He had not the marked genius of the first three of these; but that he is so much less known to the western reader is perhaps also due to the fact that there was nothing sensational either in his life or his literary method. His strength was in the steady delineation of character, conscious of, but not deeply disturbed by, the problems which were obsessing and distracting smaller and greater minds.

    The Gift is the last of the novels Nabokov wrote in his native Russian and the crowning achievement of that period in his literary career.  It is also his ode to Russian literature, evoking the works of Pushkin, Gogol, and others in the course of its narrative:  the story of Fyodor Godunov-Cherdyntsev, an impoverished émigré poet living in Berlin, who dreams of the book he will someday write--a book very much like The Gift itself.

    In a glass-enclosed city of absolute straight lines, ruled over by the all-powerful 'Benefactor', the citizens of the totalitarian society of OneState live out lives devoid of passion and creativity - until D-503, a mathematician who dreams in numbers, makes a discovery: he has an individual soul. Set in the twenty-sixth century AD, We is the classic dystopian novel and was the forerunner of works such as George Orwell's 1984 and Aldous Huxley's Brave New World. It was suppressed for many years in Russia and remains a resounding cry for individual freedom, yet is also a powerful, exciting and vivid work of science fiction. Clarence Brown's brilliant translation is based on the corrected text of the novel, first published in Russia in 1988 after more than sixty years' suppression.

    The scene is set in a fantastic land ruled by three greedy fat men who are engrossed in eating and making merry in their palace. Meanwhile, curious things are happening outside the high palace walls.You will learn all about this and much more when you read this wise, merry tale that is so like the truth. The Three Fat Men, a favorite with all Soviet children, has run to over 30 printings, it was made into a film, and performed at many theaters in Russia."Yuri Olesha (1899-1960), a Soviet prose writer and playwright, is immensely popular with readers for his novel Envy, his short stories, plays and the famous book for children The Three Fat Men, which is really one of his masterpieces.""Yuri Olesha's book The Three Fat Men is fantastic, fabulous, abounding in extraordinary transformation and fascinating happenings." -Literaturnaya Gazeta-"There was something Beethovenian in Yuri Olesha, even in his voice. His eyes discovered many marvelous, impressive things around him, and he wrote about them briefly, precisely and excellently. -Konstantin Paustovsky-

    He joins forces with Ippolit Matveyevich Vorobyaninov, a former nobleman who has returned to his hometown to find a cache of missing jewels which were hidden in some chairs that have been appropriated by the Soviet authorities. The search for the bejeweled chairs takes these unlikely heroes from the provinces to Moscow to the wilds of Soviet Georgia and the Trans-caucasus mountains; on their quest they encounter a wide variety of characters: from opportunistic Soviet bureaucrats to aging survivors of the prerevolutionary propertied classes, each one more selfish, venal, and ineffective than the one before.

    Otets Sergiy) is a story written by Leo Tolstoy between 1890 and 1898 and first published (posthumously) in 1911.For some weeks Father Sergius had been living with one persistent thought: whether he was right in accepting the position in which he had not so much placed himself as been placed by the Archimandrite and the Abbot. That position had begun after the recovery of the fourteen-year-old boy. From that time, with each month, week, and day that passed, Sergius felt his own inner life wasting away and being replaced by external life.

    Mikhail Bulgakov was flung into the depths of freezing rural Russia which, in 1916-17, was still largely unaffected by such novelties as the motor car, the telephone or electric light. How his alter-ego copes (or fails to cope) with the new and often appalling responsibilities of a lone doctor in a vast country practice — on the eve of Revolution — is described in Bulgakov's delightful blend of candid realism and imaginative exuberance.

    Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

    Fearlessly and mercilessly he hurled the falsehoods and hypocrisies into the face of life. He portrayed Satan coming to this earth to amuse himself and play. Having assumed the form of an American multi-millionaire, Satan set out on a tour through Europe in quest of amusement and adventure. Before him passed various forms of spurious virtues, hypocrisies, the ruthless cruelty of man and the often deceptive innocence of woman. Within a short time Satan finds himself outwitted, deceived, relieved of his millions, mocked, humiliated, beaten by man in his own devilish devices.

    Sofia is a Soviet Everywoman, a doctor's widow who works as a typist in a Leningrad publishing house. When her beloved son is caught up in the maelstrom of the purge, she joins the long lines of women outside the prosecutor's office, hoping against hope for any good news. Confronted with a world that makes no moral sense, Sofia goes mad, a madness which manifests itself in delusions little different from the lies those around her tell every day to protect themselves. Sofia Petrovna offers a rare and vital record of Stalin's Great Purges.

    

    Trotsky wrote, `Certainly Blok is not one of us, but he came towards us. And that is what broke him.' Pasternak said, `He is as free as the wind.'

    Sea-devil has appeared in the Rio de la Plata. Weird cries out at sea, slashed fishermen's nets, glimpses of a most queer creature astride a dolphin leave no room for doubt. The Spaniard Zurita, greed overcoming his superstition, tries to catch Sea-devil and force it to pearl-dive for him but fails. On a lonely stretch of shore, not far from Buenos Aires, Dr. Salvator lives in seclusion behind a high wall, whose steel-plated gates only open to let in his Indian patients. The Indians revere him as a God but Zurita has a hunch that the God on land and the devil in the sea have something in common. Enlisting the help of two wily Araucanian brothers he sets out to probe the mystery. As action shifts from the bottom of the sea to the Spaniard's schooner The Jellyfish and back again, with interludes in sun-drenched Buenos Aires and countryside, the mystery of Ichthyander the sea-devil is unfolded before the reader in a narrative as gripping as it informative.

    "The Mighty Bogatyr" and "The Eagle-Patron of Arts" are biting satires on autocracy; "The Crow That Went in Search of Truth" and "The Old Nag" picture the misery of the Peasants; the conceited lion of "Bears in Government" with his ludicrous "self-pawed" inscriptions, is a well-aimed thrust at the illiterate resolutions of Tsar Alexander III, while the Bruins in the same tale ridicule the woebegone ministers of tsarist Russia. But the message of the tales and the bitter truth conveyed in them go far beyond the limits of any one epoch, assuming ever new poignancy and actuality. "The sole object of my literary work," wrote Saltykov-Shchedrin, "was unfailingly to protest against greed, hypocrisy, falsehood, theft, treachery, stupidity..." The Tales, which he wrote during the last years of his life (1826-89), epitomize the entire work of the great satirist who did so much for the cause of revolutionary thought in Russia.

    After leaving the Soviet Union following a series of unsatisfying relationships, Marusya Tatarovich quickly becomes the center of the Russian community in Queens, New York, but finds that it mirrors in many ways the community she left behind