The couple have long had a mutual understanding when it comes to their extra-marital pursuits, but with these new allegations, life has become far less comfortable for them both. And when our narrator becomes increasingly infatuated with Vladimir, a celebrated, married young novelist who’s just arrived on campus, their tinder box world comes dangerously close to exploding.With this bold, edgy, and uncommonly assured debut, author Julia May Jonas takes us into charged territory, where the boundaries of morality bump up against the impulses of the human heart. Propulsive, darkly funny, and wildly entertaining, Vladimir perfectly captures the personal and political minefield of our current moment, exposing the nuances and the grey area between power and desire.

    Amber Alton knows that the hours pass differently at Black Rabbit Hall, her London family's country estate, where no two clocks read the same. Summers there are perfect, timeless. Not much ever happens. Until, of course, it does. More than three decades later, Lorna is determined to be married within the grand, ivy-covered walls of Pencraw Hall, known as Black Rabbit Hall among the locals. But as she's drawn deeper into the overgrown grounds, half-buried memories of her mother begin to surface and Lorna soon finds herself ensnared within the manor's labyrinthine history, overcome with an insatiable need for answers about her own past and that of the once-happy family whose memory still haunts the estate. Stunning and atmospheric, this debut novel is a thrilling spiral into the hearts of two women separated by decades but inescapably linked by the dark and tangled secrets of Black Rabbit Hall.

    I thought that Ma was all that she was and all that she had ever wanted to be. I was wrong. As we made our way from Virginia to California, returning to the places where she d lived as a child in foster care and as a teenager on the run, repaying debts and keeping promises, I learned who she was in her life-before-me and the secrets she had kept even from herself. But when life on the road began to feel normal I couldn t forget the home we d left behind, couldn t deny that, just like my mother, I too had unfinished business. This enigmatic pilgrimage takes them back to various stages of Alex s mother s life, each new state prompting stories and secrets. Together they trace back through a life of struggle and adventure to put to rest unfinished business, to heal old wounds and to search out lost friends. This is an extraordinary story of a life; a stunning exploration of identity and an authentic study of the relationship between a mother and her child.The Lauras is the new novel from the exceptionally gifted author of The Shore, which was long listed for the Baileys Women s Fiction Prize and shortlisted for the Guardian First Book Award and the Sunday Times Young Writer of the Year."

    Set in the fictional African village of Kosawa, it tells the story of a people living in fear amidst environmental degradation wrought by an American oil company. Pipeline spills have rendered farmlands infertile. Children are dying from drinking toxic water. Promises of clean-up and financial reparations to the villagers are made—and ignored. The country’s government, led by a brazen dictator, exists to serve its own interest. Left with few choices, the people of Kosawa decide to fight back. Their struggle would last for decades and come at a steep price. Told through the perspective of a generation of children and the family of a girl named Thula who grows up to become a revolutionary, How Beautiful We Were is a masterful exploration of what happens when the reckless drive for profit, coupled with the ghost of colonialism, comes up against one community’s determination to hold onto its ancestral land and a young woman’s willingness to sacrifice everything for the sake of her people’s freedom."The unforgettable story of a community on the wrong end of Western greed, How Beautiful We Were will enthrall you, appall you, and show you what is possible when a few people stand up and say this is not right. A masterful novel by a spellbinding writer engaged with the most urgent questions of our day.”—David Ebershoff, bestselling author of The Danish Girl

    Among them: James Bennett, a synaesthetic art critic for The New York Times whose unlikely condition enables him to describe art in profound, magical ways, and Raul Engales, an exiled Argentinian painter running from his past and the Dirty War that has enveloped his country. As the two men ascend in the downtown arts scene, dual tragedies strike, and each is faced with a loss that acutely affects his relationship to life and to art. It is not until they are inadvertently brought together by Lucy Olliason—a small town beauty and Raul’s muse—and a young orphan boy sent mysteriously from Buenos Aires, that James and Raul are able to rediscover some semblance of what they’ve lost.As inventive as Jennifer Egan's A Visit From The Goon Squad and as sweeping as Meg Wolitzer's The Interestings, Tuesday Nights in 1980 boldly renders a complex moment when the meaning and nature of art is being all but upended, and New York City as a whole is reinventing itself. In risk-taking prose that is as powerful as it is playful, Molly Prentiss deftly explores the need for beauty, community, creation, and love in an ever-changing urban landscape.

    His life is set off course when he sees a woman who is about to jump off a bridge. Horrified by her recklessness, he hurls two of his prized chickens off the bridge. The woman, Ndali, is stopped in her tracks.Chinonso and Ndali fall in love but she is from an educated and wealthy family. When her family objects to the union on the grounds that he is not her social equal, he sells most of his possessions to attend college in Cyprus. But when he arrives in Cyprus, he discovers that he has been utterly duped by the young Nigerian who has made the arrangements for him. Penniless, homeless, we watch as he gets further and further away from his dream and from home.

    A town where nearly all of the volunteer firemen are named Jim, where The Dirty Shame—the only bar in town—refuses to serve mixed drinks (too much work), where the locals hate the newcomers (then again, they hate the locals, too), and where the town softball team has never even come close to having a winning season. Until now.Rachel Flood has snuck back into town after leaving behind a trail of chaos nine years prior. She’s here to make amends, but nobody wants to hear it, especially her mother, Laverna. But with the help of a local boy named Jake and a little soul-searching, she just might make things right.In the spirit of Empire Falls and A League of Their Own, with the caustic wit of Where’d You Go, Bernadette thrown in for good measure, Richard Fifield’s hilarious and heartwarming debut will have you laughing through tears.

    With the social acuity of Adelle Waldman and the murderous wit of Martin Amis, Tony Tulathimutte’s Private Citizens is a brainy, irreverent debut—This Side of Paradise for a new era.Capturing the anxious, self-aware mood of young college grads in the aughts, Private Citizens embraces the contradictions of our new century: call it a loving satire. A gleefully rude comedy of manners. Middlemarch for Millennials. The novel's four whip-smart narrators—idealistic Cory, Internet-lurking Will, awkward Henrik, and vicious Linda—are torn between fixing the world and cannibalizing it. In boisterous prose that ricochets between humor and pain, the four estranged friends stagger through the Bay Area’s maze of tech startups, protestors, gentrifiers, karaoke bars, house parties, and cultish self-help seminars, washing up in each other’s lives once again. A wise and searching depiction of a generation grappling with privilege and finding grace in failure, Private Citizens is as expansively intelligent as it is full of heart.

    Xavier is headed to college in the fall, and after years of single parenting, Valerie is facing the prospect of an empty nest. All is well until the Whitmans move in next door - an apparently traditional family with new money, ambition, and a secretly troubled teenaged daughter.Thanks to his thriving local business, Brad Whitman is something of a celebrity around town, and he's made a small fortune on his customer service and charm, while his wife, Julia, escaped her trailer park upbringing for the security of marriage and homemaking. Their new house is more than she ever imagined for herself, and who wouldn't want to live in Oak Knoll? With little in common except a property line, these two very different families quickly find themselves at odds: first, over an historic oak tree in Valerie's yard, and soon after, the blossoming romance between their two teenagers. Told from multiple points of view, A Good Neighborhood asks big questions about life in America today―What does it mean to be a good neighbor? How do we live alongside each other when we don't see eye to eye?―as it explores the effects of class, race, and heartrending star-crossed love in a story that’s as provocative as it is powerful.

    In a small set of friends, Baldwin imbues the best and worst intentions of liberal America in the early 1970s.

    High paying. No out of pocket medical expenses. A free place to live. All Lena has to do is participate in a secret program—and lie to her friends and family about the research being done in Lakewood. An eye drop that makes brown eyes blue, a medication that could be a cure for dementia, golden pills promised to make all bad thoughts go away.The discoveries made in Lakewood, Lena is told, will change the world—but the consequences for the subjects involved could be devastating. As the truths of the program reveal themselves, Lena learns how much she’s willing to sacrifice for the sake of her family.Provocative and thrilling, Lakewood is a breathtaking novel that takes an unflinching look at the moral dilemmas many working-class families face, and the horror that has been forced on black bodies in the name of science.

    Like Dubus’s already- classic memoir, Townie, and his novel House of Sand and Fog (a #1 New York Times bestseller), Gone So Long is a profound exploration of the struggle between the selves we wish to be, and the ones—shaped by chance and circumstance, as well as character—that we can’t escape.

    She is a sheltered college student, he an adventurous, charismatic young artist. In a city brimming with possibilities, he spurs her to take life on with gusto. But as Catherine opens herself to new experiences, James's life becomes a prison; as changed as the new Ireland may be, it is still not a place in which he feels able to truly be himself. Catherine, grateful to James and worried for him, desperately wants to help -- but as time moves on, and as life begins to take the friends in different directions, she discovers that there is a perilously fine line between helping someone and hurting them further. When crisis hits, Catherine finds herself at the mercy of feelings she cannot control, leading her to jeopardize all she holds dear.By turns exhilarating and devastating, Tender is a dazzling exploration of human relationships, of the lies we tell ourselves and the lies we are taught to tell. It is the story of first love and lost innocence, of discovery and betrayal. A tense high-wire act with keen psychological insights, this daring novel confirms McKeon as a major voice in contemporary fiction, belonging alongside the masterful Edna O'Brien and Anne Enright.

    But what looks like a case of police brutality soon reveals something much stranger. Monsters are real. And they want everyone to know it.As creatures from myth and legend come out of the shadows, seeking safety through visibility, their emergence sets off a chain of seemingly unrelated events. Members of a local werewolf pack are threatened into silence. A professor follows a missing friend’s trail of bread crumbs to a mysterious secret society. And a young boy with unique abilities seeks refuge in a pro-monster organization with secrets of its own. Meanwhile, more people start disappearing, suicides and hate crimes increase, and protests erupt globally, both for and against the monsters.At the center is a mystery no one thinks to ask: Why now? What has frightened the monsters out of the dark?The world will soon find out.

    After twenty-seven years of marriage and three children, Annie has fallen in love with Viveca, the wealthy, cultured, confident Manhattan art dealer who orchestrated her professional success.Annie and Viveca plan to wed in the Oh family's hometown of Three Rivers, Connecticut, where gay marriage has recently been legalized. But the impending wedding provokes some very mixed reactions and opens a Pandora's box of toxic secrets—dark and painful truths that have festered below the surface of the Ohs' lives.We Are Water is an intricate and layered portrait of marriage, family, and the inexorable need for understanding and connection, told in the alternating voices of the Ohs—nonconformist Annie; her ex-husband, Orion, a psychologist; Ariane, the do-gooder daughter, and her twin, Andrew, the rebellious only son; and free-spirited Marissa, the youngest Oh. Set in New England and New York during the first years of the Obama presidency, it is also a portrait of modern America, exploring issues of class, changing social mores, the legacy of racial violence, and the nature of creativity and art.With humor and breathtaking compassion, Wally Lamb brilliantly captures the essence of human experience in vivid and unforgettable characters struggling to find hope and redemption in the aftermath of trauma and loss. We Are Water is vintage Wally Lamb—a compulsively readable, generous, and uplifting masterpiece that digs deep into the complexities of the human heart to explore the ways in which we search for love and meaning in our lives.