Drawing on her hugely popular lecture courses at Yale and Harvard over the past thirty years, Marjorie Garber offers passionate and revealing readings of the plays in chronological sequence, from The Two Gentlemen of Verona to The Two Noble Kinsmen. Supremely readable and engaging, and complete with a comprehensive introduction to Shakespeare's life and times and an extensive bibliography, this magisterial work is an ever-replenishing fount of insight on the most celebrated writer of all time.

    A writer who surpassed his contemporaries in vision, originality, and literary mastery. A man who wrote like an angel, putting it all so much better than anyone else.Is this Shakespeare? Well, sort of.But it doesn't tell us the whole truth. So much of what we say about Shakespeare is either not true, or just not relevant. Now, Emma Smith - an intellectually, theatrically, and ethically exciting writer - takes us into a world of politicking and copycatting, as we watch Shakespeare emulating the blockbusters of Christopher Marlowe and Thomas Kyd, the Spielberg and Tarantino of their day; flirting with and skirting round the cutthroat issues of succession politics, religious upheaval, and technological change. Smith writes in strikingly modern ways about individual agency, privacy, politics, celebrity, and sex, and the Shakespeare she reveals in this book poses awkward questions rather than offering bland answers, always implicating us in working out what it might mean.

    But it’s a bit less widely understood that in about 1950, this stream of great songs more or less dried up. All of a sudden, what came over the radio wasn’t Gershwin, Porter, and Berlin, but “Come on-a My House” and “How Much Is That Doggie in the Window?” Elvis and rock and roll arrived a few years later, and at that point the game was truly up. What happened, and why? In The B Side, acclaimed cultural historian Ben Yagoda answers those questions in a fascinating piece of detective work. Drawing on previously untapped archival sources and on scores of interviews—the voices include Randy Newman, Jimmy Webb, Linda Ronstadt, and Herb Alpert—the book illuminates broad musical trends through a series of intertwined stories. Among them are the battle between ASCAP and Broadcast Music, Inc.; the revolution in jazz after World War II; the impact of radio and then television; and the bitter, decades-long feud between Mitch Miller and Frank Sinatra. The B Side is about taste, and the particular economics and culture of songwriting, and the potential of popular art for greatness and beauty. It’s destined to become a classic of American musical history.

    Beloved by a devoted Canadian audience, Lightfoot's work has been performed and admired by musicians from around the world, including Joni Mitchell, Nico, Ronnie Hawkins and Robbie Robertson. Nobel Prize-winner Bob Dylan once listed Sundown and If You Could Read My Mind among his favourite Lightfoot songs, before adding, I can't think of any I don't like. In addition to winning nearly every Canadian music award, in 2012, Lightfoot was inducted into the American Songwriters Hall of Fame alongside such luminaries as Leonard Cohen, Kris Kristoffersen, and Dylan; it honoured Lightfoot as a singer who helped "define the folk-pop sound of the 1960s and '70s."Biographer Nick Jennings has had unprecedented access to the notoriously reticent musician. He chronicles Lightfoot's early efforts--his school principal recorded a disc of "Gordie" singing at age 9--to his beginnings as a songwriter to his heyday in concert halls around the globe. Possessed of a strong work ethic and a perfectionist bent, Lightfoot brought discipline to his craft and performances. But he partied just as hard in that rock 'n' roll era, and alcoholism began to take its toll. Lightfoot toured relentlessly and his personal life suffered as marriages and relationships unravelled. At 63, he suffered an aortic aneurysm that nearly killed him and kept him in a coma for six weeks. But his amazing stamina helped him survive and miraculously saw him on stage once again, resuming his touring and yearly sold-out show at Massey Hall.Jennings paints an unforgettable portrait of an artist in the making, set against the turbulent era of sex and drugs and rock 'n' roll. Voices from the music industry mix with loyal fans to illustrate how the boy from small-town Ontario became the legendary bard of Canada. Stuffed with anecdotes and the singer's own reminisences, Lightfoot is an exhilarating read.

    We'll hear of the great love stories ranging from Johnny Cash and June Carter in the 1960s to Garth Brooks and Trisha Yearwood, who married in 2005. We'll get the truth of the tragedies that led to the loss of three stars all in the same month, starting the rumor of the "Opry Curse." We'll learn how after being stabbed, shot, and maimed, Trace Adkins calls his early honky-tonk years "combat country," and we'll find inspiration from DeFord Bailey, an African American harmonica player in 1927 crippled by childhood polio who rose to fame as one of the first Opry stars. Our hearts will break for Willie Nelson, who lost his only son on Christmas Day, and soar for Amy Grant and Vince Gill, who found true love. Based on over 150 firsthand interviews with the stars of The Grand Ole Opry, these are stories that tell the heart of country--the lives that are lived and inspire the songs we love.