After being uprooted from their fishing outport, the Now family is further devastated by the tragic loss of their eldest son, Chris, who died working on an Alberta oil rig. Kyle Now is still mourning his older brother when the murder of a local bully changes everything. The victim's blood is found on the family's pier, and suspicion falls first on an alienated wife, and then finally on the troubled Now family. But behind this new turmoil, Chris's death continues to plague the family. Father Sylvanus Now drowns his sorrow in a bottle, while mother Addie is facing breast cancer. And the children fight their own battles as the tension persists between Kyle and his sister, Sylvie, over her role in their brother's death. A cast of vivid characters surrounds the Now family, some intriguing, others comical--all masterfully crafted. As the murder mystery unfolds, other deeper secrets are revealed. Wise in the ways of the heart, The Fortunate Brother is a moving family drama from beloved storyteller Donna Morrissey."

    Jack is at home coping with domestic crises and two uncouth adolescents, while immobilized by self-doubt and questioning his worth as a historian. Brenda, travelling alone for the first time, is in a strange city grappling with an array of emotions and toying with the idea of an affair. Intimate and insightful yet never sentimental, Happenstance is a profound portrait of a marriage and the differences between the sexes that bring life — and a sense of isolation — into even the most loving of relationships.

    Ten years ago a man and his son trekked into this wilderness and never returned.Search teams found their campsite ravaged by what looked like a bear. They were presumed dead until a decade later...the son appeared. Discovered while ransacking an outfitter store, he was violent and uncommunicative and sent to a psychiatric facility. Maya Stark, the assistant language therapist, is charged with making a connection with their high-profile patient. No matter how she tries, however, he refuses to answer questions about his father or the last ten years of his lifeBut Maya, who was abandoned by her own mother, has secrets, too. And as she’s drawn closer to this enigmatic boy who is no longer a boy, she’ll risk everything to reunite him with his father who has disappeared from the known world.

    The Gage family had been travelling to a new life in Fort McMurray, but bruises on the mother, Lorraine, prove to be late-stage cancer rather than remnants of the accident. Recognizing their need as her responsibility, Clara tries to do the right thing and moves the children, husband and horrible grandmother into her own house--then has to cope with the consequences of practical goodness.As Lorraine walks the borders of death, Clara expands into life, finding purpose, energy and unexpected love amidst the hard, unaccustomed work of sharing her days. But the burden is not Clara's alone: Lorraine's children must cope with divided loyalties and Lorraine must live with her growing, unpayable debt to Clara--and the feeling that Clara has taken her place.What, exactly, does it mean to be good? When is sacrifice merely selfishness? What do we owe in this life and what do we deserve? Marina Endicott looks at life and death through the compassionate lens of a born novelist: being good, being at fault, and finding some balance on the precipice.

    Now, two years later, it is time for her to come to terms with marriage, career, family, parenthood, and Kevin's horrific rampage in a series of startlingly direct correspondences with her estranged husband, Franklin. Uneasy with the sacrifices and social demotion of motherhood from the start, Eva fears that her alarming dislike for her own son may be responsible for driving him so nihilistically off the rails.

    They’ve come home to Malagash, on the north shore of Nova Scotia, so he can die where he grew up. Her mother and her brother are both devastated. But devastated isn’t good enough. Devastated doesn’t fix anything. Sunday has a plan.She’s started recording everything her father says. His boring stories. His stupid jokes. Everything. She’s recording every single “I love you” right alongside every “Could we turn the heat up in here?” It’s all important.Because Sunday is writing a computer virus. A computer virus that will live secretly on the hard drives of millions of people all over the world. A computer virus that will think her father’s thoughts and say her father’s words. She has thousands of lines of code to write. Cryptography to understand. Exploits to test. She doesn’t have time to be sad. Her father is going to live forever.

    Three days later, he’s found with a bullet in his head and a gun in his hand—a discovery that sends tremors through this conservative community, already unnerved by growing rumors of Satanic worship in the region.In the wake of this incident, bright but lonely Hannah Dexter is befriended by Lacey Champlain, a dark-eyed, Cobain-worshiping bad influence in lip gloss and Doc Martens. The charismatic, seductive Lacey forges a fast, intimate bond with the impressionable Dex, making her over in her own image and unleashing a fierce defiance that neither girl expected. But as Lacey gradually lures Dex away from her safe life into a feverish spiral of obsession, rebellion, and ever greater risk, an unwelcome figure appears on the horizon—and Lacey’s secret history collides with Dex’s worst nightmare.By turns a shocking story of love and violence and an addictive portrait of the intoxication of female friendship, set against the unsettled backdrop of a town gripped by moral panic, Girls on Fire is an unflinching and unforgettable snapshot of girlhood: girls lost and found, girls strong and weak, girls who burn bright and brighter—and some who flicker away.

    They live in a honey-colored house in a picture-perfect Cotswolds village, with rambling, unkempt gardens stretching beyond. Pragmatic Meg, dreamy Beth, and tow-headed twins Rory and Rhys all attend the village school and eat home-cooked meals together every night. Their father is a sweet gangly man named Colin, who still looks like a teenager with floppy hair and owlish, round-framed glasses. Their mother is a beautiful hippy named Lorelei, who exists entirely in the moment. And she makes every moment sparkle in her children's lives.Then one Easter weekend, tragedy comes to call. The event is so devastating that, almost imperceptibly, it begins to tear the family apart. Years pass as the children become adults, find new relationships, and develop their own separate lives. Soon it seems as though they've never been a family at all. But then something happens that calls them back to the house they grew up in -- and to what really happened that Easter weekend so many years ago.Told in gorgeous, insightful prose that delves deeply into the hearts and minds of its characters, The House We Grew Up In is the captivating story of one family's desire to restore long-forgotten peace and to unearth the many secrets hidden within the nooks and crannies of home.

    Her attempt to live out her life as Lily Azerov shatters as she disappears, leaving a new husband and baby daughter, and a host of unanswered questions. Who is she really and what happened to the young woman whose identity she has stolen? Why has she left and where did she go? It is left to the daughter she abandoned to find the answers to these questions as she searches for the mother she may never find or really know.

    She says your name. Then she jumps... In a split second, Morgan Kincaid’s life changes forever. She’s on her way home from work when a mother begs her to take her baby, then places the infant in her arms. Before Morgan can stop her, the distraught mother jumps in front of an oncoming train. Morgan has never seen this woman before, and she can’t understand what would cause a person to give away her child and take her own life. She also can’t understand how this woman knew her name. The police take Morgan in for questioning. She soon learns that the woman who jumped was Nicole Markham, prominent CEO of the athletic brand Breathe. She also learns that no witness can corroborate her version of events, which means she’s just become a murder suspect. To prove her innocence, Morgan frantically retraces the last days of Nicole’s life. Was Nicole a new mother struggling with paranoia or was she in danger? When strange things start happening to Morgan, she suddenly realizes she might be in danger, too. Woman on the Edge is a pulse-pounding, propulsive thriller about the lengths to which a woman will go to protect her baby—even if that means sacrificing her own life.

    There were Canes in Canada before the United States erupted into civil war. Their roots are deep, their legacy is rich, but Langston Cane V knows little of his heritage. He is thirty-eight, divorced, and childless and has just been fired for sabotaging a government official's speech. The eldest son of a white mother and prominent black father, Langston feels more acutely than ever the burden of his illustrious family name and his racially mixed heritage. To be black in a white society is hard enough; to be half-black, half-white is to have no identity at all. Or so Langston believes. After a run-in with his father, Langston takes off for his feisty aunt's house in Baltimore, where he embarks on a remarkable quest for his family's past.It's said that those who forget history are condemned to repeat it, but to Langston, history offers not condemnation but reprieve. For when he stumbles across a treasure trove of family documents, he sets off on a journey through time that will lead him back to the famous antislavery raid on Harpers Ferry, Virginia, and the great-great-grandfather who fought beside John Brown. He rediscovers the long line of relatives who have battled for racial justice, decade after decade. He finds passion, dignity, and courage--and, at last, by unearthing and giving voice to those who came before him, he finds himself.Rich in historical detail and gracefully flowing from the slave trade of nineteenth-century Virginia to the present, Any Known Blood gives life to a story never before told, a story of five generations of a black Canadian family whose tragedies and victories merge with the American experience.

    When their parents commit Phoebe to a notorious asylum, Charlotte knows there's more to the story than madness. Shedding her identity to become an anonymous inmate, "Woman Ninety-Nine," Charlotte uncovers dangerous secrets. Insanity isn't the only reason her fellow inmates were put away - and those in power will do anything to keep the truth, or Charlotte, from getting out.

    She doesn't want to think about growing up in her parents' House of Horrors. And she doesn't want to think about her identity as Girl A: the girl who escaped, the eldest sister who freed her older brother and four younger siblings. It's been easy enough to avoid her parents--her father never made it out of the House of Horrors he created, and her mother spent the rest of her life behind bars. But when her mother dies in prison and leaves Lex and her siblings the family home, she can't run from her past any longer. Together with her sister, Evie, Lex intends to turn the House of Horrors into a force for good. But first she must come to terms with her siblings - and with the childhood they shared.

    He vows to sit in the hollow where the mortar fell and play Albinoni’s Adagio once a day for each of the twenty-two victims. The Adagio had been re-created from a fragment after the only extant score was firebombed in the Dresden Music Library, but the fact that it had been rebuilt by a different composer into something new and worthwhile gives the cellist hope. Meanwhile, Kenan steels himself for his weekly walk through the dangerous streets to collect water for his family on the other side of town, and Dragan, a man Kenan doesn’t know, tries to make his way towards the source of the free meal he knows is waiting. Both men are almost paralyzed with fear, uncertain when the next shot will land on the bridges or streets they must cross, unwilling to talk to their old friends of what life was once like before divisions were unleashed on their city. Then there is “Arrow,” the pseudonymous name of a gifted female sniper, who is asked to protect the cellist from a hidden shooter who is out to kill him as he plays his memorial to the victims. In this beautiful and unforgettable novel, Steven Galloway has taken an extraordinary, imaginative leap to create a story that speaks powerfully to the dignity and generosity of the human spirit under extraordinary duress.

    . .Ruth Hartland is a psychotherapist with years of experience. But professional skill is no guard against private grief. The mother of grown twins, she is haunted by the fact that her beautiful, difficult, fragile son Tom, a boy who never "fit in," disappeared a year and a half earlier. She cannot give up hope of finding him, but feels she is living a kind of half-life, waiting for him to return. Enter a new patient, Dan--unstable and traumatized--who looks exactly like her missing son. She is determined to help him, but soon, her own complicated feelings, about how she has failed her own boy, cloud her professional judgement. And before long, the unthinkable becomes a shattering reality....An utterly compelling drama with a timebomb at its core, A Good Enough Mother is a brilliant, beautiful story of mothering, and how to let go of the ones we love when we must.