As in his previous best-selling novels Mortal Friends and Family Trade, James Carroll seamlessly blends fiction and history to create a gripping tale of family bonds and ethnic violence, vows and betrayals, and political intrigue in the inner sanctums of both church and state.

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    Fiercely independent, with a husband and two children, Alice strives to make sense of her changing world as her memory begins to fail. This heartbreaking and hopeful adaptation of the award-winning book by Lisa Genova puts Alice onstage with Herself, providing the audience with an extraordinary window into the experience of living with dementia.

    First US publication for the Scottish Spence.Neil McGraw is a lad in Glasgow, an only child, the son of a dour undertaker permanently embittered by his wife's death during childbirth. Whenever the boy misbehaves, he's locked in the basement among the coffins, so it's not surprising he asks every body: What happens when you die? Against his will, he finds himself learning the trade. This is less gloomy than it sounds. The story moves at a good clip as the resilient Neil experiments with drinking and dating.The crisis comes when his dad finds him and his girl making out in a coffin. Soon, it's Neil's turn to lock his old man, dead drunk, into the basement, before hightailing it to the London of the Swinging '60s. A friendly queer, Abe Morris, offers him a crash pad, no strings attached, where Neil finds drugs, straight sex, and Zen. The party ends when Abe, stoned, is killed in traffic and Spence abandons conventional narrative to send Neil hopscotching around the world before depositing him, 15 years later, beside the funeral pyres of the Ganges. Here, he gets very sick but is rescued by a vision in a sari: Lila, a Londoner, back home for her father's funeral. The two fall in love and marry, lickety-split, before Neil is summoned back to Glasgow. His father has died, leaving him the business, which Neil gives a hippie twist, producing brightly painted coffins in unusual shapes, with Lila a business partner.The mood is light and buoyant, but novelistic concerns (what makes Lila tick? why do the couple decide not to have kids?) are shelved in favor of a scrapbook of original last rites, seasoned with Eastern mysticism. There's an appealing freshness to Spence's writing; too bad he gives up on credible plotting and characterization.

    I have always known...'Behind the gates of Temple Alice the aristocratic Anglo-Irish St Charles family sinks into a state of decaying grace. To Aroon St Charles, large and unlovely daughter of the house, the fierce forces of sex, money, jealousy and love seem locked out by the ritual patterns of good behaviour. But crumbling codes of conduct cannot hope to save the members of the St Charles family from their own unruly and inadmissible desires.

    The house backing on to theirs is sold and as she watches the old furniture being removed, she is taken back to a summer in the 1970's when she was almost sixteen and this small out-of-town estate was an enclave for women and children while the men are mysterious shadows who leave every day for the outside world.The women are isolated but keep their loneliness and frustrations hidden behind a veneer of suburban respectability. When an American divorcee and her daughter move into the estate this veneer begins to crack. The women learn how to socialise, how to drink martinis, how to care less about their wifely and maternal duties.While the women are distracted, Elaine and her friends find their own entry into the adult world. The result is a tragic event that will mark the rest of Elaine's life and be the cause of her long and guilt-ridden exile.Insightful and full of suspense, this is an uncompromising portrayal of the suburbs and the cruelties brought about by the demands of respectability.

    From his earliest memories, he has loved food's colors, textures and tastes. The way flavors go off in his mouth. How food keeps his mind still and his bad feelings quiet. Food has always made everything better, until the day Billy's beloved son Michael takes his own life.Billy determines to make a difference in Michael's memory and undertakes a public weight-loss campaign, to raise money for suicide prevention--his first step in an ambitious plan to save himself, and to save others. However, Billy's dramatic crusade appalls his family, who want to simply try to go on, quietly, privately.Despite his crushing detractors, Billy gains welcome allies: his community-at-large; a co-worker who lost his father to suicide; a filmmaker with his own dubious agenda; and a secret, miniature kingdom that Billy populates with the sub-quality dolls and soldiers he saves from disposal at the toy factory where he works. But it is only if Billy can confront the truth of the suffering and brokenness within and around him that he and others will be able to realize the recovery they need.Told against the picturesque yet haunting backdrop of rural, contemporary Ireland, The Weight of Him is a big-hearted novel about loss and reliance that moves from tragedy to recrimination to what can be achieved when we take the stand of our lives.

    His two earliest, and perhaps most accessible, successes—A Portrait of the Artist as a Young Man and Dubliners—are here brought together in one volume. Both works reflect Joyce’s lifelong love-hate relationship with Dublin and the Irish culture that formed him.In the semi-autobiographical Portrait, young Stephen Dedalus yearns to be an artist, but first must struggle against the forces of church, school, and society, which fetter his imagination and stifle his soul. The book’s inventive style is apparent from its opening pages, a record of an infant’s impressions of the world around him—and one of the first examples of the “stream of consciousness” technique.Comprising fifteen stories, Dubliners presents a community of mesmerizing, humorous, and haunting characters—a group portrait. The interactions among them form one long meditation on the human condition, culminating with “The Dead,” one of Joyce’s most graceful compositions centering around a character’s epiphany. A carefully woven tapestry of Dublin life at the turn of the last century, Dubliners realizes Joyce’s ambition to give his countrymen “one good look at themselves.” Kevin J. H. Dettmar is Professor of English and Cultural Studies at Southern Illinois University Carbondale. He is the author or editor of a half-dozen books on James Joyce, modernist literature, and rock music. He is currently finishing a term as President of the Modernist Studies Association.--back cover

    Brothers Hart and Cormac Black are waking up to a very different Ireland – one that widens the chasm between them and brings their beloved father to his knees. Facing a devastating choice that risks their livelihood, if not their lives, their biggest danger comes when there is nothing to lose. A sharp snapshot of a family and a nation suddenly unmoored, this epic-in-miniature explores cowardice and sacrifice, faith rewarded and abandoned, the stories we tell ourselves and the ones we resist. Hilarious, poignant and utterly fresh, The Wild Laughter cements Caoilinn Hughes' position as one of Ireland's most audacious, nuanced and insightful young writers.

    The small, rural Irish farm has been the pride of them all until Ned's wife, Martha, arrives and begins to undermine generations of hard work and happiness. She resents the deep history of the place and sets about making it her own, shutting out what is left of Ned's family. She is particularly jealous of Ned's sister, Kate, a local nurse and doting aunt to Martha's children.When Ned dies suddenly, Martha puts Mossgrove up for sale in hopes that it will be bought by the neighbouring Conways, who have long coveted the Phelan farm. What she does not realize are the lengths to which Kate and the hired hand Jack will go to keep the land in the family ...

    She seeks solace from her toxic relationship by throwing herself into a new job that she loves, by confiding in her best friend Corina and, most dangerously of all, by spending more and more time with her workmate Owen – who just so happens to be passionate, charming and everything her husband used to be.Then one heat-of-the-moment decision on a business trip to Amsterdam sets off a series of events that will change the course of all their lives forever.

    Her three grown children long since gone, she trudges through her daily chores in the hope that her prodigal youngest will one day return to claim his birthright. Lushly written and layered with folklore and the rhythms of ordinary life, this remarkable book weaves from present to past in a moving homage to the will of the individual spirit and the rich wisdom of the collective past.

    The problem is Bridget’s not sure the Traveler life is for her anymore. She feels guilty about pulling scams, and she’s definitely not sure she wants to get married, even though Patrick’s a good guy. But Bridget’s always been the good girl who does what she’s told, and there’s no way her parents will let her out of the wedding. And if she leaves the life, she’s out of the family for good. Tautly written, with a riveting storyline and sympathetic characters coping with universal themes of family and social pressure, See You Down the Road will captivate readers to the very end.

    Bradley hopes to retire to the country, but predatory friends and relations dash his hopes of a peaceful retirement. He is tormented by his melancholic sister, who has decided to come live with him; his ex-wife, who has infuriating hopes of redeeming the past; her delinquent brother, who wants money and emotional confrontations; and Bradley's friend and rival, Arnold Baffin, a younger, deplorably more successful author of commercial fiction. The ever-mounting action includes marital cross-purposes, seduction, suicide, abduction, romantic idylls, murder, and due process of law. Bradley tries to escape from it all but fails, leading to a violent climax, and a coda that casts shifting perspectives on all that has preceded.

    In 1958, a mute Jewish boy locked away in a mental institution outside of Dublin forms an unlikely friendship with a man consumed by the story of the love he lost nearly two decades earlier. And in present-day London, an Irish journalist is forced to confront her conflicting notions of identity and family when her Jewish boyfriend asks her to make a true leap of faith. These three arcs, which span generations and intertwine in revelatory ways, come together to tell the haunting story of Ireland’s all-but-forgotten Jewish community. Ruth Gilligan’s beautiful and heartbreaking Nine Folds Make a Paper Swan explores the question of just how far we will go to understand who we really are, and to feel at home in the world.