With him we experience the hardships yet stubborn vibrancy at the heart of Europe during the Nazis' rise to power; his friendships with James Joyce and other luminaries; his quietly passionate devotion to the Frenchwoman who will become his lifelong companion; his secret work for the French Resistance and narrow escapes from the Gestapo; his flight from occupied Paris to the countryside; and the rubble of his life after liberation. And through it all we are witness to workings of a uniquely brilliant mind struggling to create a language that will express his experience of this shattered world. Here is a remarkable story of survival and determination, and a portrait of the extremes of human experience alchemized into timeless art.

    And so her mother outfits Grace in men's clothing and casts her out. When her younger brother Colly follows after her, the two set off on a life-changing odyssey in the looming shadow of the Great Famine.To survive, Grace will become a boy, a bandit, a penitent and finally, a woman. A meditation on love, life and destiny, Grace is an epic coming-of-age novel, and a poetic evocation of the Irish famine as it has never been written.

    It’s where you belong, and ultimately return - a return to the beginning, a return within.The Indigo Sun is an enchanting tale set amidst the deserts of Rajasthan where Maya, a young NRI woman is led on a transformative journey by a young boy Ananda; a mystic gypsy woman named Leela; and Veer, a well-respected, socially driven entrepreneur from London. Together, they embark on a colourful odyssey encompassing culture, heritage, simplicity and celebration of life.In this unknown and distant land surrounded by strangers, Maya’s past, present, and future come together as do her body, mind and soul. She discovers another meaning of life, forms incredible bonds, meets the man of her dreams, and finally comes face-to-face with her truth—the indigo sun, a treasure that lay buried in her heart all along.She is finally home.

    She visited China for the first time in 1987 and found it just as her mother had said: "As soon as my feet touched China, I became Chinese".

    In the half-light, fragments of cello music crash around in her mind, but she casts them out - it's more than a year since she performed in public. There are memories she must banish in order to survive: a charismatic teacher with gold-flecked eyes, a mistake she cannot unmake. At home her mother Ada is waiting: a fragile, bitter woman who distils for herself a glamorous past as she smokes French cigarettes in her unkempt garden. In the village of Bosham the future is invading. A charming young documentary maker has arrived to shoot a film about King Cnut and his cherished but illegitimate daughter, whose body is buried under the flagstones of the local church. As Jonny disturbs the fabric of the village, digging up tales of ancient battles and burials, the threads lead back to home, and Ada and Nora find themselves face to face with the shameful secrets they had so carefully buried. One day, Nora finds a half-dead fledgeling in a ditch. She brings him home and, over the hot summer months, cradles Rook back to life. A mesmerising story of family, legacy and turning back the tides, Rook beautifully evokes the shifting Sussex sands, and the rich seam of history lying just beneath them.

    Is there really room for something as unpredictable as love? Oliver Clock has everything arranged just so. A steady job running the family funeral parlour. A fridge stocked with ready meals. A drawer full of colour-coded socks. A plan (of sorts) to stay trim enough for a standard-sized coffin. And in florist Marie, he’s even found the love of his life—not that she’s aware of it.When a terrible tragedy takes Marie out of his life but leaves him with her private journal, he discovers too late that she secretly loved him back. Faced now with an empty love life, a family funeral business in trouble, a fast-approaching fortieth birthday and a notebook of resolutions he’s never achieved, Oliver resolves to open himself up to love—and all the mess that comes along with it.But, with a habit of burying his feelings, can he learn to embrace his lovability and find the woman who will make him feel whole?

    To his father, Tom, who needs help baling the hay and ploughing the fields, Mark's pursuit isn't work at all, and indeed Mark finds himself whiling away his time with pubs and parties. His is a life without focus or responsibility, until he meets Joanne Lynch, a trainee solicitor whom he finds irresistible. Joanne too has a past to escape from and for a brief time she and Mark share the chaos and rapture of a new love affair, until the lightning strike of tragedy changes everything.

    But how will they respond when love seems to blossom between local man Gavin Hamilton and the beautiful pearl-fisher Effie? The Pearl-fishers is a classic love story and the master storyteller’s last novel.

    Cassie put her life on hold to attend to her family's needs while Laura and Aileen soared in their careers. Now they were together again as Cassie dared to start her own business and make her impossible dream come true.

    Marcus wants nothing more than to indulge in drink, drugs and women.But when he meets the plot-holders on the Butterfly Lane allotments--Sophia, a charming, but troubled, woman in the midst of a spiritual crisis; Alex, his fiery, Greek neighbour, who covets both Marcus’s plot and a mysterious book that belonged to his grandfather; and Benjamin, a shadowy recluse--the reason for his inheritance becomes clear.

    A dedicated researcher into the origins of Celtic myth and legend, Osborne-McKnight infuses her stories with passion, romance and magic. Her focus this time is the great warrior queen Medb of Connaught. Beautiful. Bold in battle . . . and in bed. A legend among her people, she lusts for the Brown Cow of Cuailnge for the power and the glory that it would bring to her. And she will use anyone, do anything, to reach her goal. Who should stand in her way? None other than the fabled hero Cuchulainn, thought to be not quite of this world and who is said to able to use the spirits of the forest and glen to conquer his enemies. Noble tales, ignoble deeds.But sometimes the biggest part of an epic tale comes not from the biggest players on the stage. What happens to those who have grown up in the shadow of greatness? And who pays when the game of power calls for sacrifice?Young Finnabair is the daughter of mighty queen Medb. Not a beauty. Not a warrior. And one who is seen as a pawn for her mother to use as she will. But Finnabair rebels when she sees that her part in her mother's schemes for power has caused pain and shame to her people. In doing so, Finnabair will embark on a journey that will change two kingdoms . . . and bring her love and loss so great as to break the hearts of the gods.

    It never stops raining. The Kid in Yellow has stolen the babba from the Earlie King. Why? Something to do with the King's daughter, and a talking statue, something godawful. And from every wall the King's Eye watches. And yet the city is full of hearts-defiant-sprayed in yellow, the mark of the Kid. It cannot end well. Can it? Follow the Kid, hear the tale. Roll up! Roll up!

    But his fiancée is strangely altered and her family's fortunes have suffered a spectacular decline. The hotel's hundreds of rooms are disintegrating on a grand scale; its few remaining guests thrive on rumors and games of whist; herds of cats have taken over the Imperial Bar and the upper stories; bamboo shoots threaten the foundations; and piglets frolic in the squash court. Meanwhile, the Major is captivated by the beautiful and bitter Sarah Devlin. As housekeeping disasters force him from room to room, outside the order of the British Empire also totters: there is unrest in the East, and in Ireland itself the mounting violence of "the troubles." Troubles is a hilarious and heartbreaking work by a modern master of the historical novel.

    My heart is broken and my failure is total.A bomb is born, lives and dies in a rural secondary school; Ireland becomes a dumping ground for corpses; one family’s genealogy begins in tragedy in 1574 and ends in something far worse in 2111; a strange tribal matriarchy on the banks of the River Boyne is threatened with extermination.Over the course of these stories, the world breaks down in an endless cycle of hunger, desperation, violence and domination, and we find a humanity left tender, collapsed, and full of a beautiful, primeval innocence.Fagan’s raw blend of verve, humour, imagination and warmth surges through these pages, revealing a world rendered both hopeful and disturbing, human and other, that is at once familiar and extraordinary.

    Annie Proulx) whose “melancholy beauty resonates with the deepest truths” (Boston Globe).