C. Cook, a legendary, now retired detective, and Dan "Doc" Holiday, his former partner who left the force under a cloud of suspicion.

    Here comes trouble, says Leonard, and he's right. She was always trouble, but she had this laugh when she was happy in bed that could win Hap over every time. Trudy has a proposition: an easy two hundred thousand dollars, tax-free. It's just a simple matter of digging it up ...Hap Collins and Leonard Pine, white and black, straight and gay, are the unlikeliest duo in crime fiction. Savage Season is their debut.

    The one book Black Lizard never published, it's the dream-like tale of a man after a jailbreak, who meets up with the woman of his dreams... and his nightmares. Phenomenal work of the period, ranking with the best efforts of Thompson, Woolrich, Goodis et al.

    Of course he has; he's a mystery-script writer. But when Alicia takes a long, unannounced vacation, Sydney seizes the opportunity to perfect his artistic method.With her characteristic precision and unrivaled sensitivity to the inner tremblings of human character, Patricia Highsmith shockingly portrays Sydney's descent into the treacherous world of his own fictions. Once again Highsmith proves herself to be a master at depicting the unsettling forces that boil beneath the surface of everyday life.

    Her pictures of the musicians and hangers on, the infamous, the damned, and the dead, got her into art galleries and a book deal. But thirty years later she is adrift, on her way down, and almost out. Then an old acquaintance sends her on a mercy gig to interview a famously reclusive photographer who lives on an island in Maine. When she arrives Downeast, Cass stumbles across a decades-old mystery that is still claiming victims, and into one final shot at redemption.

    As one sister prepares for the thorniest trial of her career and the other fends off ominous advances from a construction worker laboring on the house next door, both find themselves pushed to the edge, and confronted by discoveries about themselves and their lovers that shock and disturb them.

    But when I found him shot to death on the floor of his office, I had no choice. I had to track down the person responsible. And not just to lay Del to rest, either. Next to his body, the office safe was wide open, and a contract worth millions was missing...From the pen of MWA Grand Master Ed McBain comes this unforgettable story of warring agents and Hollywood dealmaking, murder and scandal—and passions igniting in the dark of night. First publication in nearly 60 years! Features a brand new cover painting by legendary illustrator Robert McGinnis Also featuring Now Die In It, a bonus McBain novelette from the pulps, starring private eye Matt Cordell from THE GUTTER AND THE GRAVE Cover art by Robert McGinnis

    That was strange enough—but when a CIA agent showed up to spring him from NYPD custody, things got a lot stranger.Now the CIA is offering to clear up the murder charge but only in return for a favor: They want Ovid to fly to Vatican City and trace the trail of a renegade priest who has gone missing with millions in church funds. What’s the connection? The priest’s lover, a woman Ovid knew in his smuggling days…

    In a last ditch effort to save the family, Anne plans an elaborate sailing vacation to bring everyone together once again. But only an hour out of port, everything is going wrong. The teenage daughter, Carrie, is planning to drown herself. The teenage son, Mark, is high on drugs and ten-year-old Ernie is nearly catatonic. This is the worst vacation ever.Anne manages to pull things together bit by bit, but just as they begin feeling like a family again, something catastrophic happens. Survival may be the least of their concerns. Written with the blistering pace and shocking twists that only James Patterson can master, Sail takes "Lost" and "Survivor" to a new level of terror.

    After his friend is killed in a horse-racing accident, up-and-coming glass artisan Gerard Logan finds himself embroiled in a deadly search for a stolen videotape--a videotape that just might destroy his own life.

    Now Kurtz needs a job, and the price is going to be higher. Out of prison, out of touch, Kurtz signs on with the Byron Farino, Don of a Mob family whose son Kurtz had been protecting on the inside. Farino enlists Kurtz's help to track down the Family's missing accountant -- a man with too much knowledge of Family business to have on the loose. But someone doesn't want the accountant found -- and with enemies inside the Family vying for his throne, and turf warfare just around the corner, Farino needs an outsider like Kurtz to flush out who's really behind this latest affront. As the story twists and turns and the body count rises, Kurtz no longer knows who he can trust. Everyone seems to be after something, from the mob boss's sultry yet dangerous daughter, to a hit man named The Dane, an albino killer who is good with a knife, and a dwarf who is armed to the teeth and hell-bent on revenge. Kurtz has always been an ace investigator. Now he's about to discover that to get at the truth, sometimes you have to go after it -- hard.

    He is looking for someone, his boss, 'Sen' - a crooked, 'weasel-faced' Senator, who has set up the murder of his wealthy wife and made it look like a bungled robbery. Sailor is the only person who can finger Sen for the crime, and he intends to make the senator pay a hefty sum for his silence. In a hypnotic style that is pure, unsentimental noir, Hughes builds tension relentlessly and the fates of Sailor and Sen are played out against the increasing fervour of the town's festivities.

    Upon the razor-thin edge between love and violence lives a pair of brothers, their bonds frayed by betrayals and guilt, their loyalty to each other their last salvation.Raised to pick a pocket before he could walk, Terry Rand cut free from his family after his older brother, Collie, went on a senseless killing spree that left eight dead. Five years later, only days before his scheduled execution, Collie contacts Terry and asks him to return home. Collie claims he wasn’t responsible for one of the murders—and insists that the real killer is still on the loose.Dogged by his own demons, Terry is swept back into the schemes and scams of his family: His father, Pinsch, a retired cat burglar, brokenhearted because of his two sons. His card-sharp uncles, Mal and Grey, who’ve incurred the anger of the local mob. His grandfather, Shep, whose mind is failing but whose fingers can still slip out a wallet  from across the room. His teenage sister, Dale, who’s flirting dangerously with the lure of the family business. And Kimmie, the woman Terry abandoned, who’s now raising a child with Terry’s former best friend.  Terry pieces together the day his brother turned rabid, delving into a blood history that reveals the Rand family tree is rotten to the roots, and the secrets his ancestors buried are now coming furious and vengeful to the surface.A meditation on how love can confine a person just as easily as it can free him, juxtaposing shocking violence and sly humor, The Last Kind Words is the brilliantly inventive family saga that only a singular talent like Tom Piccirilli could conjure.

    Luckily for him, he can turn to his savvy twin brother, Goldy, who earns a living—disguised as a Sister of Mercy—by selling tickets to Heaven in Harlem.  With Goldy on his side, Jackson is ready for payback.

    It’s the living. One night, after a few drinks at an office party, Quirke shuffles down into the morgue where he works and finds his brother-in-law, Malachy, altering a file he has no business even reading. Odd enough in itself to find Malachy there, but the next morning, when the haze has lifted, it looks an awful lot like his brother-in-law, the esteemed doctor, was in fact tampering with a corpse—and concealing the cause of death. It turns out the body belonged to a young woman named Christine Falls. And as Quirke reluctantly presses on toward the true facts behind her death, he comes up against some insidious—and very well-guarded—secrets of Dublin’s high Catholic society, among them members of his own family. Set in Dublin and Boston in the 1950s, the first novel in the Quirke series brings all the vividness and psychological insight of Booker Prize winner John Banville’s fiction to a thrilling, atmospheric crime story. Quirke is a fascinating and subtly drawn hero, Christine Falls is a classic tale of suspense, and Benjamin Black’s debut marks him as a true master of the form.