God, demon, monster, and sorcerer alike plot to regain what was theirs.1913, Salem, Massachusetts – Sarah Engelmann’s life is full of friends, books, and avoiding the pressure to choose a husband, until an ominous vision and the haunting call of an otherworldly trumpet shake her. When she stumbles across a gruesome corpse, she fears that her vision was more of a premonition. And when she sees the murdered boy moving through the crowd at an amusement park, Sarah is thrust into a dark battle she does not understand. With the help of Alex, an attractive Greek immigrant who knows a startling amount about the undead, Sarah sets out to uncover the truth. Their quest takes them to the factory mills of Salem, on a midnight boat ride to spy on an eerie coastal lair, and back, unexpectedly, to their own homes. What can Alex’s elderly, vampire-hunting grandfather and Sarah’s own rabbi father tell them? And what do Sarah’s continuing visions reveal?No less than Gabriel’s Trumpet, the tool that will announce the End of Days, is at stake, and the forces that have banded to recover it include a 900 year-old vampire, a trio of disgruntled Egyptian gods, and a demon-loving Puritan minister. At the center of this swirling cast is Sarah, who must fight a millennia-old battle against unspeakable forces, knowing the ultimate prize might be herself.

    Starting in 1764, an unidentified wolf-like animal ferociously mauled dozens of peasants in the Gévaudan region of France. Whispered rumors of unnatural creatures blended with age-old superstition to cause mass hysteria. Alarmed, King Louis XV sent his best huntsmen to rid the province of the beastly scourge, but this legendary massacre had only just begun. Scarlette, a 19-year-old seamstress who is laboring to make ends meet, lives under this dark threat. Although fearful of the nightmarish monster lurking in the surrounding forest, she remains naive and skeptical of the supernatural gossip. Until her grandmother is attacked.Scarlette learns her grandmother has been infected by the animal's bite. Desperate to save her, Scarlette begins to uncover the dark secrets of her village and finds there are those who wish to keep their pasts hidden. As time grows short, Scarlette is befriended by a local nobleman and a woodcutter who both share an eerie history with the wolf. Scarlette must unravel the men's connection and solve a long-forgotten crime before her grandmother's infection spreads. Based on both the traditional Grimm fairy-tale and older known French versions of "Little Red Riding Hood", this Gothic novel is set against the historic 18th century Beast of Gévaudan attacks in a modern, accessible prose style. Unique to the genre, the novel revives the fable of the girl-in-the-red-cloak with a new historical angle.

    Also included are a discussion of Stoker's working notes for the novel and "Dracula's Guest," the original opening chapter to Dracula. Reviews and Reactions reprints five early reviews of the novel. "Dramatic and Film Variations" focuses on theater and film adaptations of Dracula, two indications of the novel's unwavering appeal. David J. Skal, Gregory A. Waller, and Nina Auerbach offer their varied perspectives. Checklists of both dramatic and film adaptations are included.Criticism collects seven theoretical interpretations of Dracula by Phyllis A. Roth, Carol A. Senf, Franco Moretti, Christopher Craft, Bram Dijkstra, Stephen D. Arata, and Talia Schaffer.A Chronology and a Selected Bibliography are included.

    After responding to several calls with paramedics, he notices that all the dead children were read the same poem from the same library book the night before they died. It's a 'culling song' - an ancient African spell for euthanising sick or old people. Researching it, he meets a woman who killed her own child with it accidentally. He himself accidentally killed his own wife and child with the same poem twenty years earlier. Together, the man and the woman must find and destroy all copies of this book, and try not to kill every rude sonofabitch that gets in their way. Lullaby is a comedy/drama/tragedy. In that order. It may also be Chuck Palahniuk's best book yet.

    But one of the lessons that history teaches is that paradise is coveted and fought over. Successive waves of invaders have claimed—or tried to claim—those vineyards, rivers, olive groves, and hills.In Guy Gavriel Kay’s new novel, Ysabel, this duality—of exquisite beauty and violent history—is explored in a work that marks a departure from Kay’s historical fantasies set in various analogues of the past.Ysabel takes place in the world of today: in a modern springtime, in and around the celebrated city of Aix-en-Provence near Marseilles. Dangerous, mythic figures from the Celtic and Roman conflicts of the past erupt into the present, claiming and changing lives.The protagonist is Ned Marriner, the fifteen year-old son of a well-known photographer. Ned has accompanied his father, Edward Marriner, and a team of assistants to Provence for a six week “shoot.”

    Rain-lashed city streets. A flash of lightning. A scruffy lad sees a girl leap desperately from a horse-drawn carriage in a vain attempt to escape her captors. Can the lad stand by and let her be caught again? Of course not, because he's...Dodger.Seventeen-year-old Dodger may be a street urchin, but he gleans a living from London's sewers, and he knows a jewel when he sees one. He's not about to let anything happen to the unknown girl--not even if her fate impacts some of the most powerful people in England.From Dodger's encounter with the mad barber Sweeney Todd to his meetings with the great writer Charles Dickens and the calculating politician Benjamin Disraeli, history and fantasy intertwine in a breathtaking account of adventure and mystery.Beloved and bestselling author Sir Terry Pratchett combines high comedy with deep wisdom in this tale of an unexpected coming-of-age and one remarkable boy's rise in a complex and fascinating world.