The first three books in this exciting series see Kane and Alton on the hunt for killers preying on the small American town of Black Rock Falls. Don’t Tell a Soul: The floor was stone cold on her bare skin. Her heart pounded in her chest. ‘Not a soul knows where I am,’ she thought as she took in the darkness around her. And then she heard his footsteps…When Detective Jenna Alton and her new deputy David Kane move to the remote town of Black Rock Falls, they soon discover this is anything but a quiet little town. As visitors to the town are reported missing and a body is found stuffed into a barrel at the local dump, Kane and Alton know they have a serial killer on the loose. Bring Me Flowers: She’d walked this way hundreds of times before. She knew every twist and turn. She didn’t know this was the last time she’d ever walk this path.The body of schoolgirl Felicity Parker is found in a forest carefully laid out with nothing but a freshly picked bunch of flowers next to her lifeless form. As more schoolgirls are murdered, Kane and Alton must rush to find the killer before more girls are taken. Follow Me Home: Her bare arms are scratched and bleeding as she runs through the forest. The light fades behind her but she must keep running. She knows what will happen to her if she stops…Kane and Alton are called to an empty house where the body of Amos Price lies in a pool of his own blood. As they begin to unpick the life of the reclusive victim, they uncover a disturbing link between Price and the disappearance of several young girls many years before. And as they come close to finding out who is behind Price’s murder, the killer turns their sights on Kane and Alton.

    But before this actor, writer, director, comedian, and composer entertained the world, his first audience was his family.The fourth and last child of Max and Kitty Kaminsky, Mel Brooks was born on his family’s kitchen table in Brooklyn, New York, in 1926, and was not quite three-years-old when his father died of tuberculosis. Growing up in a household too poor to own a radio, Mel was short and homely, a mischievous child whose birth role was to make the family laugh.Beyond boyhood, after transforming himself into Mel Brooks, the laughs that came easily inside the Kaminsky family proved more elusive. His lifelong crusade to transform himself into a brand name of popular humor is at the center of master biographer Patrick McGilligan’s Funny Man. In this exhaustively researched and wonderfully novelistic look at Brooks’ personal and professional life, McGilligan lays bare the strengths and drawbacks that shaped Brooks’ psychology, his willpower, his persona, and his comedy.McGilligan insightfully navigates the epic ride that has been the famous funnyman’s life story, from Brooks’s childhood in Williamsburg tenements and breakthrough in early television—working alongside Sid Caesar and Carl Reiner—to Hollywood and Broadway peaks (and valleys). His book offers a meditation on the Jewish immigrant culture that influenced Brooks, snapshots of the golden age of comedy, behind the scenes revelations about the celebrated shows and films, and a telling look at the four-decade romantic partnership with actress Anne Bancroft that superseded Brooks’ troubled first marriage. Engrossing, nuanced and ultimately poignant, Funny Man delivers a great man’s unforgettable life story and an anatomy of the American dream of success.Funny Man includes a 16-page black-and-white photo insert.

    

    Rather than simply repeating style information commonly available in standard references, this newly updated and expanded edition includes points of grammar, punctuation, usage, book production and design, and written style that are often overlooked in other manuals. It focuses on information relating to the unique needs and demands of religious publications, such as discussions on how to correctly quote the Bible, how to capitalize and use common religious terms, and how to abbreviate the books of the Bible and other religious words.Also included are rarely found items such as:• an author’s guide to obtaining permissions• guidelines for using American, British, and Mid-Atlantic styles• discussions of inclusive language, profanity, and ethnic sensitivities• discussions of Internet and computer-related language style• a list of problem words• style issues regarding words from major world religions• a discussion of handling brand names in text• a list of common interjections• issues of type design, paper, copy-fitThis edition has been completely updated since the 1988 edition and contains more than twice as much information as the previous edition. This is the most detailed and comprehensive guide of its kind.

    And, like any business, there are proven strategies for success. In this unique hands-on guide, television writer and producer Ellen Sandler shares the trade secrets she learned while writing for hit shows like Everybody Loves Raymond and Coach. She offers concrete advice on everything from finding a story to getting hired on a current series.Filled with easy-to-implement exercises and practical wisdom, this ingenious how-to handbook outlines the steps for becoming a professional TV writer, starting with a winning script. Sandler explains the difference between “selling” and “telling,” form and formula, theme and plot. Discover:• A technique for breaking down a show style so you’re as close to being in the writing room as you can get without actually having a job there• The 3 elements for that essential Concept Line that you must havein order to create a story with passion and consequence• Mining the 7 Deadly Sins for fresh and original story lines• Sample scripts from hit shows• In-depth graphs, script breakdown charts, vital checkpointsalong the way, and much, much more!

    With anecdotes from over 20 VO professionals as well as practice copy and scripts, the book is jam-packed with facts and fun stories from working pros that will help steer you through the wild adventure that is voice-over.

    You don't have to make money to profit from travel writing. Sometimes, the richest rewards are in the currency of experience. How to be a Travel Writer reveals the varied possibilities that travel writing offers and inspires all travellers to take advantage of those opportunities. That's where the journey begins - where it takes you is up to you. Let legendary travel writer Don George show you the way with his invaluable tips on: The secrets of crafting a great travel story How to conduct pre-trip and on-the-road research Effective interviewing techniques How to get your name in print (and money in your bank account) Quirks of writing for newspapers, magazines, online and books Extensive listings of writers' resources and industry organisations Interviews with established writers, editors and agents About Lonely Planet: Since 1973, Lonely Planet has become the world's leading travel media company with guidebooks to every destination, an award-winning website, mobile and digital travel products, and a dedicated traveller community. Lonely Planet covers must-see spots but also enables curious travellers to get off beaten paths to understand more of the culture of the places in which they find themselves. The world awaits! Lonely Planet guides have won the TripAdvisor Traveler's Choice Award in 2012, 2013, 2014, 2015, and 2016. 'Lonely Planet. It's on everyone's bookshelves; it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' -- Fairfax Media 'Lonely Planet guides are, quite simply, like no other.' - New York Times Important Notice: The digital edition of this book may not contain all of the images found in the physical edition.

    Here is Welles’s prodigious childhood; his youth in New York, with its fraught partnership with John Houseman and the groundbreaking triumph of his all-black Macbeth; the pioneering radio work that culminated in the notorious 1938 broadcast of War of the Worlds; and finally, his work in Hollywood, including an authoritative account of the making of Citizen Kane. Rich in detail and insight, this is far and away the definitive look at Orson Welles—a figure even more extraordinary than the myths that have surrounded him.

    Throngs of fans jam into air-conditioned multiplexes to escape for two hours in the dark, blissfully lost in Hollywood's latest glittery confection complete with megawatt celebrities, awesome special effects, and enormous marketing budgets. The world is in love with the blockbuster movie, and these cinematic behemoths have risen to dominate the film industry, breaking box office records every weekend. With the passion and wit of a true movie buff and the insight of an internationally renowned critic, Tom Shone is the first to make sense of this phenomenon by taking readers through the decades that have shaped the modern blockbuster and forever transformed the face of Hollywood. The moment the shark fin broke the water in 1975, a new monster was born. Fast, visceral, and devouring all in its path, the blockbuster had arrived. In just a few weeks Jaws earned more than $100 million in ticket sales, an unprecedented feat that heralded a new era in film. Soon, blockbuster auteurs such as Steven Spielberg, George Lucas, and James Cameron would revive the flagging fortunes of the studios and lure audiences back into theaters with the promise of thrills, plenty of action, and an escape from art house pretension. But somewhere along the line, the beast they awakened took on a life of its own, and by the 1990s production budgets had escalated as quickly as profits. Hollywood entered a topsy-turvy world ruled by marketing and merchandising mavens, in which flops like Godzilla made money and hits had to break records just to break even. The blockbuster changed from a major event that took place a few times a year into something that audiences have come to expect weekly, piling into the backs of one another in an annual demolition derby that has left even Hollywood aghast. Tom Shone has interviewed all the key participants -- from cinematic visionaries like Spielberg and Lucas and the executives who greenlight these spectacles down to the effects wizards who detonated the Death Star and blew up the White House -- in order to reveal the ways in which blockbusters have transformed how Hollywood makes movies and how we watch them. As entertaining as the films it chronicles, Blockbuster is a must-read for any fan who delights in the magic of the movies.

    

    Lansdale (Hap & Leonard series), Clive Barker (Books of Blood), John Connolly (Charlie Parker series), Ramsey Campbell, Stephen King (IT), Christopher Golden (Ararat), Charlaine Harris (Midnight, Texas), Jonathan Maberry (Joe Ledger series), Kevin J. Anderson (Tales of Dune), Craig Engler (Z Nation), and many more.The full non-fiction anthology lineup includes:• Introduction by William F. Nolan• IT’S THE STORY TELLER by Joe R. Lansdale• A-Z OF HORROR of Clive Barker• WHY HORROR? by Mark Alan Miller• PIXELATED SHADOWS by Michael Paul Gonzalez• LIKE CURSES by Ray Garton• HOW TO GET YOUR SCARE ON by S.G. Browne• STORYTELLING TECHNIQUES by Richard Thomas• HORROR IS A STATE OF MIND by Tim Waggoner• BRINGING AN IDEA TO LIFE by Mercedes M. Yardley• THE PROCESS OF A TALE by Ramsey Campbell• GREAT HORROR IS SOMETHING ALIEN by Michael Bailey• A HORRIFICALLY HAPPY MEDIUM by Taylor Grant• INTERVIEW WITH JOHN CONNOLLY by Marie O’Regan• THE STORY OF A STORY by Mort Castle• WRITING ROUNDTABLE INTERVIEW with Christopher Golden, Kevin J. Anderson, and Silvia Moreno-Garcia• HOW I SPENT MY CHILDHOOD LOOKING FOR MONSTERS AND FOUND POETRY INSTEAD by Stephanie M. Wytovich• BITS AND PIECES INTERVIEW WITH JONATHAN MABERRY by Eugene Johnson• THE REEL CREEPS by Lisa Morton• THE MONSTER SQUAD by Jess Landry• WHAT SCARES YOU by Marv Wolfman• PLAYING IN SOMEONE ELSE’S HAUNTED HOUSE by Elizabeth Massie• CREATING MAGIC FROM A BLANK PIECE OF PAPER: Del Howison interviews Tom Holland, Amber Benson, Fred Dekker, and Kevin Tenney• Z NATION: HOW SYFY’S HIT SHOW CAME TO LIFE by Craig Engler• LIFE IMITATING ART IMITATING LIFE: FILM AND ITS INFLUENCE ON REALITY by Jason V Brock• WHERE NIGHTMARES COME FROM by Paul Moore• STEPHEN KING AND RICHARD CHIZMAR DISCUSS COLLABORATING by Bev Vincent• CHARLAINE HARRIS DISCUSSES STORYTELLING by Eugene Johnson• WHAT NOW? by John PalisanoThis collection is perfect for…• writers of all genres• authors looking for motivation and/or inspiration• authors seeking guidance• struggling authors searching for career advice• authors interested in improving their craft• writers interested in comics• authors looking into screenwriting and films• horror fans in general• those looking to better understand the different story formats• authors planning on infiltrating a different field in horror writing• artists trying to establish a name brand• authors looking to get publishedCome listen to the legends…Cover design by Luke Spooner. Edited by Joe Mynhardt & Eugene Johnson.Brought to you by Crystal Lake Publishing—Tales from the Darkest Depths.

    You’ve heard of “organic writing,” but that seems a bit squishy to you. Take a look at the wildly popular Snowflake Method—a battle-tested series of ten steps that jump-start your creativity and help you quickly map out your story. All around the world, novelists are using the Snowflake Method right now to ignite their imaginations and get their first drafts down on paper. In this book, you’ll follow the story of a fictitious novelist as she learns to tap into the amazing power of the Snowflake Method. Almost magically, she finds her story growing from a simple idea into a deep and powerful novel. And she finds her novel changing her—turning her into a stronger, more courageous person.Zany, Over the Top, and Just Plain FunHow to Write a Novel Using the Snowflake Method is a “business parable”—a how-to guide written in story form. It’s zany. It’s over the top. It’s just plain fun. Most important, it’s effective, because it shows you, rather than telling you.You’ll learn by example how to grow your story idea into a sizzling first draft. You’ll discover:* How to define your “target audience” the right way, so you know exactly how your ideal readers think and feel. Forget what the experts tell you about “demographics.”* How to create a dynamite selling tool that will instantly tell people whether they’ll love your story or hate it. And you want them to either love it or hate it.* How to get inside the skin of every one of your characters—even your villain. Especially your villain.* How to find a deep, emotively powerful theme for your story. Do you know the one best point in your novel to unveil your theme—when your reader is most eager to hear it?* How to know when to backtrack, and why backtracking is essential to writing great fiction.* How to fire-test each scene to guarantee it’ll be high-impact—before you write it.Excerpt from Chapter 1:Goldilocks had always wanted to write a novel. She learned to read before she went to kindergarten. In grade school, she always had her nose in a book. In junior high, the other kids thought she was weird, because she actually liked reading those dusty old novels in literature class. All through high school, Goldilocks dreamed of writing a book of her own someday.But when she went to college, her parents persuaded her to study something practical. Goldilocks hated practical, and secretly she kept reading novels. But she was a very obedient girl, so she did what her parents told her. She got a very practical degree in marketing. After college, she got a job that bored her to tears—but at least it was practical.Then she got married, and within a few years, she had two children, a girl and then a boy. She quit her job to devote full time to them. As the children grew, Goldilocks took great joy in introducing them to the stories she had loved as a child. When her son went off to kindergarten, Goldilocks thought about looking for a job. But her resume now had a seven-year hole in it, and her practical skills were long out of date. The only jobs Goldilocks could qualify for were minimum wage.She suddenly realized that being practical had made her horribly unhappy. On a whim, Goldilocks decided to do the one thing she had always wanted more than anything else—she was finally going to write a novel.She didn’t care if it was impractical.She didn’t care if nobody would ever read her novel.She was going to do it just because she wanted to.For the first time in years, she was going to do something just for herself.And nobody was going to stop her.

    "I heartily recommend (this book) for beginners and pros alike."--Steven Bochco.

    But in this ferociously funny and accurate account of life on the Hollywood food chain, it's a screenwriter who gets the last murderous laugh. That may be because the writer is John Gregory Dunne, who has written screenplays, along with novels and non-fiction, for thirty years. In 1988 Dunne and his wife, Joan Didion, were asked to write a screenplay about the dark and complicated life of the late TV anchorwoman Jessica Savitch. Eight years and twenty-seven drafts later, this script was made into the fairy tale "Up Close and Personal" starring Robert Redford and Michelle Pfeiffer. Detailing the meetings, rewrites, fights, firings, and distractions attendant to the making of a single picture, Monster illuminates the process with sagacity and raucous wit.