Then, over the next six weeks, he channeled that trip’s maelstrom of drunken brawls, sexual rivalry, midnight betrayals, and midday hangovers into his groundbreaking novel The Sun Also Rises. This revolutionary work redefined modern literature as much as it did his peers, who would forever after be called the Lost Generation. But the full story of Hemingway’s legendary rise has remained untold until now.  Lesley Blume resurrects the explosive, restless landscape of 1920s Paris and Spain and reveals how Hemingway helped create his own legend. He made himself into a death-courting, bull-fighting aficionado; a hard-drinking, short-fused literary genius; and an expatriate bon vivant. Blume’s vivid account reveals the inner circle of the Lost Generation as we have never seen it before, and shows how it still influences what we read and how we think about youth, sex, love, and excess.

    . . . A detailed, grittier portrait of the woman Hemingway loved and left.” — Newsday Hadley Richardson and Ernest Hemingway were the golden couple of Paris in the twenties, the center of an expatriate community boasting the likes of Scott and Zelda Fitzgerald, Gertrude Stein and Alice B. Toklas, and James and Nora Joyce. In this haunting account of the young Hemingways, Gioia Diliberto explores their passionate courtship, their family life in Paris with baby Bumby, and their thrilling, adventurous relationship—a literary love story scarred by Hadley’s loss of the only copy of Hemingway’s first novel and ultimately destroyed by a devastating ménage à trois on the French Riviera.Compelling, illuminating, poignant, and deeply insightful, Paris Without End provides a rare, intimate glimpse of the writer who so fully captured the American imagination and the remarkable woman who inspired his passion and his art—the only woman Hemingway never stopped loving.

    Hemingway married four times, each time to a fascinating person: Hadley Richardson, who shared the Paris years and one son; Pauline Pfeiffer, the mother of two more sons, who created a haven in Key West; Martha Gellhorn, a writer and acclaimed journalist; and Mary Welsh, a Time correspondent. Drawing on letters and interviews with the living women, Bernice Kert sheds new light on the Hemingway heroines and their real-life prototypes.

    Covering all the area of Paris that Hemingway and his fellow expatriates once roamed from Left Bank to Right, Noel Riley Fitch provides an intimate visit to major Parisian landmarks as well as to out-of-the-way cafes, hotels and residences immortalized by "Papa" and his friends.

    E. Hotchner traveled together from New York to Paris to Spain, fished the waters off Cuba, hunted in Idaho, and ran with the bulls in Pamplona. And everywhere they talked. For 14 years, Hotchner and Hemingway shared a conversation. Hemingway reminisced about his childhood, recalled the Paris literary scene in the twenties, remembered his early years as a writer, and recounted the real events that lay behind his fiction. And Hotchner took it all down. His notes on the many occasions he spent with his friend Papa - in Venice and Rome, in Key West, on the Riviera, in Ketchum, Idaho, where Hemingway died by his own hand in 1961 - provide the material for this utterly truthful, profoundly compassionate bestselling memoir of the Nobel and Pulitzer Prize-winning author. What emerges is an extraordinary portrait of a great writer who had, and determined, the time of his life.

    Presenting photographs of legendary figures, among them the model Kiki, Modigliani, Picasso, Satie, Matisse, Leger, Gertrude Stein, James Joyce and Miro. Gossip and anecdotes aim to bring this world alive.

    With her husband, F. Scott Fitzgerald, she moved in a golden aura of excitement, romance, and promise. The epitome of the Jazz Age, together they rode the crest of the era: to its collapse and their own.From years of exhaustive research, Nancy Milford brings alive the tormented, elusive personality of Zelda and clarifies as never before her relationship with Scott Fitzgerald. Zelda traces the inner disintegration of a gifted, despairing woman, torn by the clash between her husband's career and her own talent.

    Whenever he could, he returned to his beloved fishing cruiser, to exult in the sea, to fight the biggest fish he could find, to drink, to entertain celebrities and friends and seduce women, to be with his children. But as he began to succumb to the diseases of fame, we see that Pilar was also where he cursed his critics, saw marriages and friendships dissolve, and tried, in vain, to escape his increasingly diminished capacities.Generally thought of as a great writer and an unappealing human being, Hemingway emerges here in a far more benevolent light. Drawing on previously unpublished material, including interviews with Hemingway’s sons, Hendrickson shows that for all the writer’s boorishness, depression, and alcoholism, and despite his choleric anger, he was capable of remarkable generosity—to struggling writers, to lost souls, to the dying son of a friend.We see most poignantly his relationship with his youngest son, Gigi, a doctor who lived his adult life mostly as a cross-dresser, and died squalidly and alone in a Miami women’s jail. He was the son Hemingway forsook the least, yet the one who disappointed him the most, as Gigi acted out for nearly his whole life so many of the tortured, ambiguous tensions his father felt. Hendrickson’s bold and beautiful book strikingly makes the case that both men were braver than we know, struggling all their lives against the complicated, powerful emotions swirling around them. As Hendrickson writes, “Amid so much ruin, still the beauty.”Hemingway’s Boat is both stunningly original and deeply gripping, an invaluable contribution to our understanding of this great American writer, published fifty years after his death.

    Now Frank's monumental, 2500-page work has been skillfully abridged and condensed in this single, highly readable volume with a new preface by the author. Carefully preserving the original work's acclaimed narrative style and combination of biography, intellectual history, and literary criticism, Dostoevsky: A Writer in His Time illuminates the writer's works--from his first novel Poor Folk to Crime and Punishment and The Brothers Karamazov--by setting them in their personal, historical, and above all ideological context. More than a biography in the usual sense, this is a cultural history of nineteenth-century Russia, providing both a rich picture of the world in which Dostoevsky lived and a major reinterpretation of his life and work.http://press.princeton.edu/titles/897...

    Feeling alienated in the America of the 1920s, Fitzgerald, Crane, Hemingway, Wilder, Dos Passos, Cowley, and many other writers "escaped" to Europe, some forever, some as temporary exiles. As Cowley details in this intimate, anecdotal portrait, in renouncing traditional life and literature, they expanded the boundaries of art.

      The autumn of 1922 found F. Scott Fitzgerald at the height of his fame, days from turning twenty-six years old, and returning to New York for the publication of his fourth book, Tales of the Jazz Age. A spokesman for America’s carefree younger generation, Fitzgerald found a home in the glamorous and reckless streets of New York. Here, in the final incredible months of 1922, Scott and Zelda Fitzgerald drank and quarreled and partied amid financial scandals, literary milestones, car crashes, and celebrity disgraces. Yet the Fitzgeralds’ triumphant return to New York coincided with another event: the discovery of a brutal double murder in nearby New Jersey, a crime made all the more horrible by the farce of a police investigation—which failed to accomplish anything beyond generating enormous publicity for the newfound celebrity participants. Proclaimed the "crime of the decade" even as its proceedings dragged on for years, the Mills-Hall murder has been wholly forgotten today. But the enormous impact of this bizarre crime can still be felt in The Great Gatsby, a novel Fitzgerald began planning that autumn of 1922 and whose plot he ultimately set within that fateful year.Careless People is a unique literary investigation: a gripping double narrative that combines a forensic search for clues to an unsolved crime and a quest for the roots of America’s best loved novel. Overturning much of the received wisdom of the period, Careless People blends biography and history with lost newspaper accounts, letters, and newly discovered archival materials. With great wit and insight, acclaimed scholar of American literature Sarah Churchwell reconstructs the events of that pivotal autumn, revealing in the process new ways of thinking about Fitzgerald’s masterpiece. Interweaving the biographical story of the Fitzgeralds with the unfolding investigation into the murder of Hall and Mills, Careless People is a thrilling combination of literary history and murder mystery, a mesmerizing journey into the dark heart of Jazz Age America.

    Jackson J. Benson's definitive biography explores every aspect of the author's life-his campaigns for the rights of the little people; his stand on the Vietnam War; his Hollywood film scripts; and his ongoing difficulties with fame, the press, and lack of privacy-to reveal the private man behind the public persona.* Winner of the PEN-USA West award for non-fictionAuthor Bio: Jackson J. Benson has published nine books on modern American literature, including Wallace Stegner: His Life and Work, which won the David Woolley and Beatrice Cannon Evans Biography award presented by Utah State University.

    alluring cultural world and someone whose life assumed an unbearably dramatic shape.

    Crumb's Kafka is a vibrant biography that examines this Czech writer and his works in a way that a bland texbook never could! R. Crumb's Kafka goes far beyond being explication or popularization or survey. It's a work of art in its own right, a very rare example of what happens when one very idiosyncratic artist absorbs another into his worldview without obliterating the individuality of the absorbed one. Crumb's art is filled with Kafka's insurmountable neuroses. They are all there: Gregor Samsa's sister, the luscious Milena Jesenska, the Advacate's "nurse" Leni, Olda and Frieda, and the ravishing Dora Diamant-drawn in that mixture of self-commandtantalizing knowingness, and sly sexuality, that amazonian randines and thick-limbed physicality that is Crumb.Crumb's idiosyncratic illustrations add a new dimension to the already idiosyncratic world of Kafka. Includes adaptations of "The Judgment," "The Trial," "The Castle," "A Hunger Artist," and "The Metamorphosis."

    Andrew Turnbull tells the story behind F. Scott Fitzgerald's This Side of Paradise, revised and finally published when he was twenty-four, making him instantly famous, and his tender love affair with Zelda Sayre, from their glittering early life to the years Zelda spent in and out of sanatoriums. A literary generation, too, comes alive, including Ernest Hemingway, Edmund Wilson and Edith Wharton. Fitzgerald lived on Turnbull's family estate in Baltimore in the early 1930s and there befriended young Andrew, then aged eleven. Turnbull's personal relationship with Fitzgerald and the hundreds of interviews with those who knew him elegantly capture the dramatic, tragic story of F. Scott and the glow and pathos of his flamboyant life.