As well as identifying her body, her brother Simon then has to wind up her affairs but gets more than he bargains for. Who is Alexis, and why are Veronica and Daniel searching for her? Why is there a roll of cash in Jessica’s house, and what’s the connection between his sister and Alexis?

    Companion tales: The Thanksgiving Visitor and A Christmas Memory in one boxed edition.

    Last minute. Who doesn't already have plans on the busiest date night of the year.But, so far the best part of the search for a great date has been the cute café I found and the geeky-hot owner who keeps rescuing me from these crazy eLove.com dates. This should be easy-peasy. The internet is the home of all your hopes and needs, right?Spoiler Alert: it isn't.Between the bromance date and the crazed single dad who needs to hire a nanny and housekeeper, not get a date, I'm running out of options. If only a certain cutey didn't have a phone call with "sweetheart" every day.The weirder things get, the more I think just going solo is very I Am Woman, blah blah blah. Forget about the fact that my heart keeps bringing me back to a certain café even when I don't need to be there...I mean, my heart doesn't always get what it wants, does it?

    She never overcame her humble beginnings and when Willie Eubanks rescued her from the orphanage by marrying her, she ended up right back where she started. Living in the same cabin, she was born in twelve and a half years earlier. However, she grew to love Willie and was determined that she and Willie were not going to end up as her parents had. In addition, she wanted to make sure her children were not going to have to suffer through the same experiences she had.

    Sort of. When Brad Williams is offered a lot of money to take on a case for sly banker Jonas Baxter, he is in no position to refuse. Jonas has been charged with the attempted murder of local prostitute Tina Jade, but it quickly becomes evident that it is not the reason why the prosecution wants Jonas behind bars. So why are they still pressing ahead with the charges? What is Jonas guilty of? This thrilling legal short story will take you for a ride through the courtroom and leave you with twists and turns that you didn’t see coming.

    A bookseller's unspoken love for his employee rises to the surface, a neglected teenage boy finds much-needed nurturing from an unlikely pair of college students hired to housesit, a girl's loss of innocence at the hands of her employer's son becomes a catalyst for strength and confidence, and a proud nonagenarian rages helplessly in his granddaughter's hospital room. Romantic, hopeful, brutally raw, and unsparingly honest, some even slipping into the surreal, these stories are, above all, about King's enduring subject of love.

    Sadie’s lover calls her as he drives to meet his wife at marriage counseling. Gwen pines for her roommate, a man who will hold her hand but then tells her that her palm is sweaty. And Sasha agrees to have a drink with her married lover’s wife and then immediately regrets it. These are the women of Single, Carefree, Mellow, and in these eleven sublime stories they are grappling with unwelcome houseguests, disastrous birthday parties, needy but loyal friends, and all manner of love, secrets, and betrayal. In “Cranberry Relish” Josie’s ex—a man she met on Facebook—has a new girlfriend he found on Twitter. In “Blue Heron Bridge” Nina is more worried that the Presbyterian minister living in her garage will hear her kids swearing than about his finding out that she’s sleeping with her running partner. And in “The Rhett Butlers” a teenager loses her virginity to her history teacher and then outgrows him. In snappy, glittering prose that is both utterly hilarious and achingly poignant, Katherine Heiny chronicles the ways in which we are unfaithful to each other, both willfully and unwittingly. Maya, who appears in the title story and again in various states of love, forms the spine of this linked collection, and shows us through her moments of pleasure, loss, deceit, and kindness just how fickle the human heart can be.

    How charming. That is, unless you have the misfortune of finding yourself in an English Murder Village, where danger lurks around each picturesque cobblestone corner and every sip of tea may be your last. If you insist on your travels, do yourself a favor and bring a copy of this little book. It may just keep you alive. Brought to life with dozens of Gorey-esque drawings by illustrator Jay Cooper and peppered with allusions to classic crime series and unmistakably British murder lore, Your Guide to Not Getting Murdered in a Quaint English Village gives you the tools you need to avoid the same fate, should you find yourself in a suspiciously cozy English village (or simply dream of going). Good luck, and whatever you do, avoid the vicar.

    'My only concern', John McGahern once said, 'is that I get the sentence right and describe my world clearly and deeply.''The Country Funeral' witnesses three brothers, John, Philly and Fonsie Ryan, as they travel west from Dublin to Gloria Bog - the heart of the territory where so many of McGahern's stories take place - to attend the funeral of their uncle. Depicting the customs and rituals of the day, McGahern exquisitely traces how the brothers react to the area in unexpected and tender ways, and face their own feelings about the transience of life.Bringing together past, present and future in our ninetieth year, Faber Stories is a celebratory compendium of collectable work.

    STORIES WITH THE LOT!Save ten lives with a paperclip, discover how a big banana can ruin your sister's holiday, make a new friend with a garbage bin, develop a taste for sheep's spleen and chips, bounce on a vampire's bed, rescue your dad from a dog and a spider, use a toilet roll to get justice, upset the neighbours with a pickaxe, eat a pizza that makes you fearless, and imagine a world where teachers earn more money than a rock star.

    The AwakeiningBeyond the BayouMa'ame PelagieDesiree's BabyA Respectable WomanThe KissA Pair of Silk StockingsThe LocketA Reflection

    She's finally taking her pop culture-centered media enterprise, Girls with Glasses, to the next level, but the stress is forcing her to face a familiar supervillain: insomnia. The only thing that helps her sleep when things get this bad is the deep, soothing voice of puzzle-obsessed live streamer Gustave Nguyen. The problem? His archive has been deleted.Gus has been tasked with creating an escape room themed around a romance anime…except he knows nothing about romance or anime. Then mega-nerd and anime expert Reggie comes calling, and they make a trade: his voice for her knowledge. But when their online friendship has IRL chemistry, will they be able to escape love?

    With wisdom and sympathy and spare eloquence, she writes of their inarticulate longings for communion and grace.Yet even the saddest situations are imbued with Thompson¹s characteristic humor and a wry glimmer of hope. With Who Do You Love, readers will discover a writer with rare insight into the resiliency of the human spirit and the complexities of love.

       When Mrs. Sorensen’s husband dies, she rekindles a long-dormant love with an unsuitable mate in “Mrs. Sorensen and the Sasquatch.” In “Open the Door and the Light Pours Through,” a young man wrestles with grief and his sexuality in an exchange of letters with his faraway beloved. “Dreadful Young Ladies” demonstrates the strength and power—known and unknown—of the imagination.  In “Notes on the Untimely Death of Ronia Drake,” a witch is haunted by the deadly repercussions of a spell. “The Insect and the Astronomer” upends expectations about good and bad, knowledge and ignorance, love and longing. The World Fantasy Award–winning novella The Unlicensed Magician introduces the secret magical life of an invisible girl once left for dead—with thematic echoes of Barnhill’s Newbery Medal–winning novel, The Girl Who Drank the Moon.

    It examines and subverts the tropes of mystery and crime storytelling in which the narrative always begins with the body of yet another murdered woman. They are mothers and daughters, teachers and students, lovers and wives, actresses and extras. They have been taken, but their stories still remain. This is how they set the plot in motion.