There she meets Aliyan, a British Muslim who is the center of everybody's attention. Both are broken souls, bearers of terrible burdens but when they meet, their fates are forever intertwined.It was first published in Shuaa Digest: July 2014-March 2015.

    A novel about a helpless orphan girl who discovers the real meaning of the holy Quran which helps her cope with the vagaries of her miserable life.It appeared March-August 2011 in Khawateen Digest

    Gidh is the Urdu word for a vulture and Raja is a Hindi synonym for king. The name anticipates the kingdom of vultures. In fact, parallel to the main plot of the novel, an allegorical story of such a kingdom is narrated. The metaphor of the vulture as an animal feeding mostly on the carcasses of dead animals is employed to portray the trespassing of ethical limits imposed by the society or by the religion.Bano Qudsia has written this novel drawing on the religious concept of Haraam and Halaal. Many readers tend to interpret Raja Gidh as a sermon, in which Bano Qudsia puts forth her theory of hereditary transmission of Haraam genes. Naturally the plot is woven to support the thesis. In the opinion of many readers and critics she manages to convince them that the pursuance of Haraam, be it financial, moral or emotional, results in the deterioration of a person's normality in some sense. She seems to suggest that the abnormality is transferred genetically to the next generation.Apart from the above implication the novel has many social, emotional and psychological aspects. The nostalgic narration of the historical Government College Lahore and of the Lawrence Garden Lahore lights upon the days of seventies and eighties.Bano Qudsia is among those Urdu writers who would think ten times before writing a sentence. But she does not sacrifice the flow of the narrative anywhere in this novel. Her characters are not black and white ones as some of the critics would like to suggest. Every sensitive reader who has attended a college or a university in a Pakistani setting is bound to find some similarities between themselves and one of the characters.Plot: Seemin Shah, hailing from an upper middle class family, falls in love with her handsome class fellow Aftab in the MA Sociology class at Government College Lahore. Seemin is a modern and attractive urban girl and attracts most of her male class fellows, including the narrator (abdul)Qayyum and the young liberal professor Suhail. Aftab belongs to a Kashmiri business family. Though he also loves her, he can not rise above his family values and succumbs to his parent's pressure to marry someone against his wishes and leave for London to look after his family business. Now the long story of separation begins.

    The novel was first published in 7 parts in Khawateen Digest monthly from July 2007 to January 2008. It was later published as a complete novel by Ilm-o-Irfan Publishers. The story revolves around Ashar and Khirad's relationship with their daughter, Hareem, and how she unknowingly bridges the distances that exist between her parents. The novel is written in a retrospective manner and told mostly in flashbacks. The first half of the novel is based on mostly Ashar’s reflections and his point of view while the second part of the novel is told mainly from Khirad’s point of view.The story has been adapted into a drama serial (Humsafar), produced by Momina Duraid and directed by Sarmad Sultan Khoosat. The drama aired on Hum TV from September 2011 to February 2012.

    Loyalties have been broken and bought, friends have been lost and gained, and those who possess magic find themselves at odds with those who don’t.

    Ashfaq Ahmed is a consummate master of words.

    Because Audrey told a lie and now her classmate, Ana, is dead. Just as her world begins to spin out of control, Audrey meets the enigmatic Rad—the boy who could turn it all around. But will their ill-timed romance drive her closer to the edge?

    They decide to take a year off in the hopes of finding a way to fall in love again. One year apart, and only one rule: they cannot contact each other. Aside from that, anything goes.Lauren embarks on a journey of self-discovery, quickly finding that her friends and family have their own ideas about the meaning of marriage. These influences, as well as her own healing process and the challenges of living apart from Ryan, begin to change Lauren’s ideas about monogamy and marriage. She starts to question: When you can have romance without loyalty and commitment without marriage, when love and lust are no longer tied together, what do you value? What are you willing to fight for?

    Laurel chooses Kurt Cobain because her sister, May, loved him. And he died young, just like May did. Soon, Laurel has a notebook full of letters to people like Janis Joplin, Amy Winehouse, Amelia Earhart, Heath Ledger, and more -- though she never gives a single one of them to her teacher. She writes about starting high school, navigating new friendships, falling in love for the first time, learning to live with her splintering family. And, finally, about the abuse she suffered while May was supposed to be looking out for her. Only then, once Laurel has written down the truth about what happened to herself, can she truly begin to accept what happened to May. And only when Laurel has begun to see her sister as the person she was -- lovely and amazing and deeply flawed -- can she begin to discover her own path in this stunning debut from Ava Dellaira, Love Letters to the Dead.

    As the years go by, the two find themselves falling in love. But the church calls to Angelo and, despite his deep feelings for Eva, he chooses the priesthood.Now, more than a decade later, Angelo is a Catholic priest and Eva is a woman with nowhere to turn. With the Gestapo closing in, Angelo hides Eva within the walls of a convent, where Eva discovers she is just one of many Jews being sheltered by the Catholic Church.But Eva can’t quietly hide, waiting for deliverance, while Angelo risks everything to keep her safe. With the world at war and so many in need, Angelo and Eva face trial after trial, choice after agonizing choice, until fate and fortune finally collide, leaving them with the most difficult decision of all.

    Her mother died. Her two sisters loathed her. One aunt hated her. The other was strangely distant, but the worst storm—being dumped by her childhood best friend/high school boyfriend/first love for her younger sister. There went the one person who was hers and with that, the main reason she stuck around. So, she left for ten years. But now she’s back, and nothing’s the same. With help from Jonah Bannon, a reformed—kind of—bad boy she remembers from high school, Dani uncovers family secrets that have spanned generations. And along with those, she’s about to face the biggest sh*t storm of her life. Only this time, she may not survive.

    A time when men sold their souls for a bag of gold and women sold their bodies for a place to sleep. Angel expects nothing from men but betrayal. Sold into prostitution as a child, she survives by keeping her hatred alive. And what she hates most are the men who use her, leaving her empty and dead inside. Then she meets Michael Hosea. A man who seeks his Father’s heart in everything, Michael Hosea obeys God’s call to marry Angel and to love her unconditionally. Slowly, day by day, he defies Angel’s every bitter expectation until, despite her resistance her frozen heart begins to thaw. But with her unexpected softening come overwhelming feelings of unworthiness and fear. And so Angel runs. Back to the darkness, away from her husband’s pursuing love, terrified of the truth she can no longer deny: Her final healing must come from the One who loves her even more than Michael Hosea does…the One who will never let her go. A life-changing story of God’s unconditional, redemptive, all-consuming love.--back cover

    Muhammad Bin Qasim conquered Sindh introducing Islam to South Asia and giving Sindh the title of Bab-ul-Islam (The Gateway of Islam). He ended unjust treatment of the so-called 'untouchable caste' and incorporated the ruling class in his administration to establish law and order in the region.

    Sometimes the only thing it deserves is forgiveness.The Voss family is anything but normal. They live in a repurposed church, newly baptized Dollar Voss. The once cancer-stricken mother lives in the basement, the father is married to the mother’s former nurse, the little half-brother isn’t allowed to do or eat anything fun, and the eldest siblings are irritatingly perfect. Then, there’s Merit.Merit Voss collects trophies she hasn’t earned and secrets her family forces her to keep. While browsing the local antiques shop for her next trophy, she finds Sagan. His wit and unapologetic idealism disarm and spark renewed life into her—until she discovers that he’s completely unavailable. Merit retreats deeper into herself, watching her family from the sidelines when she learns a secret that no trophy in the world can fix.Fed up with the lies, Merit decides to shatter the happy family illusion that she’s never been a part of before leaving them behind for good. When her escape plan fails, Merit is forced to deal with the staggering consequences of telling the truth and losing the one boy she loves.

    Now, living in Sydney and engaged to another man, she can't forget the one that got away. When her past comes back to haunt her, she has to make a decision that will break her heart - and the heart of at least one of the men who love her.