she might, London can't find him in her memories of things to come. When London starts experiencing disturbing flashbacks, or flash-forwards, as the case may be, she realizes it's time to learn about the past she keeps forgetting-before it destroys her future.

    I couldn't imagine ever letting them go again, like releasing them would be to surrender the best parts of myself.Three sisters share a magical, unshakeable bond in this witty high-concept novel from the critically acclaimed author of Audrey, Wait! Around the time of their parents' divorce, sisters April, May, and June recover special powers from childhood--powers that come in handy navigating the hell that is high school. Powers that help them cope with the hardest year of their lives. But could they have a greater purpose? April, the oldest and a bit of a worrier, can see the future. Middle-child May can literally disappear. And baby June reads minds--everyone's but her own. When April gets a vision of disaster, the girls come together to save the day and reconcile their strained family. They realize that no matter what happens, powers or no powers, they'll always have each other. Because there's one thing stronger than magic: sisterhood.

    Now I believe in science, statistics, and antibiotics.So says seventeen-year-old Zac Meier during a long, grueling leukemia treatment in Perth, Australia. A loud blast of Lady Gaga alerts him to the presence of Mia, the angry, not-at-all-stoic cancer patient in the room next door. Once released, the two near-strangers can’t forget each other, even as they desperately try to resume normal lives. The story of their mysterious connection drives this unflinchingly tough, tender novel told in two voices.

    The pink covers, the flimsy paper, the zillion volumes in the series that kept you reading for your entire adolescence. Spurred by the commercial success of Sweet Valley High and The Babysitters Club, these were not the serious-issue YA novels of the 1970s, nor were they the blockbuster books of the Harry Potter and Twilight ilk. They were cheap, short, and utterly beloved.PAPERBACK CRUSH dives in deep to this golden age with affection, history, and a little bit of snark. Readers will discover (and fondly remember) girl-centric series on everything from correspondence (Pen Pals and Dear Diary) to sports (The Pink Parrots, Cheerleaders, and The Gymnasts) to a newspaper at an all-girls Orthodox Jewish middle school (The B.Y. Times) to a literal teen angel (Teen Angels: Heaven Can Wait, where an enterprising guardian angel named Cisco has to earn her wings “by helping the world’s sexist rock star.”) Some were blatant ripoffs of the successful series (looking at you, Sleepover Friends and The Girls of Canby Hall), some were sick-lit tearjerkers à la Love Story (Abby, My Love) and some were just plain perplexing (Uncle Vampire??) But all of them represent that time gone by of girl-power and endless sessions of sustained silent reading.In six hilarious chapters (Friendship, Love, School, Family, Jobs, Terror, and Tragedy), Bustle Features Editor Gabrielle Moss takes the reader on a nostalgic tour of teen book covers of yore, digging deep into the history of the genre as well as the stories behind the best-known series.

    The object of her obsession — ahem, affection — is her best friend, Garrett Delaney, who has been oblivious to Sadie’s feelings ever since he sauntered into her life and wowed her with his passion for Proust (not to mention his deep-blue eyes). For two long, painful years, Sadie has been Garrett’s constant companion, sharing his taste in everything from tragic Russian literature to art films to '80s indie rock — all to no avail. But when Garrett leaves for a summer literary retreat, Sadie is sure that the absence will make his heart grow fonder — until he calls to say he’s fallen in love. With some other girl! A heartbroken Sadie realizes that she’s finally had enough. It’s time for a total Garrett detox! Aided by a barista job, an eclectic crew of new friends (including the hunky chef, Josh), and a customized self-help guide, Sadie embarks on a summer of personal reinvention full of laughter, mortifying meltdowns, and a double shot of love.