This is the autobiography of their lead singer, Ian Gillan. Here he tells his life story, and that of the band he helped to make great. Stories of friction and violence, groupies and non-stop partying, drugs and alcohol, and how, finally, it all spiralled out of control to destroy the band.

    More than a mere philanthropist—indeed, he lags behind many of his peers when it comes to parting with his own money—Bono is better described as an advocate, one who has become an unwitting symbol of a complacent wealthy Western elite.The Frontman reveals how Bono moved his investments to Amsterdam to evade Irish taxes; his paternalistic and often bullying advocacy of neoliberal solutions in Africa; his multinational business interests; and his hobnobbing with Paul Wolfowitz and shock-doctrine economist Jeffrey Sachs. Carefully dissecting the rhetoric and actions of Bono the political operator, The Frontman shows him to be an ambassador for imperial exploitation, a man who has turned his attention to a world of savage injustice, inequality and exploitation—and helped make it worse.

    Written with the full co-operation of Sondheim himself, it examines each of Sondheim's masterpieces - including West Side Story, Gypsy, A Funny Thing Happened on the Way to the Forum, Company, Follies, A Little Night Music, Sweeney Todd, Sunday in the Park with George and Into the Woods - as well as the other Sondheim productions on Broadway, Off-Broadway, in repertory, as revivals, as opera, on film, and on television. this account is based on hundreds of hours of interviews with Sondheim and his associates.

    Laura Jackson has interviewed members of Queen, many of their close friends, and several of the world's leading rock musicians to turn the spotlight on the private lives, professional struggles and personal triumphs of the band.

    In this heartfelt memoir, she pays tribute to his tortured soul—revealing the intimate moments she shared with the deeply troubled pop legend. The first sibling to arrive at the hospital after Michael was rushed there, and the informant on his death certificate, La Toya noticed suspicious details and demanded a second autopsy. For the first time, she unveils shocking behind-the-scenes dealings that she believes led to her brother’s death, and she provides unprecedented insight into the destruction of one of the most dynamic artist/performers in history.In an account sure to send shock waves around the globe, La Toya sheds new light on the dynamics of the Jackson family and the curtain of secrecy and intrigue that has surrounded her brother Michael, and the rest of the Jackson children, since they became stars in the ’60s and ’70s. She explains her estrangement from— and gradual reconciliation with—one of America’s most famous and close-knit families.Like Michael, La Toya experienced an upbringing that made her vulnerable to exploitation, and her own journey led to hell and back at the hands of her former manager and husband, Jack Gordon. Sharing with honesty and an open heart some of the most painful episodes of her life story, La Toya reveals how anyone—regardless of fame, fortune, or status—can be trapped in a cycle of abuse, and how she was able to find the courage to rebuild her shattered sense of self, her career, and her relationship with her family, and to finally break free.This tale will touch the hearts of the millions who are fans of the Jackson family’s music as well as those who have ever shared a special relationship with a sibling. Not just the story of the world’s most renowned family, this memoir will inspire anyone who feels as if their life has fallen apart and there’s nowhere to go, unless they too can learn to truly start over. . .

    His work and ideas - about silence, indeterminacy, nonintention, art's role in bringing the everyday object to our attention, the singularity of performance - have had influence not only in the world of music but also in dance, painting, printmaking, video art, and poetry. As an exponent of Zen Buddhism since the early fifties, he has had an important role in introducing Zen spirituality to the American artworld and general culture. Among his friends and collaborators have been longtime associate Merce Cunningham, Jasper Johns, Robert Rauschenberg, Marcel Duchamp, Morton Feldman, Pierre Boulez, and Karlheinz Stockhausen. Those who have acknowledged his influence in their work range from minimalist composer Philip Glass to rock musicians David Byrne and Brian Eno. The Roaring Silence is the first full-length biography of John Cage. Written with Cage's full cooperation, it documents his life in unrivaled detail, interweaving a close account of the evolution of his work with an exploration of his aesthetic and philosophical ideas. David Revill never assumes specialist knowledge on the part of the reader, but sets Cage's work in the context of his personal development and contemporary culture. He draws on numerous interviews with Cage and his associates. Paying due attention to Cage's inventions, such as the prepared piano, and his pioneering use of indeterminate notation and chance operations in composition (utilizing the I Ching), Revill also illuminates Cage the performer, printmaker, watercolorist, expert amateur mycologist, game show celebrity, and political anarchist, and discusses his pronouncements on social and environmental issues. The biography includes comprehensive chronologies of his musical and visual works. Arnold Schoenberg once called Cage, his former student, "not a composer but an inventor - of genius." David Revill shows how this multifacete

    Their first album, the landmark In the Court of the Crimson King, co-produced by Greg, featured the iconic song '21st Century Schizoid Man'. King Crimson pioneered progressive rock and paved the way for many famous bands that followed, from Yes and Genesis to the Red Hot Chilli Peppers.In 1970 Greg met fellow legend Keith Emerson during a North American tour; the two shared common bonds: European musical influences and a desire to reinterpret classical works while creating a new musical genre. After being introduced to drummer Carl Palmer, they formed the first progressive rock supergroup Emerson, Lake and Palmer.To date ELP has sold over 50 million records. Lake produced Emerson, Lake & Palmer, Tarkus, Pictures at an Exhibition, Trilogy, Brain Salad Surgery, Works Vol. 1 and 2, and two different live albums. All went platinum and featured a series of hit singles, most written and all sung by Lake. The three created a unique live theatrical performance which featured Emerson attacking his keyboards with knives, Palmer playing a 2.5 ton stainless steel kit and Lake performing on a £6,000 Persian rug which had its own roadie. One of their very first performances was at the historic Isle of Wight Festival in 1970 and they went on to headline California Jam, one of the biggest concerts of the 1970s, attended by 350,000 people.Probably the voice of his generation, Greg fronted the greatest rock supergroup of the 1970s but never held with the 'progressive' tag that attached itself to both the music and the excess. Lucky Man not only charts the highs and lows of a career in rock music but also reflects on the death of Keith Emerson last year, living with terminal cancer and the end of life. Greg can best be summed up by his now-famous line: 'Material wealth is a very fleeting pleasure ... when you can buy anything you want and do anything you want, you soon discover that you actually don't want any of it.'

    In the world of heavy metal, no other band have lived life to the fullest, stared death in the face so many times, battled addiction, warred within themselves and still emerged, unbowed with as much bloody-minded persistence as Black Sabbath.

    It begins with her shock at hearing about her son's illness and then goes on to recount his fight for survival together with his music, and tumultuous life.

    In turns funny, touching, and revealing, we learn about Robbie's life through his own words, while Feel author Chris Heath takes him through the sometimes unsettling journey of looking back over the last twenty years.Over 150 stunning images capture his personal and public life and grant us insight into the events that have made up his extraordinary career: from flashes back to his Stoke-on-Trent boyhood; through the intense rehearsals, gigs, and laughs of the Take That years; through drink, drugs, and rehab; and his groundbreaking Knebworth gig in 2003. But Rob also reflects on more personal aspects of his life: his breakdown in 2006; finding happiness with his girlfriend Ayda; being at home with his dogs; his interest in UFOs and his second love: football. And finally he leaves us at the Brit Awards 2010 where he received the Outstanding Contribution Award to Music.

    Hounded by the tabloid media, driven from his self-made sanctuary, Neverland, Michael Jackson spent his final years moving from city to city, living with his three children in virtual seclusion -- a futile attempt to escape a world that wouldn't leave him alone. During that time, two men served as the singer's personal security team: Bill Whitfield, a former cop and veteran of the security profession, and Javon Beard, a brash, untested rookie, both single fathers themselves. Stationed at his side nearly 24/7, their job was to see and hear everything that transpired, and to keep everyone else out, making them the only two men who know what 60 million fans around the world still want to know: What really happened to the King of Pop? Driven by a desire to show the world who Michael Jackson truly was, Whitfield and Beard have produced the only definitive, first-person account of Michael Jackson's last years: the extreme measures necessary to protect Jackson and his family, the financial struggles that led their pay to be suspended for weeks at a time, the simple moments of happiness they managed to share in a time of great stress, the special relationship Jackson shared with his fans, and the tragic events that culminated in the singer's ill-fated comeback, This Is It. The truth is far more captivating than anything you've yet heard. An indispensable piece of pop-culture history, Remember the Time is the story of a man struggling to live a normal life under extraordinary circumstances, of a father fighting to protect and provide for his children. Remember the Time is the book that dismantles the tabloid myths once and for all to give Michael Jackson back his humanity.

    Beginning with the hugely influential mid-1970s efforts of Rush and King Crimson, Wagner unfurls a huge tapestry of sounds and styles, including Queensryche, Fates Warning, and Dream Theater; extreme prog pioneers Voivod and Celtic Frost; Norway’s post-black metal avant garde acts Ulver and Arcturus; and the 1990s global movement that spawned Ayreon, Pain of Salvation, and others.Fighting a tide of tradition and conservatism, progressive metal has proven to be one of the most viable, malleable forms in all of modern music; here its preeminent scholar tells the tale.

    The unauthorized behind-the-scenes story of the making and marketing of one of rock's original supergroups, viewed from the perspective of an executive from Kiss's business management team.

    Drawing on new documentary information, the author recreates the often grueling conditions of an early rock and roll tour, and provides new facts about "the day the music died." With 50 photos.

    Based on more than 100 interviews, this intelligent profile explores Morrison's roots; the hard times he went through in London, New York, and Boston; the making of his seminal albums Moondance and Astral Weeks; and the disastrous business arrangements that left Morrison hungry and penniless while his songs were topping the charts. Detailed are the breakdown of Morrison's marriage, the creative drought that followed, and his triumphant reemergence. In addition, this biography attempts to explain the forbidding aspects of Morrison's persona, such as paranoia, hard drinking, misanthropy, as well as why, in the words of his one-time singing partner Linda Gail Lewis, Morrison's music "brings happiness to other people, not him." Also included is a Van Morrision sessionography that spans 1964 to 2001.