We must hold the truth to account in the midst of sensationalism and international political turmoil. Nasty Women is a collection of essays, interviews and accounts on what it is to be a woman in the 21st century.People, politics, pressure, punk - From working class experience to racial divides in Trump’s America, being a child of immigrants, to sexual assault, Brexit, pregnancy, contraception, identity, family, finding a voice online, role models and more, Laura Jane Grace of Against Me!, Zeba Talkhani, Chitra Ramaswamy are just a few of the incredible women who share their experience here.Keep telling your stories, and tell them loud.

    Drawing from seven years of historical research, Max du Preez has collected the richest and most extraordinary tales that he found.There's the story of the Khoikhoi chief who was kidnapped and taken to England in 1610. And of King Moshoeshoe's mercy towards the cannibals who had eaten his beloved grandfather, because killing them would defile his grandfather's grave. There's the story of Boer War general Christiaan de Wet and his brother Piet, who joined the British forces and fought his own people. The stories span the centuries, up to recent times, and take in the variety of South Africa's regions and cultures.The result is a fascinating mosaic of our rich historical heritage. There are plenty of academic histories of South Africa, but this is a book that the general reader will enjoy, and it will appeal to tourists too. It's researched with an investigative journalist's thoroughness, and written in the easy, accessible style that has made Max du Preez's writing so popular.

    Grey Gardens is based on the 1975 Albert and David Maysles film about Jacqueline Kennedy Onassis's eccentric aunt and cousin. The touching and sometimes heart-wrenching musical adaptation explores the dysfunctional relationship between former socialite Edith Bouvier Beale and her daughter, Little Edie, as they languish in a derelict East Hampton manor, Grey Gardens. Propelled by Christine Ebersole's tour-de-force performance, the gorgeous score, and intricate lyrics, the Broadway musical has garnered much critical praise. "An experience no passionate theatergoer should miss." Ben Brantley, The New York Times

    It follows one couple's forty year journey from initial burst of romance to full bloom of love and through stages of smoking, drinking, affection and paranoia. The play follows their idealistic teenage years in the 1960s to their marriage and family and ultimate divorce, which dissolves their marriage but leaves them free from acrimony. Their children, however, bitterly rail against their parents' irresponsibility and their relaxed, laissez-faire attitude.This play by Olivier award-winning writer Mike Bartlett questions whether the baby boomer generation is to blame for the debt-ridden and adrift generation of their children, now adults but far from stable and settled.

    As attraction turns to sex, and they inch closer to getting what they want, both must confront the dark side of ambition and the near impossibility of reinventing oneself when the past is only a click away. Sex with Strangers had its world premiere at Steppenwolf Theatre Company; it will have its New York premiere at Second Stage Theatre in June 2014, directed by David Schwimmer.

    Breaking Bad star Bryan Cranston played the lead role in the play’s celebrated Broadway performance at the Neil Simon Theatre, for which he was awarded the Tony Award for Best Actor. In this volume, Cranston provides a never-before-published illuminating and personal introduction to the play.All The Way tells the story of the tumultuous first year of the presidency of Lyndon Baines Johnson, thrust into power following Kennedy’s assassination and struggling to hold onto the White House in an election that forces him to make concessions. In 1964, this pivotal year in American history, he passes a landmark civil rights bill, but begins his fateful descent into Vietnam. LBJ is fiercely determined to lift the country out of the ashes and rebuild it into The Great Society—by any means necessary.

    This brilliant two-man show from the Market Theatre, Johannesburg, took the Edinburgh Festival then London by storm in September 1982, playing to standing ovations every night. It was also seen in Berlin, Los Angeles, San Francisco, Seattle, Philadelphia and twice on BBC TV.This edition contains a new introduction by Yvette Hutchison

    A maverick English teacher at odds with the young and shrewd supply teacher. A headmaster obsessed with results; a history teacher who thinks he's a fool.In Alan Bennett's classic play, staff room rivalry and the anarchy of adolescence provoke insistent questions about history and how you teach it; about education and its purpose.The History Boys premiered at the National in May 2004.

    The ghost of a young murdered girl flits through every scene linking the pain and anguish of all the characters struggling to cope with urban life.

    She is the wife of a professor and the owner of a lovely house in Georgetown. She is also the president's nominee for Surgeon General. When the media discovers that once, long ago, she failed to respond for jury duty, this relatively minor misstep is portrayed as a serious moral lapse. A good friend uses the incident to make a point, scarcely thinking of the implications, and Lyssa must suffer the consequences. From that moment on, Lyssa Dent Hughes sits helplessly as the press investigates her family and friends, shattering her privacy, her career, and her world. Wendy Wasserstein's trenchant humor and sizzling dialogue combine with biting political commentary to produce a masterful, and topical, drama.

    This book also brings in the problems faced by the Dalits in India.

    Created by The United States Theatre Project, written by Stephen Karam and PJ Paparelli, with dramaturgy by Patricia Hersch, and conceived and directed by PJ Paparelli, columbinus weaves together excerpts from discussions with parents, survivors and community leaders in Littleton as well as diaries and home video footage to bring to light the dark recesses of American adolescence. -Doollee.com

    If Jenner could legitimately identify as a woman, could Dolezal legitimately identify as black?Taking the controversial pairing of "transgender" and "transracial" as his starting point, Rogers Brubaker shows how gender and race, long understood as stable, inborn, and unambiguous, have in the past few decades opened up--in different ways and to different degrees--to the forces of change and choice. Transgender identities have moved from the margins to the mainstream with dizzying speed, and ethnoracial boundaries have blurred. Paradoxically, while sex has a much deeper biological basis than race, choosing or changing one's sex or gender is more widely accepted than choosing or changing one's race. Yet while few accepted Dolezal's claim to be black, racial identities are becoming more fluid as ancestry--increasingly understood as mixed--loses its authority over identity, and as race and ethnicity, like gender, come to be understood as something we do, not just something we have. By rethinking race and ethnicity through the multifaceted lens of the transgender experience--encompassing not just a movement from one category to another but positions between and beyond existing categories--Brubaker underscores the malleability, contingency, and arbitrariness of racial categories.At a critical time when gender and race are being reimagined and reconstructed, Trans explores fruitful new paths for thinking about identity.

    Jon's new film is being shown at a festival in Lansing, Michigan, and Vince has come from Oakland to see it. Over the course of the evening, Vince finally gets Jon to admit that ten years ago he date-raped Amy Randall, a girl whom they both dated in high school only then to reveal that he's taped their entire conversation. And not only that, he's invited Amy to have dinner with them that night. Beneath its suspenseful, high-stakes surface, TAPE examines questions of motive, memory, truth and perception.

    A masterful poet of the downtrodden, his plays portray life on New York's hardscrabble streets in a manner both tender and unflinching, while continually exploring the often startling gulf between who we are and how we perceive ourselves. Gathered in this volume is his current off-Broadway hit, Our Lady of 121st Street, a comic portrait of the graduates of a Harlem Catholic school reunited at the funeral of a beloved teacher, along with his two previous plays: the philosophical jailhouse drama Jesus Hopped the A Train and In Arabia, We'd All Be Kings, an Iceman Cometh for the Giuliani era that looks at the effect of Times Square's gentrification on its less desirable inhabitants.