It is set in the time of the English Civil War and the Commonwealth. The story follows the fortunes of the four Beverley children who are orphaned during the war, and hide from their Roundhead oppressors in the shelter of the New Forest where they learn to live off the land.

    Ripped from their parents as babies, they are being protected from a horrible evil of devastating power, an evil they know nothing about.Until now.Before long, Kate, Michael, and Emma are on a journey through time to dangerous and secret corners of the world...a journey of allies and enemies, of magic and mayhem. And — if an ancient prophesy is correct — what they do can change history, and it is up to them to set things right.

    The Lost Frost Girl is an enchanting modern-day fairy tale about family, friendship, and the magic of embracing who you are meant to be.Owl has the kind of mom who would name her Owl, a dad she’s never met, and a boy who gives her strange looks at school—but Owl has come to accept that this is as normal as her life is going to get.Until Owl finds out that she is Jack Frost’s daughter. Determined to meet him, Owl delves into Jack’s wonderful world of winter and magic—the kind of place she thought only existed in fairy tales. And as she notices frost patterns appearing on her skin and her tears turning to ice, Owl starts to wonder if being Jack Frost’s daughter means that she has winter powers of her very own.

    The first Caxley tale, The Market Square, introduces the deep-rooted camaraderie of Septimus Howard and Bender North, whose friendship survives misunderstandings, the tragedy of war, and the bitterness of loss. The story of their families continues through the generations. The second tale, The Howards of Caxley, tells of Edward Howard, grandson to them both. Edward flies for the Royal Air Force Reserve as England prepares for another war -- and Caxley braces itself for overwhelming changes.

    We shall all, in the end, find our way home.In a time of war, a mysterious child appears at the monastery of the Order of the Chronicles of Sorrowing. Gentle Brother Edik finds the girl, Beatryce, curled in a stall, wracked with fever, coated in dirt and blood, and holding fast to the ear of Answelica the goat. As the monk nurses Beatryce to health, he uncovers her dangerous secret, one that imperils them all--for the king of the land seeks just such a girl, and Brother Edik, who penned the prophecy himself, knows why.And so it is that a girl with a head full of stories--powerful tales-within-the-tale of queens and kings, mermaids and wolves--ventures into a dark wood in search of the castle of one who wishes her dead. But Beatryce knows that, should she lose her way, those who love her--a wild-eyed monk, a man who had once been king, a boy with a terrible sword, and a goat with a head as hard as stone--will never give up searching for her, and to know this is to know everything. With its timeless themes, unforgettable cast, and magical medieval setting, Kate DiCamillo's lyrical tale, paired with resonant black-and-white illustrations by Caldecott Medalist Sophie Blackall, is a true collaboration between masters.

    Four years later, Alfie doesn't know where his father might be, other than that he's away on a special, secret mission.Then, while shining shoes at King's Cross Station, Alfie unexpectedly sees his father's name - on a sheaf of papers belonging to a military doctor. Bewildered and confused, Alfie realises his father is in a hospital close by - a hospital treating soldiers with an unusual condition. Alfie is determined to rescue his father from this strange, unnerving place . . .

    Carrie and Nick are billeted in Wales with old Mr Evans, who is so mean and cold, and his timid mouse of a sister, Lou, who suddenly starts having secrets. Their friend Albert is luckier, living in Druid's Bottom with warm-hearted Hepzibah Green and the strange Mister Johnny, who can talk to animals but not to human beings. Carrie and Nick visit him there whenever they can for Hepzibah makes life exciting and enticing with her stories and delicious cooking. Gradually they begin to feel more at ease in their war-time home, but then, in trying to heal the rift between Mr Evans and his estranged sister, and save Druid's Bottom, Carrie does a terrible thing which is to haunt her for years to come. Carrie revisits Wales as an adult and tells the story to her own children.

    After all, she's always being told that girls can't be explorers.But her life is changed forever when adventure comes for her in the form of a fabled vessel called the Ship of Shadows. Crewed by a band of ruthless women, with cabin walls dripping with secrets, the ship has sailed right out of a legend. And it wants Aleja.Once on board its shadowy deck, she begins to realize that the sea holds more secrets than she ever could have imagined. The crew are desperately seeking something, and their path will take them through treacherous waters and force them to confront nightmare creatures and pitch-dark magic. It will take all of Aleja's strength and courage to gain the trust of her fellow pirates - and discover what they are risking everything to find.

    And not just any bookshop. In 1893, Cole’s Book Arcade in Melbourne is the grandest bookshop in the world, brimming with every curiosity imaginable. Each day brings fresh delights for the siblings: voice-changing sweets, talking parrots, a new story written just for them by their eccentric father.When Pearl and Vally learn that Pa has risked the Arcade – and himself – in a shocking deal with the mysterious Obscurosmith, the siblings hatch a plan. Soon they are swept into a dangerous game with impossibly high stakes: defeat seven challenges by the stroke of midnight and both the Arcade and their father will be restored. But if they fail Pearl and Vally won’t just lose Pa – they’ll forget that he and the Arcade ever existed.

    But one night, she sees a strange light glowing from within it. She climbs a ladder to investigate . . . and finds herself transported back four hundred years to Hatfield Palace, where she becomes servant and confidante of the banished princess Elizabeth, daughter of King Henry VIII. Rose soon discovers something else surprising—a locket with two mysterious images inside it, both of them clues to her own past.Could her grandmother’s greenhouse portal offer answers to the mysteries of her family . . . and their secrets? And how will she ever unravel them all?

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    He knows nothing of the outside world. But when he is given the chance to escape, he seizes it. With his vengeful enemies hot on his heels, David struggles to cope in this strange new world, where his only resources are a compass, a few crusts of bread, his two aching feet, and some vague advice to seek refuge in Denmark. Is that enough to survive? David's extraordinary odyssey is dramatically chronicled in Anne Holm's classic about the meaning of freedom and the power of hope.

    Along with their neighbor, dramatic Belladonna Desolation (real name: Kristin Smith), they take turns reading the story of a girl named Helen living during the flu epidemic of 1918. The journal ends with a tragedy that has a scary parallel to Sadie and Zuzu?s lives, and the girls become obsessed with finding out what happened to Helen after the journal ends. Did she survive the flu? Is she still alive somewhere? Or could her ghost be lurking in the nearby graveyard?Sarah DeFord Williams has created a gripping read that covers two time periods, many fantastic characters, and a can't-put-it-down ending, all with delightful, extraordinary prose.

    One day he tumbles over, lands in a sort of cave, and meets' somebody with shaggy hair wearing a rabbit-skin and speaking in grunts. He names him Stig. They together raid the rubbish dump at the bottom of the pit, improve Stig's cave dwelling, and enjoy a series of adventures.