recognized him and smiled. “That was a great case you brought us. You’ll be interested to hear that it is a case of mur-r-der!”For eight years Basil Thomson headed the famous C.I.D., New Scotland Yard. He knew the Yard inside out. Now in this tale of mystery and detection we are taken behind the scenes. We are shown the greatest detection machine in the world in motion, and see how the Yard tracked down its man.Stand, then, with young P.C. Richardson on the misty corner of Baker Street, while the traffic of the city swings by, and fate lays at his feet the beginning of his career. Out of the fog brakes shriek, a big car jolts to a stop, and from beneath the wheels the crowd disentangles a bundle of old clothes, within which is a man quite dead; a man who had said to someone, “Very well, then; I’ll call a policeman”—and was killed. Work with him to the ingenious solution, when he takes from his pocket the clue holding the fate of a human life.Richardson’s First Case was originally published in 1933. This new edition, the first in over seventy years, features an introduction by crime novelist Martin Edwards, author of acclaimed genre history The Golden Age of Murder.

    No one however expects to see gossip turn to murder as their juniors die one by one - no one, that is, except the killer. The crusty cast of characters make solving the case all the harder for Inspector Palk - until the enigmatic sleuth Mr. Winkley arrives to lend a hand.

    But the following morning he had seemingly vanished into thin air. Now Scotland Yard are struggling to find evidence of foul play in the absence of tangible clues. A national newspaper is offering a reward for information about the Minister’s disappearance - whether Bygrave be dead or alive. Anthony “Algernon” Vereker, Lord Bygrave’s friend and executor, joins Scotland Yard in their investigation of the mystery. So begins the first of five ingenious and effervescent detective novels featuring Vereker, an amiable and eccentric artist with a razor-sharp mind. Missing or Murdered (1929), is republished here for the first time in over 70 years. It includes a new introduction by crime fiction historian Curtis Evans.‘This is not only a detective story of considerable ingenuity, but it is also a well-written tale with good characterisation."Times Literary Supplement

    London’s favorite musical comedy of the past two years was finishing its run at the end of the week. Suddenly, the line began to move, forming a wedge before the open doors as hopeful theatergoers nudged their way forward. But one man, his head sunk down upon his chest, slowly sank to his knees and then, still more slowly, keeled over on his face. Thinking he had fainted, a spectator moved to help, but recoiled in horror from what lay before him: the man in the queue had a small silver dagger neatly plunged into his back. With the wit and guile that have made Inspector Grant a favorite of mystery fans, the inspector sets about discovering just how a murder occurred among so many witnesses, none of whom saw a thing.

    As a matter of routine, or so it seems, the case passes across the desk of Detective Sergeant Smith, recently returned to work after an internal investigation into another case that has led to tensions between officers at Kings Lake police headquarters. As an ex DCI, Smith could have retired by now, and it is clear that some of his superiors wish that he would do so. The latest trainee detective to work with him is the son of a member of his former team, and together they begin to unravel the truth about what happened to Wayne Fletcher. As the investigation proceeds, it becomes clear that others are involved - some seem determined to prevent it, some seem to be taking too much interest. In the end Smith operates alone, having stepped too far outside standard procedures to ask for support. He knows that his own life might be at risk but he has not calculated on the life of his young assistant also being put in danger. He might still get his man but at what cost?

    Morris.The chance discovery of a young man’s body floating in a Sussex stream provides the first clue to the mysterious disappearance of Sir James Lyttleton, who sent his daughter a curt wire announcing his departure for America before completely vanishing. But this is no ordinary missing persons inquiry – when Sir James’s body turns up inside another man’s coffin, journalist James Dawson and Chief Inspector Candlish of Scotland Yard find themselves on the trail of a particularly ruthless and ingenious murderer.This Detective Story Club classic is introduced by author and editor Douglas A. Anderson, whose authoritative books on Kenneth Morris led to the discovery of R.A.V. Morris’s true identity.

    Superintendent Hannasyde's consummate powers of detection and solicitor Giles Carrington's amateur sleuthing are tested to their limits as they grapple with the Vereker family - a group of outrageously eccentric and corrupt suspects

    Scandal abounds when it becomes clear that the only people with any motive to murder him are the only people who had the opportunity - because the President's Lodging opens off Orchard Ground, which is locked at night, and only the Fellows of the College have keys

    In the manner typical of the Golden Age whodunnit, the solution is only presented in the final pages of the novel. Throughout the book, an amateur sleuth and a Scotland Yard detective vie with each other to solve the riddle, with only one of them successful in the end. It should be noted that Was It Murder? remained Hilton's only detective novel-a brief youthful foray into crime fiction he shares with writers such as C. S. Forester (Payment Deferred, 1926; Plain Murder, 1930) and C. P. Snow (Death Under Sail, 1932). Plot summary:Oakington is one of the lesser-known public schools in England, and Dr Roseveare, its headmaster, has been trying hard for seven years to improve its reputation. When, in the winter term of 1927-28, one of the pupils is killed in his sleep by an old gas fitting falling down from the ceiling he contacts Colin Revell, an Old Boy, to discreetly investigate the matter. Not entirely convinced that there was no foul play involved but unable to pin down a motive on anyone, Revell leaves again after a few weeks, and most of the evidence is destroyed by the installation of electricity in the whole building. A few months later Revell is shocked to learn that the deceased boy's brother has also died under mysterious circumstances-he seems to have jumped into the school's indoor swimming pool late at night after the water had been drained-and travels to Oakington of his own accord. Now it turns out that the closest relative of the two brothers, who have been orphans for years, is actually a teacher at Oakington, and that he stands to inherit a small fortune. At the same time Revell falls in love with that teacher's beautiful young wife. source: Wikipedia

    Indeed, as Detective Chief Inspector W.T. Challoner soon discovered, seven people had good cause to murder him. Everyone ought to have done it, but by the evidence nobody had. The seven suspects, all with excellent motives for killing the hateful Eric Crowther. So it was not lack of evidence but rather a surfeit of it which sent Challoner and his son Jerry half across Europe in pursuit of the trail. He collected their secrets. And he used them. But whick of these long-time sufferers had found the courage to pull the trigger? And should this benefactor really be prosecuted?NOTE: White Cottage Mystery was her first mystery, published as newspaper serial 1927; first published in book form 1975.

    But when the spinster dies suddenly, her best friend kicks up an unseemly fuss, loud enough to attract the attention of Detective Chief Inspector Tom Barnaby. And when Barnaby and his eager-beaver deputy start poking around, they uncover a swamp of ugly scandals and long-suppressed resentments seething below the picture-postcard prettiness.

    Among them, The Story of Hermione, in which the eponymous character grows rich from the all too convenient deaths of several relatives, has been called one of the most chilling short stories ever written. Sister Bessie describes vividly the agonies of a blackmail victim and the desperate crimes he commits in the hope of freeing himself from his tormentor. Miss Burnside's Dilemma describes the predicament of a person who uncovers a piece of unscrupulous, but entirely legal chicanery by someone she had previously admired. A Life for a Life explores the possibility of atonement for one's earthly sins after death.

    As head of a fine household and guardian of both the morals and finances of the man she chose to marry, she finds her husband was, and perhaps still is, a killer.

    She has bittersweet memories of being a carefree child playing hide-and-seek at Danesborough, her family’s magnificent country estate. Decades later, the ancestral mansion has been restored to its former glory—and Chloe is shocked to discover that she is the sole heir.   Danesborough is not the sun-filled, evergreen place she remembers. The trees are bare and the house is shrouded in mist. But the enormous gold-and-black lacquered Chinese cabinet in the drawing room is exactly the same. Chloe’s childhood imagination created an entire story out of the intricate carvings on the cabinet: a flowing river filled with boats and fishermen and one frightening man she called Mr. Dark.   But now, as Chloe begins to uncover Mitchell Dane’s true motives for bequeathing her the centuries-old manse, she has a very real reason to be afraid: The truth about what’s hidden in the black cabinet will soon threaten her life.

    Not unusual for a proper bath, but highly irregular for murder -- especially with a pair of gold pince-nez deliberately perched before the sightless eyes. What's more, the face appeared to have been shaved after death. The police assumed that the victim was a prominent financier, but Lord Peter Wimsey, who dabbled in mystery detection as a hobby, knew better. In this, his first murder case, Lord Peter untangles the ghastly mystery of the corpse in the bath.