. . .A concubine at the palace learns quickly that there are many ways to capture the Emperor’s attention. Many paint their faces white and style their hair attractively, hoping to lure in the One Above All with their beauty. Some present him with fantastic gifts, such as jade pendants and scrolls of calligraphy, while others rely on their knowledge of seduction to draw his interest. But young Mei knows nothing of these womanly arts, yet she will give the Emperor a gift he can never forget.Mei’s intelligence and curiosity, the same traits that make her an outcast among the other concubines, impress the Emperor. But just as she is in a position to seduce the most powerful man in China, divided loyalties split the palace in two, culminating in a perilous battle that Mei can only hope to survive.The first volume of the Empress of Bright Moon duology paints a vibrant portrait of ancient China—where love, ambition, and loyalty can spell life or death—and the woman who came to rule it all.

    Roc sweeps her off her feet, taking her from her home by an emerald sea to the ancient family home of the Pendorrics, in Cornwall. His sister and her family await them with open arms, welcoming young Favel. She is the much anticipated Bride of Pendorric, a name that amuses and flatters her.The castle is beautiful in its way, but the atmosphere is foreboding. Roc’s twin nieces begin watching her carefully; even the stones in the courtyard seem to have eyes. On the walls hang portraits of two other Brides of Pendorric—one of them Roc’s mother—who died both young and tragically. Favel’s fear increases as Roc seems to be growing more and more distant. Has her courtship and marriage been just a deception?Soon Favel can no longer dismiss as accidents the strange things happening to her. Someone is trying to kill her and she must confront the very real dangers that surround her.

    In the heady years before the crash, financiers drape their mistresses in Chanel, while expatriates flock to the avant-garde bookshop Shakespeare and Company. One day in July, a young American named Rafaela Fano gets into the car of a coolly dazzling stranger, the Art Deco painter Tamara de Lempicka.Struggling to halt a downward slide toward prostitution, Rafaela agrees to model for the artist, a dispossessed Saint Petersburg aristocrat with a murky past. The two become lovers, and Rafaela inspires Tamara's most iconic Jazz Age images, among them her most accomplished—and coveted—works of art. A season as the painter's muse teaches Rafaela some hard lessons: Tamara is a cocktail of raw hunger and glittering artifice. And all the while, their romantic idyll is threatened by history's darkening tide.Inspired by real events in de Lempicka's history, The Last Nude is a tour de force of historical imagination. Avery gives the reader a tantalizing window into a lost Paris, an age already vanishing as the inexorable forces of history close in on two tangled lives. Spellbinding and provocative, The Last Nude is a novel about genius and craft, love and desire, regret, and, most of all, hope that can transcend time and circumstance.

    Among them is Jacquie Red Feather, newly sober and trying to make it back to the family she left behind. Dene Oxendene, pulling his life together after his uncle's death and working at the powwow to honor his memory. Fourteen-year-old Orvil, coming to perform traditional dance for the very first time. Together, this chorus of voices tells of the plight of the urban Native American--grappling with a complex and painful history, with an inheritance of beauty and spirituality, with communion and sacrifice and heroism. Hailed as an instant classic, There There is at once poignant and unflinching, utterly contemporary and truly unforgettable.

    Together, they have ten children. At last, she can pass on the stories she has heard—magical tales of men from the sea—and her warrior’s courage, along with her wonderful kueh (cakes).But the cultural shift towards the West has begun. Chye Hoon finds herself afraid of losing the heritage she so prizes as her children move more and more into the modernising Western world.

     New Orleans, 1982. Voodoo spells, prostitutes, prisoners, and veterans who are adamant about the size of their manhood—it’s all just another day at Charity Hospital, also known as The Big Free. It’s a medical free-for-all with the toughest trauma surgery in America, and Elizabeth—fresh from medical school in Charleston, wearing pearls and pink plaid socks—is one of the first women to work there.   Half of the doctors who start the surgery program never finish. Nothing in her proper Southern upbringing prepared Elizabeth for the gritty and gruesome world she now experiences on a daily basis. And even if she’s tougher than anyone first expected, the question remains . . . will she make the cut?   Full of drama, humor, and New Orleans flavor, The Big Free is a young doctor’s coming of age story as only a true medical insider can tell it.

    Lieutenant Vere Marriott of the Royal Navy, and the men of Motor Gunboat 801 are moored in Kiel harbor, witness to the disintegration of the mighty German navy. Where once they fought just to stay alive, Marriott and his men must now learn how to accept peace.

    Former foreign correspondent Gina Wilkinson draws on her own experiences to take readers inside a haunting story of Iraq at the turn of the millennium and the impossible choices faced by families under a deadly regime. At night, in Huda’s fragrant garden, a breeze sweeps in from the desert encircling Baghdad, rustling the leaves of her apricot trees and carrying warning of visitors at her gate. Huda, a secretary at the Australian embassy, lives in fear of the mukhabarat—the secret police who watch and listen for any scrap of information that can be used against America and its allies. They have ordered her to befriend Ally Wilson, the deputy ambassador’s wife. Huda has no wish to be an informant, but fears for her teenaged son, who may be forced to join a deadly militia. Nor does she know that Ally has dangerous secrets of her own. Huda’s former friend, Rania, enjoyed a privileged upbringing as the daughter of a sheikh. Now her family’s wealth is gone, and Rania too is battling to keep her child safe and a roof over their heads. As the women’s lives intersect, their hidden pasts spill into the present. Facing possible betrayal at every turn, all three must trust in a fragile, newfound loyalty, even as they discover how much they are willing to sacrifice to protect their families.

    His sister-in-law Kadambari is 25. She kills herself. Why does she commit suicide? Her suicide-note, to Rabindranath, which is a long valedictory letter that sums up the tragic story of the ill-fated woman answers this question. Finally we know the secret!

    King Charles VII, Agnes Sorel - his mistress, Jaques Coeur - the king's moneyman - history's first great merchant prince.

    Instead, her wild imagination leads her to think of whimsical situations like riding on the back of a turtle or flying with an eagle that may explain her mothers' tardiness.Awards Grand Prize, PBBY-Salanga Writer's Prize, 2001; Grand Prize, PBBY-Illustrator's Prize, 2001

    From the moment Claire Randall stepped through a standing stone circle and was thrown back in time to the year 1743—and into a world that threatens life, limb, loyalty, heart, soul, and everything else Claire has—readers have been hungry to know everything about this world and its inhabitants, particularly a Scottish soldier named Jamie Fraser.  In this beautifully illustrated compendium of all things Outlandish, Gabaldon covers the first four novels of the main series, including:   • full synopses of Outlander, Dragonfly in Amber, Voyager, and Drums of Autumn • a complete listing of the characters (fictional and historical) in the first four novels in the series, as well as family trees and genealogical notes • a comprehensive glossary and pronunciation guide to Gaelic terms and usage • the fully explicated Gabaldon Theory of Time Travel • frequently asked questions to the author and her (sometimes surprising) answers • an annotated bibliography • essays about medicine and magic in the eighteenth century, researching historical fiction, creating characters, and more • professionally cast horoscopes for Jamie and Claire   For anyone who wants to spend more time with the Outlander characters and the world they inhabit, Diana Gabaldon here opens a door through the standing stones and offers a guided tour of what lies within.

    The end of his journey turns out to be the beginning of an odyssey in his beloved city where he finds "an insidious lawlessness creeping upon the land."Set in Manila in the last beleaguered months before the politico-military takeover in 1972, Bamboo in the Wind tells of the last desperate efforts of a people fighting to stave off disaster. Amid the escalating madness of a regime gone berserk, an odd assortment of people—a senator, a young nationalist, a dispossessed farmer, a radical activist, a convent school girl, a Jesuit scholastic—make their way along the labyrinthine corridors of greed and power. Each is forced to examine his own commitment in the face of brutality and evil, as the book conjures up scene after scene of devastation: the massacre of the demonstrators, the demolition of Sapang Bato, the murder of the sugar plantation workers, the burning of the Laguardia rice fields. And, as a climax to the mounting violence, that final September day—the arrests, the torture, and finally, the darkness that overtakes the land.

    Here she also encounters Cris, a struggling film critic whose passionate loathing for bad local movies reflects his views of modern Filipino sociaty.Coming from completely different worlds, the two eventually learn from each other. Through Cris, Halina gets a quick course on Manila life, from driving through midnight traffic to listening to the Eraserheads, while she helps him gain a newfound appreciation of living in his own country.From National Book Award-winning author Arnold Arre, creator of The Mythology Class , After Eden , Ang Mundo ni Adnong Agimat , and Trip to Tagaytay comes Halina Filipina , a story about friendship, understanding, and love; about finding one's identity and experiencing the joy of finally having a place to belong.

    Nevertheless, it is also the most complex and yet to be understood emotion. Ask anyone what love is? And the most common answer you would get is,"it is a feeling which cannot be completely defined". Strange but true. An emotion which in the history of mankind has changed destinies and shaped millions of lives is still not fully comprehended.But, if you ask this question to 'Rishi Sinha' the only answer you will get is 'Ananya Tripathi'. Life has completely changed since the day he confessed his love for her. Romantic dates, late night phone calls and never ending SMS's. A 'happy go lucky couple', madly and completely in love.Everything was going on smooth until one day, when Rishi is put into a National Level competition with 'Pragya'… his screwed up past and the biggest mistake of his life. He has no choice but to represent his college with Pragya and of course win the title too.Rishi tells Ananya about the competition, who, like a mature girl understands his condition and has no objection in his working with her. But, fate has something else in store for him. Now Rishi is in a dilemma. On one side is 'Ananya', the love of his life and on the other side is 'Pragya', a dying and needy friend. On one side is his most ruined past, while on the other his present, his future. He has to choose between the two. Whom will he choose?'One Life, One Love' is a tale of 'Love' and 'Friendship' along with some social issues like 'Prostitution', 'Mafia', 'Live in' and 'Gambling' which we talk and read about daily but never realise how intense they are. Will Rishi be able to take the right decision and save his relationship?What has Rishi's fate in store for him? All your answers lie here, in this emotional yet witty tale by Rochak Bhatnagar…